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Book Review: Dead Souls by J. Lincoln Fenn

Dead Souls by J. Lincoln Fenn

Gallery Books, 2016

ISBN-13: 978-1501110931

Available: Pre-order, paperback and Kindle edition

 

Fiona Quinn is having a bad day. She’s soaking wet, freezing cold, barefoot, locked out of her apartment without her wallet, and she just saw her boyfriend, Justin, take off in a taxi with another woman. It’s hard to believe that anyone would give her a drink, but her background in marketing makes her very convincing, and she’s busy downing mojitos when a man walks up to her, offers to buy her a sandwich and a drink, and asks her what it would take to convince her to sell her soul. Being an atheist, she says she’d trade it for the power of invisibility… but apparently lack of belief doesn’t invalidate the deal, and suddenly she owes the Devil, now called Scratch, a favor of his choosing– one that’s likely to be horrifying, graphic, and newsworthy.

As a damned soul, Fiona can identify others, and she meets Alejandro, who traded his soul to become a famous photographer. He  introduces her to a support group for those who have traded their souls and are now waiting for their favor to be called in, and lends her a book compiled over time by other damned souls seeking a way out.  Having traded her soul for invisibility so she can spy on her boyfriend, she then learns that, rather than cheating, he actually was planning to propose before he developed pancreatic cancer, and is leaving his estate to her. Feeling guilty, and wanting to restore him to health, she tries to figure out a way to change her deal with the devil to save Justin. Alejandro warns her that the devil is always a few steps ahead of what any of his dead souls may be planning, but Fiona is sure she can successfully double deal with the devil, escape her fate, and change Justin’s.

Much like the devil, J. Lincoln Fenn managed to keep a few steps ahead of me all through the book, with a twisty plot that somehow managed to tie together the beginning of the story with the end in a manner that is both ironic and truly gruesome. The favors Scratch calls in are turned against Fiona and her fellow dead souls, as he forces them to use the gift they bargained for in warped, grotesque, and graphically portrayed ways, both against humanity in general and each other.  Social media, photography, and marketing strategies all take prominent roles in the way the story plays out: Alejandro uses his images to capture souls, and Fiona uses her marketing talents to manipulate others, using her marketing trinity of novelty, misery, and desire.

Fenn’s writing is a trap: it starts out slowly, and the first quarter of the book creates unease, but there is no indication of the stomach-churning events to come. While I don’t think Fenn is aiming to be extreme, this is not a book for the squeamish. Some of the favors called in create images and visceral reactions that I won’t be able to let go of easily. Dead Souls is a well-crafted tale that, in addition to provoking unforgettable reactions in the reader, also provides food for thought, and it will disturb your thoughts next time you turn on the news. I won’t be surprised if it makes the shortlist for the Stoker this year. Highly recommended for public library collections. Reader’s advisory note: try recommending Dead Souls to readers who enjoyed Fenn’s debut novel, Poe, or Lauren Beukes’ Broken Monsters.

 

Contains: Graphic violence and gore, suicide, implied cannibalism, suicide, torture, mutilation, and descriptions and imagery depicting mass killings.

Posted on August 29, 2016 by , Reply

Women in Horror Month: A Look Back

An enormous amount of content was produced by and about women in horror during Women in Horror Month, 2014. I linked to a lot of this content via our Facebook page  However, since a lot of people don’t visit our Facebook page, I’m going to provide a list of links to places I visited and shared during the month that are related to WiHM(I really recommend that you visit there often, because not only will you get all kinds of awesome content that comes my way, but there are also links to all our blog posts– not just this blog, but the one for Reading Bites, and the one that notifies you of new reviews. So it’s a great way to see everything current).

Enjoy!

Mary Shelley Letters Discovered in Essex Archive-– The Guardian, January 15

Flowers in the Attic: The Value of Young Reading Perspectives-– Kelly Jensen, BookRiot

The Ghost of V.C. Andrews: The Life, Death, and Afterlife of the Mysterious “Flowers in the Attic” Author—  Kate Aurthur at Buzzfeed. For the first time, the family and colleagues of the author speak out to provide a fuller picture of her life.

