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Book List: 21st Century Lovecraftian Fiction

A lot of people have had limited (or no) exposure to the work of H.P. Lovecraft. Maybe they’ve seen those memes that go around at election time that say “Cthulhu for President: Choose The Lesser of Two Evils”, or have an adorable tentacled plushie, but that doesn’t mean they have ever actually read his stuff (and in addition to being creepy and terrifying, his writing can get pretty cumbersome). And once you toss in the really problematic aspects to his work, those people are probably not going to seek it out.

But you do not have to be a fan of the man to appreciate the imaginative worlds he created. Way before the Internet made fanfiction communities possible, people took his words and ran with them to create their own stories, and they are still doing it. I think he’d truly be astonished to see what people today have done with what little he wrote.

I will admit that I am not his biggest fan, mainly because his work gave me the heebie-jeebies in high school and I’ve never been able to get past that. But as an adult, I have read books that are grounded in the universe he imagined, and some of them have been really, really good. Books that are outstanding on their own merits, but that would never have existed if he hadn’t written down his own stories first.  Also, there are many authors that have approached his work in different ways, some more inventive than others. It makes me curious as to what will come next!  I’m going to share a few titles with you here that either I have read and enjoyed or that our reviewers have recommended. If you’re ready to move on from the past,  here are a few books you can try to check out what’s new in the world of Lovecraftian fiction.

 

 

Winter Tide by Ruthanna Emrys

 

Emrys flips Lovecraft’s view completely, by giving the narrative voice to Aphra Marsh, one of the “people of the water” who inhabited Innsmouth until the government destroyed it and took the survivors to an internment camp in the desert in 1928. Aphra and her brother Caleb are the only survivors, and are adopted by the Koto family, Japanese-Americans interned there during World War II. After the war is over, Aphra is contacted by a Jewish FBI agent, Ron Spector, who has reason to believe that the Russians may have learned the dangerous ability to body-switch, a power possessed by the Yith, long-lived time travelers who archive as much of history as they can. Spector wants Aphra to visit Miskatonic University as part of a research delegation and attempt to discover who at Miskatonic might have presented the Russians with the information. Aphra and Caleb jump at the opportunity to visit the Miskatonic library, where all books and documents remaining after the destruction of Innsmouth are stored. All this is just the beginning of a suspenseful and creepy mystery with more than its fair share of terror. A second team of FBI agents working at cross-purposes with Spector, a mysterious Yith, and an unexpected family reunion all feed into the chaos and pain, but there’s also love and loyalty, coming from unlikely places. With survivors of Innsmouth, formerly interned Japanese-Americans, a Jewish FBI agent, and an African-American informant, as central characters, genocide and racism must be faced head-on, but Emrys handles it without ever getting didactic. From Aphra’s point of view, we are all monsters, and it’s the choices we make that matter.

 

Dreams from the Witch-House: Female Voices of Lovecraft edited by Lynne Jamneck

 

This feminist anthology of Lovecraft-inspired horror received a rave review from Monster Librarian reviewer Lizzy Walker. Read her review here.

 

The Dream-Quest of Vellit Boe by Kij Johnson

 

This novella by Kij Johnson is her response to Lovecraft’s The Dream-Quest of  Unknown Kadath. It has an unreal, dreamlike feel to it, reminiscent in places of Ursula K. Le Guin, and draws the reader in to that dimension where uncaring, destructive, and capricious gods determine the fate not just of individuals but of entire communities. Vellitt Boe is a professor of mathematics who goes on a nightmare quest to retrieve one of her students, who has escaped to the waking world, before her grandfather, an insane god now deep in sleep, awakes and destroys the women’s college Vellitt works at, out of vengeance. An  adventurous traveler earlier in her life, Vellitt, now middle-aged, sets out again to find her student, a rare woman traveling through dangerous places, forced to face her regrets and past decisions as she moves closer to her goal. In a note at the end of the novella, Johnson writes that her first experience with Lovecraft was with The Dream-Quest of Unknown Kadath, and that while she was uncomfortable with the racism, it was only later that she noticed the absence of women. Even though there are women in Johnson’s story, that absence is notably obvious. It’s also rare to see an adventure story with a middle-aged woman as protagonist, and it’s pretty cool that Johnson chose to center her in this novella.

