Home » Posts tagged "LGBTQ+ characters" (Page 7)

Book List: A Year of Witchy Reads

My library informed me that this year was the Return of the YA Vampire, and indeed we did see a number of YA vampire novels this year, not least of which was Stephenie Meyer’s latest addition to the Twilight saga, Midnight Sun. 

For myself, I discovered I had read a number of very good books focused on witches and witchcraft.

 

A Deadly Education by Naomi Novik was an interesting YA title that followed a teenage witch at a boarding school for witches, who is aggressively beleagured by her powerful talent in black magic that she is trying to avoid using. The school is regularly invaded by monsters who feed on the students and their magic and also surround the school, making survival until graduation and escape afterwards a deadly challenge. This is significantly different from Novik’s previous endeavors in alternate history and fantasy, and presents a unique twist on the “boarding school” genre.

 

 

 

   Gideon the Ninth by Tamsyn Muir is a strange combination of space opera, necromancy, and political maneuvering. In this book, there are nine Houses, each responsible for a different variety of magic. The Ninth House specializes in necromancy. When a competition for a high position working with the Emperor  arises, each House is required to send a magic user with a bodyguard. Gideon, much against her will, reluctantly agrees to accompany Harrow, the powerful and very unpleasant necromancer who heads the Ninth House.  I can’t even try to explain the puzzles, magic, politics, personalities, and relationship dynamics in this book except to say that Gideon and Harrow are a compelling pair, regardless of whether you love, hate, or are exasperated by either or both of them. The sequel, Harrow the Ninth, came out recently as well, and is also mindbending and disturbing.

 

Cemetery Boys  by Aiden Thomas is another  #OwnVoices YA novel that has gotten a lot of press, and a lot of praise. Our main character, a Latinx trans boy, proves he deserves to be accepted in the coming-of-age ceremony for brujos, who can see, control, and banish ghosts.  While not as thoroughly horrific as a genre reader might expect, the conclusion makes up for it, and this is an outstanding book with great representation.

 

 

 The Mercies by Kiran Millwood Hargrave is a terrifying work of historical fiction strongly grounded in fact, about a fishing village of women in an isolated, freezing location are left to manage everything on their own when the men are all swept away during a storm while they are on the water. Once the government steps in, the idea that women could be competent enough to take care of themselves suggests that at least some of them must be witches. I wrote a more extensive review of this book earlier this year and I really suggest that you read it, and then read the book.

 

Conjure Women by Afia Atakora is an #OwnVoices work of historical fiction with threads of horror and the supernatural throughout. It alternates between “slaverytime” and “freedomtime”. The “slaverytime” storyline takes place on an unnamed plantation in the South and follows Miss May Belle, the conjure woman responsible for healing, midwifery, and sometimes, casting curses and spells. The “freedomtime” storyline is told from the point of view of Rue, Miss May Belle’s daughter, who has taken over her responsibilities as conjure woman. The former enslaved people from a burned down plantation have built a hidden village nearby. While they respect Rue at first, after she delivers a baby with a caul over its head and an illness she can’t cure causes children to sicken and die, they turn against her. There’s no way to avoid horror when evoking slavery, and Atakora based a lot of her story on oral accounts and slave narratives. While the pacing was relatively slow and not everyone will appreciate the shifting points of view, I found this a compelling story.

 

The Graces by Laure Eve is a YA novel about a girl who believes she has magic and is looking for others like her. She finds them in the Grace siblings, beautiful and charismatic, who may or may not have magic. The narrator, identifying herself as River, is an unreliable reporter of events, making it a challenge to tell what is actually happening.

 

Cinderella is Dead by Kalynn Bayron is an #OwnVoices YA novel that explores what might happen after the happily ever after of the Cinderella story. If you’ve read any book about a repressive, patriarchal society, from The Handmaid’s Tale to The Grace Year, you’ll be able to guess that the answer is “nothing good”.  200 years after Cinderella married her true love, all teenage girls must know the government-approved version of the story by heart, and be ready to be chosen by an eligble man as his wife. Sophia would rather marry her friend Erin than any man, but she’ll have to take down the patriarchy to do it. I’d spoil the story if I revealed the part the witch takes in this story.

 

 Year of the Witching by Alexis Henderson is a dark tale of witchcraft, wildness, and the dangers of a patriarchal theocracy. Immanuelle is the child of a forbidden affair that led to her parents’ death and her grandparents’ ostracism, and she has been told never to enter the woods because dangerous witches live there and would seduce her into witchcraft. Entering the woods despite the warnings, she discovers her mother’s diary, which contains both evidence of her love for Immanuelle’s father and of a descent into madness. When inexplicable plagues begin to destroy her community, the head of the Church, known as the Prophet, decides they must be due to witchcraft and starts culling possible witches from the women, including Immanuelle. While the plagues send illness, darkness, and blood, the Prophet, his co-leaders, and his most devout followers are also sources of dark and terrible things.