The Literary Gothic— A web guide to biographical information on early supernaturalist authors, set to close down in June

Please Don’t Bring Me Flowers— Allison Peters, BookRiot

20 Black Women in Horror Writing— Sumiko Saulson. Essential reading for the month of February, for multiple reasons. Saulson also published a short ebook on black women horror writers in February of this year, available for free at Smashwords.

Women in Horror Recognition Month Facebook page

Gothic Pioneer Ann Radcliffe May Have Been Inspired by Mother-In-Law— The Guardian, January 30

Women Who Write Lovecraft by Silvia Moreno Garcia of Innsmouth Press

RA for All: Horror— Becky Siegel Spratford asks who your favorite woman writer in horror is.

Ania Ahlborn’s interview with J. Lincoln Fenn

The Rise of the Women in Horror Movement: Admirers, Haters, and Everything In-Betweeners at Brutal as Hell

Statistics on genre writer submissions by gender at Tor UK, by editor Julie Crisp. Crisp’s statistics demonstrated that women submit fewer manuscripts than men, at least at Tor UK, so sexism by the publisher isn’t the only factor at play.

Women in Horror Month: Girls Can Kill, Too!— Bloody Disgusting

Writing female protagonists, by Lisa Morton– HWA blog

Genre-blending from Mary Shelley to the present by J. Lincoln Fenn– HWA blog

Horror Roundtable on Sexism— HWA discussion. Read the comments section– it’s very interesting!

Women Destroy Science Fiction Kickstarter— Lightspeed Magazine. In spite of everyone’s insistence that all-women issues are not desirable, this Kickstarter campaign to fund an all-women writers’ issue of Lightspeed Magazine was so successful that the people at Lightspeed expanded to include issues called Women Destroy Horror (published as an issue of Nightmare Magazine) and Women Destroy Fantasy (published as an issue of Fantasy Magazine). The campaign is over, but this shows there is clearly a demand for work by women writers. Look for the special issues later this year!

Mary SanGiovanni on her personal experiences as a woman writer of horror.

Creating female protagonists, by Lisa Morton (again, although not the same piece)– RA for All: Horror

Women in Horror Month: Pseudonyms and Author Anxiety— KC Redding-Gonzalez

Rabble Rouser Wednesdays: On the Issue of Misogynist Writers and Readers by Paula Ashe

Hugh Howey on Self-Publishing

Mark Coker responds to Hugh Howey

Tonia Brown on her personal experience with self-publishing

What’s Wrong With Female Werewolves in Popular Culture? at Darkmedia

Women in Horror Month Archives 2014— Darkmedia

Spreading the Writer’s Word— A daily spotlight on a book by a woman writer of horror

Siren’s Call Publications— download their free ezine devoted to Women in Horror Month

60 Black Women in Horror by Sumiko Saulson— free download to this guide at Smashwords.

 

There is some great stuff at those links and I hope you will take the time to explore them. I hope you had a great time learning about women in horror, and especially women in horror fiction, during the month of February. Don’t think that just because the month is up that it’s time to stop, though! Keep your eyes open for news on how Monster Librarian plans to keep women writers visible over the next several months– it will be a challenge to keep it up with the Stokers coming up and all kinds of reviews to edit, write, and share, but it’s totally worth it. So welcome to March– another month set aside to recognize women’s contributions to the world. Let’s see where it takes us!

 

 

 

 

 

 

 

 

Posted on March 1, 2014 by , Reply

Women in Horror Fiction: J. Lincoln Fenn

Image of J. Lincoln Fenn    

 

If you haven’t discovered J.Lincoln Fenn yet, you should check out her debut novel, Poe (2013, 47North). It’s got lots of dark humor, a great, quirky narrator, and while the story is firmly grounded in the present, it’s also a fantastical tale of insanity with a chilling, gothic feel. Poe also made the preliminary ballot for this year’s Stoker Awards. If any of that intrigues you, today Poe is available as a Kindle Daily Deal, so it’s a great time to check it out.