 

The Ballad of Black Tom by Victor Lavalle

 

This is Lavalle’s response to Lovecraft’s “The Horror at Red Hook”. It’s been featured in many major review sources and has won multiple awards. Read our review here.

 

Maplecroft: The Lizzie Borden Dispatches by Cherie Priest

 

Lizzie Borden lives with her sister Emma, a disabled, brilliant, mad scientist, near the town of Fall River, Massachusetts, in the remote estate of Maplecroft. Although she’s been found innocent of the crime of murdering her parents with an ax, she can see malevolent entities from the ocean infecting the people of her community with nightmares and insanity, and she is not afraid to take them on, with every resource at her disposal. This is an epistolary novel, made up of journal entries and letters, and it’s easy for a story told using this method to drag. In this case, though, the plot is fast-paced, descriptions are vivid and horrific, and characters are revealed as in the peeling of an onion. Priest climbs inside the minds of characters who are slowly going insane, and we see through their eyes– it is a riveting, disturbing, trainwreck of a book. Priest does a great job of integrating historical details and Lovecraftian elements into her story. In addition to being ruthless and brutal with an ax, Lizzie also has a lover, Nance, who adds to the tension of the story. With complex women at its center, Maplecroft is a take on Lovecraft that would blow him away. A second volume, Chapelwood, is also available.

 

Lovecraft Country by Matt Ruff

 

This is a series of interlocking stories taking place during the Jim Crow era,  about two African-American families threatened by cultists. Some critics have said it’s short on the existential dread and wiggly creatures, but an argument can be made that African-Americans in segregated America had more immediate terrors as part of their daily lives. This book is being made into an HBO series produced by Jordan Peele, the individual responsible for the excellent movie Get Out. 

 

 

Posted on October 17, 2017 by , Reply

Musings: The Same Old Arguments About H.P. Lovecraft

H.P. Lovecraft was a racist.

It’s not an argument we are going to have here. He was a racist, and it’s clear as it can be from his writing that he was racist, misogynistic, and anti-Semitic.

I often hear apologists say “He wasn’t any worse than anyone else at the time.”  That’s a terrible argument. Other people being racists at the same time doesn’t excuse Lovecraft– it just shows that an appalling number of people were racist.

I’ve actually seen someone compare him to Abraham Lincoln (I’m totally willing to say that Lincoln was not an angel, and he certainly held racist beliefs. But that’s one of the most bizarre comparisons I’ve ever come across). Lincoln’s racism isn’t an excuse for anyone else’s racist beliefs, either.

Also, can we please get past the idea that people who object to Lovecraft’s racism are destroying literature? Or that any literature belongs to any one person?  Lovecraftian fiction is more popular than it’s ever been, and his racism isn’t stopping a lot of people from reading and enjoying it, or even writing it.  And authors and publishers who address the problematic nature of Lovecraft’s work are producing some amazing work. Victor Lavalle’s The Ballad of Black Tom, a response to The Horror at Red Hook, received rave reviews.  Silvia Moreno-Garcia at Innsmouth Free Press, published and co-edited She Walks in Shadows, an award-winning anthology of Lovecraftian fiction.

I’m not a fan of Lovecraft at all, but I don’t think Lovecraft’s work should be banned, or shoved under the table. Just because he wrote about shadowy creatures doesn’t mean he and his work should be hidden. He existed, and regardless of what you, or I, or anyone else, think of him,  he made tremendous contributions to horror literature, and his mythos, at least, has solidly embedded itself in mainstream culture.  As individuals, we can each decide whether his problematic attitudes toward race, women, and Jews are enough to keep us from reading his work or even loving it. But they shouldn’t be forced on anyone.

But this back-and-forth on “is Lovecraft a racist” is taking the focus away from some really brilliant writers who have already recognized that he is problematic, and are facing that head-on. Let’s see how far-reaching the diversity and creativity of today’s writers of Lovecraftian fiction can take us as we acknowledge his racist past.