 

 

 Undead Girl Gang by Lily Anderson was a surprise to me! Despite appearing on a list of YA vampire titles (there are no vampires) and a title suggesting a zombie romp, this book actually centers on a fat, Mexican, teenage witch, Mila, who is grieving the sudden death (and probably murder) of her best and only friend, Riley, following the sudden deaths (and probably murders) of Dayton and June, popular mean girls at school, all of which have been chalked up to suicide.  Mila discovers a grimoire with a dark spell that will allow her to bring Riley back from the dead for seven days to help prove and solve her murder, but when she casts it, she accidentally also brings back Dayton and June– and now they’re all connected okay, so maybe it is a little of a zombie romp, but the plot centers on Mila and her witchery). The reunion with Riley isn’t exactly what Mila expects it to be, and both Dayton and June turn out to be a little more three-dimensional than they seemed while they were alive and tormenting Mila. The mystery is pretty predictable– it’s the girls, and especially Mila, who make it fun. Anderson sensitively deals with grief, death, and friendship, with touches of humor.

 

The Once and Future Witches by Alix Harrow was also published this year,  but I haven’t yet had an opportunity to read it. But there are great books of all kinds on witches, for teens and adults, for lovers for horror, fantasy, space opera, dystopia, and historical fiction… If you are looking for a little witchcraft to spice up your holiday season, you might want to check one of these out.

 

Book Review: Cemetery Boys by Aiden Thomas

cover art for Cemetery Boys by Aiden Thomas

Cemetery Boys by Aiden Thomas ( Bookshop.org  |  Amazon.com )

Swoon Reads, 2020

ISBN-13 : 978-1250250469

Available:  Hardcover, Kindle edition, audiobook

 

Yadriel is a Latinx trans boy whose community lives in the cemetery and serves Lady Death. When they are fifteen, boys are presented to Lady Death for a blessing to become a brujo and receive a portaje, a dagger that allows them to draw blood to direct their magic so they can cut the ties between spirits and this world to send them to the afterlife before they become malevolent. At the same age, girls who go through the ceremony and receive the blessing become brujas and are presented with a rosary as their portaje, that allows them to heal using blood.  As a trans boy, Yadriel did not go through the girls’ ceremony as he was expected to do, but was not allowed to go through the boys’ ceremony to become a brujo because the community does not accept that he is a boy. Impatient to prove himself, Yadriel secretly goes through the ceremony to become a brujo.

When his cousin Miguel goes missing and is suspected dead, Yadriel searches for him in an old church on the cemetery property. Finding a necklace with a medallion, Yadriel makes a guess that it might be a way to summon Miguel’s spirit. Instead, he accidentally summons a teenage troublemaker from his high school, Julian, who refuses to move on to the afterlife until he knows if his friends are okay. Yadriel has to resolve things quickly and quietly, before his father finds out and Dia de los Muertos begins. There is something much more sinister and terrifying going on than the limited blood magic practiced by the brujx community.

Thomas interweaves issues and messages related to and positive representations of trans, gay, and lesbian characters in general and specifically in Latinx communities. Lady Death and the mythology of Yadriel’s community is not limited to one nationality– immigrants from many countries in the Latinx diaspora participate, and issues related to immigration (like whether the individuals are documented) curtail the options of the members in seeking help from the police, and this is all well-integrated into a unique storyline. There’s also a sweet love story of the kind that LGBTQ+ teens deserve to see more of. The only disorienting moment is near the end when there is a sudden switch in point of view from Yadriel to Julian, but that’s a minor quibble in a high-quality story that can sweep you out of the everyday with its magic. Highly recommended.