 

1.) Can you give our readers a brief introduction?

I’m just a white girl from Massachusetts who lives in Hawaii and writes dark things. My debut novel Poe won the 2013 Amazon Breakthrough Novel Award for Sci-Fi/Fantasy/Horror, which led to its publication by 47North. A complete and utter surprise since about 10,000 people enter that contest each year.

Poe is a genre blend of horror/urban fantasy/dark humor, more along the lines of John Dies in the End than your standard horror novel. It centers on Dimitri Petrov, a 23-yr. old, snarky obituary writer who wakes up on a slab in the morgue after a Halloween séance gone bad. Things go downhill from there.

 

2.) Why do you write horror?  What draws you to the genre?

Probably my Roman-Catholic roots and New England upbringing draws me to horror. Christianity is a religion based on one of the goriest books ever written, with a Sunday ritual involving the transfiguration of a wafer and wine into flesh and blood, which everyone consumes. And New England is just inherently spooky. Those long, dark winters with the wind howling around the eaves explain a lot about Hawthorne, Poe, and Lovecraft.

I write horror because I think it’s where we get to explore our darkest fears. Stephen King said, “Fiction is the truth inside the lie.” The truth inside horror is our fear of death. Some cultures take this on more directly. In Tibet, they practiced ‘sky burial’ where a corpse was dismembered as an offering to the vultures, a more literal form of transfiguration except the deity is impermanence.

 

3.) Can you describe your writing style or the tone you prefer to set for your stories?

I want to wake people up when I write. I want to them to read something and go, no, she didn’t just say that, did she? I want my words to do something. When I was writing Poe I was reading Fear and Loathing in Las Vegas and Great Expectations. Tonally there’s something gonzo-style about Dimitri’s voice, and the only better snark than Charles Dickens is George Eliot.

I also like playing disparate notes at the same time. The Prologue (to Poe) is horrific, with gory descriptions of the morgue, but the dialogue is funny, and there’s danger and threat too. Wakey wakey.

 

4. Who are some of your influences?  Are there any women authors who have particularly inspired you to write?

Even though Poe has almost nothing to do with E. A. Poe, he is a big influence. My grandfather, who worked in a factory, was somehow talked into buying Poe’s complete works. A wonderful discovery one long, dull summer.

I have an altar to Margaret Atwood. She sets an impossible standard, but I forgive her for that. Other women writers I find inspiring are Gillian Flynn, Ann Patchett, Isabel Allende, Joyce Carol Oates, Toni Morrison, and Carolyn See. I had the good fortune to meet and take a course with See, who gave great advice on writing and the writing life.

 

5.) What authors do you like to read?  Any recommendations?

I started reading Neil Gaiman after my PW weekly review said his fans would like Poe, and I thought oh yes, here’s a kindred spirit. The Ocean at the End of the Lane and David Mitchell’s Cloud Atlas were two of my favorite reads in 2013.

If it’s been a while since you read Frankenstein (probably high school), pick it up again. It holds up, and in these days of glow-in-the-dark bunnies and genetically engineered tomatoes, scarily prescient. Then read Oryx and Crake. And be afraid.
6.) Where can readers find your work?

For less than the cost of a latte and scone, anyone can pick up a Kindle version of Poe on Amazon. There’s also a paperback, which has a nice, waxy cover, and an audiobook. Readers can also find my most current musings on my blog at www.jlincolnfenn.com. Also I follow back.

 

Interested in learning more? Here’s a link to J. Lincoln Fenn’s Amazon page. You can access her most recent tweets and blog posts– they appear in the column to the right of the main page.

Have a great day, and check back soon to see another profile!

 

 

 

Posted on February 4, 2014 by , Reply