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Book Review: All Our Hidden Gifts by Caroline O’Donoghue

cover art for All Our Hidden Gifts by Caroline O'Donoghue

All Our Hidden Gifts by Caroline O’Donoghue

Walker Books, 2021

ISBN: 978-1536213942

Available: Hardcover, audiobook, ebook (Bookshop.org)

 

 

O’Donoghue’s foray into YA literature delivers tricks and treats for fans of Gothic, mystic stories dealing with social themes; but magic doesn’t solve everything this character-driven YA paranormal fantasy set in contemporary Ireland.

 

Sentenced to cleanup duty in detention, 16 year old Maeve discovers an old mixtape, a Tarot deck, and an uncanny knack for reading the cards. When her former best friend Lily goes missing after a heated exchange, classmates soon start avoiding Maeve like she’s some kind of creepy occultist. As she finds herself immersed in a world of fantastic possibilities she doesn’t fully comprehend, Maeve discovers a new friend in artsy Fiona. Ultimately, Maeve confronts a dangerous entity summoned by powerful emotions and explores her uncorked inner magic skills, while becoming increasingly regretful about how she dumped and ostracized Lily.

 

There are supernatural elements to the story at every turn, but this subtle gem explores far more than magic. This is also a book about another secret superpower: empathy. Maeve, who is white and from a comfortably middle class family, navigates themes of diversity with detailed, well-developed characters that include non-binary, bisexual love interest Roe; biracial, Filipina friend Fiona; former BFF Lily who has hearing loss; and queer lesbian sister Jo.  Perspectives on racism, homophobia, and classism are explored in context, in unscripted, messy, and uncomfortably realistic ways.  O’Donoghue deftly creates a tone of authentic growth across these topics instead of patching over tough spots. Maeve fumbles, misunderstands, and makes bad choices, but keeps trying. Growth doesn’t happen easily, and Donoghue sidesteps an investment in “likability”,  so readers journey with the protagonist in learning that while intention matters in magic, it doesn’t count in interpersonal relationships or the fight for social justice.

 

The romantic interludes sometimes feel a bit out of place, but packed with mysticism, magic, queer liberation, and the drama of teen friendships, this contemporary tale will likely have strong appeal for readers looking for complex characters and edgy situations in a speculative framework. Readers of DeAngelis’ Bones & All, Older’s Shadowshaper, Okorafor’s Akata Witch, Power’s Wilder Girls, and Adeyemi’s Children of Blood and Bone will find much to enjoy in Gifts. Ages 14+. Highly recommend.

 

Minimal gore, but contains bullying, references to hate crimes and homophobia.

 

Reviewed by E.F. Schraeder

Book Review: Liar: Memoir of a Haunting by E.F. Schraeder

cover art for Liar: Memoir of a Haunting

Liar: Memoir of a Haunting by E.F. Schraeder

Omnium Gatherum, 2021

ISBN-13 ‏ : ‎ 978-1949054347

Available: Paperback, Kindle edition Bookshop.orgAmazon.com )

 

 

Alex and Rainey, a lesbian couple ready to escape their home in the hostile Midwest, embark on a long process of visiting Vermont and searching for a house so they can move there. Each house they visit has an ominous feel or dark history… that is, until they visit the Sugar House, a beautiful but isolated property with the primary disadvantage being that it is in a cell phone black hole. Together, they decide to buy the house and move there. Or do they? Told in alternating points of view, piecing together what actually happened is difficult to do. Rainey talks about having misgivings over the house and Alex talking her into it, with the understanding that they’ll live there together. Alex says she never planned to move there and talks about Rainey saying she wanted the peace and quiet of an off-grid life. Rainey finds herself living there alone as Alex travels for work and cares for her mother, who has dementia, in their hometown. It turns out that vacationing in Vermont as a couple is much different than being a lesbian living alone in an insular community and an isolated area, without a reliable way to communicate with the outside world, and gun-toting men frequently knocking on your door to ask if you are home alone and have a working phone. Rainey, who has worked hard to deal with past trauma, finds that it is emerging again. She develops insomnia, becomes obsessed with the trees over the house and local disappearances, and begins to sound more and more paranoid and lost. Despite regular calls, she isn’t getting though to either her therapist or to Alex about how disorienting and disturbing both her exterior and interior lives are becoming.

 

Alex, tied up with work, travel, and caring for her mother, is discovering the Rainey she knew is changing into someone who is exhausting to talk to and deal with. Alex is becoming frustrated– how terrible can it really be to live in peace and quiet with nature all around you? Her weekends in Vermont are no longer relaxing: they’re taken up with chores. When Rainey suddenly goes quiet and Alex receives a phone call from a neighbor, she rushes to the Sugar House to search for Rainey and finds and reads her journal for clues. On Rainey’s mysterious return, they both acknowledge that there is some kind of presence in the Sugar House.

 

You would think that these major miscommunications and red flag behaviors would be a death knell for a relationship. Rainey, a humanities professor, gets meta when Alex suggests writing about the experience as a haunted house story, noting that in haunted house stories it’s practically a trope for the story to document the fracturing of a self or of a relationship. Certainly we do see the cracks into Rainey’s sense of self, but while Rainey and Alex’s relationship struggles, the two of them never talk about breaking things off. Rather than discuss what they’re thinking or feeling with each other, they paper it over. People in relationships do this, but it was so frustrating that nothing was resolved.

 

Schraeder writes with vivid descriptions of the outdoors. I could almost see the snow and hear the aspens shaking. I did feel like the ending got a little confusing, and feel like it could have been fleshed out a little more. Rainey’s thoughts and experiences as she went down the rabbit hole seemed very believable. Liar: Memoir of a Haunting is definitely a different take on the haunted house story.

 

Reviewed by Kirsten Kowalewski

Book Review: Rare Birds by L.S. Johnson

cover art for Rare Birds by L.S. Johnson

Rare Birds by L. S. Johnson

Traversing Z Press, 2019

ISBN 978-0-9988936-4-8

Available: Paperback, Kindle edition

 

I must confess that I was not familiar with L. S. Johnson and her previous work. Thus, when starting to read this collection  (featuring eight longish stories) I had no idea of what to expect. Certainly, I was not expecting such a strong, vivid narrative style, or her bold way of addressing thorny and tricky subjects with apparent ease, and of handling hot topics with a steady hand. Blending graphic horror and unrestrained sexual drive with an insightful view of human deepest feelings, Johnson produces strong fiction unsuitable both for the squeamish and the cursory reader. You may love or hate her stories, but they will never leave you indifferent.

Among the included tales my favorites are: “Rare Birds, 1959”, a gloomy story of rape with an unexpected, surreal outcome; “Marigolds”. a dark, disquieting tale of lesbian love set in 1775, and taking place in a Parisian brothel; and  “A Harvest Fit for Monsters”, a memorable dystopian story set in a grim future where an old woman takes revenge on a war criminal.

The highlight of the book is “The Queen of Lakes”, an outstanding tale masterfully depicting the life of a clever peasant girl, who is forced to leave school to allow her dumb brother to go to college, and finds a devoted friend in a dangerous creature dwelling by a lake.

I’m strongly recommending this collection, while I’m getting ready  to secure a copy of the author’s other books if still available.

 

Contains: rape, sex, explicit violence

 

Reviewed by Mario Guslandi