 

Contains: Violence, blood, attempted murder

 

Book Review: SLAY: Stories of the Vampire Noire edited by Nicole Givens Kurtz

A note from the editor:

We are midway through October and Monster Librarian still needs to raise the funds to pay for our hosting fees and postage in 2021. If you like what we’re doing, please take a moment to click on that red “Contribute” button in the sidebar to the right, to help us keep going!  Even five dollars will get us closer to the $195 we need to keep going at the most basic level. We have never accepted paid advertising so you can be guaranteed that our reviews are objective. We’ve been reviewing and supporting the horror community for 15 years now, help us make it another year! Thank you! And now, our review of SLAY: Stories of the Vampire Noire edited by Nicole Givens Kurtz.

cover art for SLAY: Stories of the Vampire Noire

SLAY: Stories of the Vampire Noire edited by Nicole Givens Kurtz (   Bookshop.org  | Amazon.com )

Mocha Memoirs Press, 2020

ISBN-13 : 978-1735219554

Available: Hardcover, paperback, Kindle edition

 

The late L.A. Banks’ Vampire Huntress series, and her ability to transform common tropes of vampire fiction into stories that reflected the African-American experience, inspired many of the authors in SLAY: Stories of the Vampire Noire. Anthology editor Nicole Givens Kurtz continues that tradition here by showcasing Black writers and their imaginings of vampires, slayers, and hunters through their stories, giving Black readers the opportunity to be seen in vampire fiction that takes on the standard Eurocentric tropes and transforms them in a way that is uniquely relevant to Black people and also provides a window for other readers into what they have been missing because of the limited perspective of most vampire fiction. The stories come from all over the African diaspora, but the majority of them are by authors from the United States and Britain. Authors take various approaches to the concept of vampirism, inspired by Black culture, mythologies, history, and experiences, but there is nothing boring here. Interspersed between stories are beautifully calligraphed obituaries.

In the section of stories from the United States and Britain, strong stories include “Dessicant”, by Craig Laurance Gidney, takes place in a badly-kept up low-income apartment building that has red dust in the vents that is making its occupants sick and draining them of fluids. The negligent landlord can’t be reached and the protagonist, a Black trans woman ostracized by other residents, has to find a way to combat the dust, or whatever it is, on her own. “The Retiree”, by Steven Van Patten, is a funny, heartbreaking story that will give readers a new perspective on what goes on in a retirement home In “The Dance”,  by L. Marie Wood, the protagonist is surprised to learn there is more to her sexuality than she realized. In “A Clink of Crystal Glasses Heard”, by LH Moore, Neeka and her friends have a coming-of-age ceremony planned by their mothers that is not what they expected. “Diary of a Mad Black Vampire”,  by Dicey Grenor, puts the reader in the head of a bored, lonely and vicious Black vampire who finds herself intrigued by a fragile-seeming albino white girl. “The Last Vampire Huntress”, by Alicia McCalla, remixes the story of Kendra the Vampire Slayer, with Kendra the reluctant, prophesied, last vampire huntress who must accept her destiny and kill her vampire boyfriend after he attacks her friends. “Unfleamed”, by Penelope Flynn, tackles race and violence in the Victorian era with its take on the Dracula story. “Di Conjuring Nectar of di Blood” , by Kai Leakes, is a gorgeously written historical story of love and generational trauma. In “Snake Hill Blues”, set in 1927,  conjure woman Mamma Lucy eliminates a vampire who has been preying on dancing girls. I hope this author will bring her back in other stories!

The stories from African authors are also strong.  A few that stuck out to me included Oghenechovwe Donald Ekpeki’s “Attack on University of Lagos Law Faculty”, an entertaining story narrated by a pompous, egotistical law student who finds himself in the surprising position of vampire slayer, and “His Destroyer”, by Samantha Bryant, is a powerful rendering of the Passover story from the point of view of  the avatar of the Angel of Death. “Quadrille” is an engaging and occasionally darkly humorous story about friendship narrated by a vampire who has become a reporter in conflict zones in order to cover up his feeding habits, abetted by a djinn and a shapeshifter.

A last section contains stories about the future. These stories aren’t really horror, but they are compelling. In “Bloodline” scientists make a terrible mistake, enhancing a vampire’s powers.  “Message in a Vessel” is a science fiction story about the consequences of human enslavement to vampires, and “Blood Saviors” is a more fantasy-oriented tale in which an investigator for the vampires’ council discovers that a vampire has been enslaving and draining earth elementals to make a rejuvenating serum for humans, whose blood has become polluted, leading to vampires getting sick.

This is a great collection overall, with fresh takes on vampire lore that I really haven’t seen elsewhere, informed by Black experiences and perspectives. There’s enough here to love that it has taken me much longer than I expected to write this review. If you love vampire fiction or horror anthologies, and want to support Black authors, publishers, and readers of horror you should definitely pick this up. It’s a great way to discover some really talented Black writers, if you haven’t already. Highly recommended.

Contains: Animal killing, body horror, blood-drinking, torture, scientific experimentation, mutilation, murder, gore, violence, sexual situations, racism, sexual assault, rape, dehumanization, insects, genocide.