 

 

Posted on September 3, 2017 by , Reply

Book Review: Twice Upon An Apocalypse: Lovecraftian Fairy Tales edited by Rachel Kenley and Scott T. Goudsward

Twice Upon an Apocalypse edited by Rachel Kenley and Scott T. Goudsward

Crystal Lake Publishing, 2017

ISBN: 9781640074750

Available: ebook

Kenley and Goudsward hit an untapped vein with this collection of fairy tales with Lovecraftian themes. Between the pages of this book are twenty-one stories of morality mixed with the twisted gods and entities we have come to know through Lovecraftian fiction. Each story has its own flavor and maddening end. Revamped tales are culled from Brothers Grimm, Hans Christian Anderson, Charles Perrault, Joseph Jacobs, Robert Browning, L. Frank Baum, and Washington Irving. While all of these stories have merit, a few stood out more than others.

The cats start disappearing from the sleepy town of Providence in “The Pied Piper of Providence” by William Meikle. The rural dwellers talk about strange creatures roaming the outskirts, but of course the city folk pay no heed; certain it is simply superstition that makes them talk. Then the rats come and all hell breaks loose. An old man, dressed in almost ridiculous attire and armed with two wooden flutes, appears in the town. He introduces himself as Rattenfänger von Hameln and he is their only salvation. What happens when the councilmen bilk the old man of his payment, and who does he take for compensation instead? David Bernard’s “Little Maiden of the Sea” tells the story of the little Deep One who wants so badly to dwell among the air-breathers. When she meets old man Whateley, she agrees to his strange terms and accepts his offer. He calls her Lavinia, and she bears him two sons that will change the fate of humanity. In “The King on the Golden Mountain” by Morgan Sylvia, a man who lost his wealth makes a pact with a strange man that he would be restored to his former glory, provided that in twelve years he sacrifice the first living thing he sees upon his return to his home. Unfortunately for the man, it is his own son who greets him as he arrives back to his humble abode. The twelve years elapse, and the son is taken back to the obelisk where the strange man is waiting. In a strange turn of events, the son, due to his only half human blood, is teleported to a new world and makes a family for himself with his new fork tongued bride. What transpires for the father and son leads to total destruction, new life, and a tragic return home.  “Once Upon a Dream” by Matthew Baugh twists the tale of the unfortunate Sleeping Beauty from the form of a girl to that of the newly birthed Cthulhu. Hastur, taking umbrage at not being invited to the great Cthulhu’s feast, curses little Cthulhu and it comes to pass. Millennia pass as little Cthulhu slumbers until the day the one man in the entire world can wake her.

My favourite story in this collection is based on Washington Irving’s The Legend of Sleepy Hollow.  At the center of “The Legend of Creepy Hollow” by Don D’Ammassa, are Arthur Abrams, assistant professor of physics at Miskatonic University, and Martin Ichabod, of the Ichabod Crane Company and wealthy man about town. They meet at a social gathering meant to raise funds to expand the university’s library (a noble venture if I do say so myself). Arthur relies on empirical evidence rather than the unknown while Martin is very much a student of the occult and supernatural.  Katrina Bergen, a mathematics graduate student, enters the story, and Arthur falls in love with her immediately. Externally, she carries reference and subject related materials, but she secretly reads romance novels and watches romantic comedies in the privacy of her apartment. Alas, he finds her talking to the dashing Martin at an event celebrating the library’s newly acquired funding for the expansion. The rivalry between the two men grows with every meeting, the verbal spats about the known world versus the unknown world increase. Martin eventually invites Arthur to dinner and a demonstration that leaves the world changed forever.

Other stories include “The Three Billy Goats Sothoth” by Peter N. Dudar; “In the Shade of the Juniper Tree” by J.P. Hutsell; “The Horror at Hatchet Point” by Zach Shephard; “Follow the Yellow Glyph Road” by Scott S. Goudsward; “Gumdrop Apocalypse” by Pete Rawlik; “The Ice Queen” by Mae Empson; “Cinderella and Her Outer Godfather” by C.T Phipps; “Curiosity” by Winifred Burniston; and “Sweet Dreams in the Witch-house” by Sean Logan.

Every story in this collection is a gem. If you like dark reimaginings of fairy tales, you should check this one out. I was apprehensive about pairing Lovecraftian themes with fairy stories, but it worked rather well. Highly recommended.

Contains: some blood and gore, racial epithets in “In the Shade of the Juniper Tree”

Reviewed by Lizzy Walker

 

Posted on July 10, 2017 by , Reply
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