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Vault Interview: Michele Lee Interviews Ellen Hopkins

Some books never get old. Or at least, the challenges some books face keep coming.

Ellen Hopkins is the author of  several YA novels dealing with frightening issues and situations faced by teens today, Reviewer Michele Lee interviewed her in 2010 as part of Banned Books Week when she was disinvited from the Humble, Texas Teen Lit Festival after a middle school librarian shared concerns with some parents who went to the district superintendent. Although he had never read Hopkins’ books, and other librarians lobbied to keep her as a speaker, he still canceled her appearance. At the time of the interview, Ellen’s titles included Crank , Impulse, Glass, and Fallout.

It’s 2021, and at a school board meeting in Carmel, Indiana members of a “grassroots activist” called Purple for Parents attended a school board meeting where they read from books purportedly in the district’s school libraries supporting LGBTQ+ students and, in addition, explicit passages from, among other books, Crank by Ellen Hopkins. At the meeting a gun fell out of a man’s pocket and he had to be escorted out by police. The administration building has had to install metal detectors, and one of the faces of the group appeared on Fox News to throw the school librarians under the bus. As I watch commenters on Facebook tear down teachers and librarians, break into schools, and dox high school English teachers, I think my head is going to explode.

I will say there are also good people here who believe in our, and our kids’, freedom to read. But we’re not the ones getting national attention.

So I think, as much as things have changed since 2010, they haven’t changed for the better.  It’s time to revisit this interview of Ellen Hopkins.

 

Michele Lee Interviews Ellen Hopkins

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ML: While some people joke that they wish their book was banned because it would be great for sales, what actually goes through your mind when someone labels your books inappropriate for their audience?

EH: Either that they haven’t actually read my books (but rather pulled content out of context), or that they have a seriously warped view of the contemporary teen experience. Unfortunately, few enough young adults live healthy, scrubbed lives. And what’ might be deemed “inappropriate” for them is necessary for many others.

ML: What tools have you used to approach a teen audience about such serious topics authentically, but also at a teen level rather than an adult level?

EH: I spend a lot of time talking to teens, both online and through primary outreach. They talk freely to me, so I truly understand many of their issues and concerns. It’s hugely important to walk where they live, rather than assuming what that place is.

ML:  Do you think that teens are different from adults after all, or do we have a skewed idea of the average teen’s worldly knowledge?

EH: Everyone’s story is different. Personal. Many teens are forced to grow up much too quickly, but even those who are allowed an “average” childhood observe peers who have been touched by issues like addiction, depression, abuse, etc. Surely they know these things exist. Why not allow them some sort of perspective?

ML: You mentioned at the forefront of Crank that this book came, more or less, from your real life. Combined with the censorship issue, do you feel that there’s a segment of people who want to just hide all uncomfortable issues from public view?

EH: Of course. Or they just don’t want to look at these things themselves. And what this does is to make them feel somehow superior than, or at the very least apart from, those who are affected by them. Empathy is critical. But ignorance won’t lead you to understanding.

ML: How do you think this affects individuals coping with these issues and how we as a society handle them?

EH: They feel alone in their problems. I can’t tell you how many readers I’ve heard from who really believed that, until they saw themselves between the covers of a book. Mainstreaming them is huge, and they deserve to be considered “just a regular person,” albeit one going through difficult times.

ML: All the individuals in your books have both environmental issues and their own bad decisions to cite for their circumstances. What role does society and the people in supposed support positions play in addiction and depression, among other issues?

EH: Actually, they don’t all have environmental issues. Some do have support, but choose the wrong path anyway. There is a big chunk of choice involved in every bad decision. Learning by example is valid, but when you have the information to know that turning in a certain direction can lead you to a very wrong place, most of the “blame,” if you want to call it that, is on the individual.

ML: As you point out in the upcoming third book in Kristina’s life, Fallout, the damage of addiction is never isolated to just one person. How do we, as individuals, best help those struggling? And is there ever a time when we just have to let go, for our own sa

EH:  There absolutely comes a time when you have to realize there is nothing more you can do to convince someone you love to turn their life around. You simply have to say, “Look. I love you, but I cannot stand by and watch you kill yourself slowly. When you want help I’m here. Until then, goodbye.” That may sound cruel, but self-preservation is paramount to helping someone else. If you’re a wreck, you’re useless to them, anyway. And if they refuse help, despite knowing the likely outcome, they will head down that path anyway.

ML: Likewise, how do we reach to each other as the friends, parents, children or loved ones of addicts? How do we support each other while we’re struggling to support the people struggling with the monster?

EH: First, we refuse to judge them. I can’t tell you how many times I’ve been called a bad mother because of my daughter’s actions. At some point, her choices were completely hers, as they are for everyone. We offer an ear. A shoulder to cry on. Resources, which we can help them find. And mostly, we prop them up when they fold.

ML: Where is the line in addiction (or with those struggling with mental illness) between choices the addict is responsible for, and choices they make as a victim themselves? How do the people on the sidelines resolve issues of forgiveness and personal responsibility in a situation where the person damaging them is also a struggling victim?

EH: Mental illness is much different than choosing a path that can lead to addiction. The former isn’t a choice. The information to make positive decisions is available. Too many people believe they can control their drug of choice. But the drug is almost always in control. Forgiveness is easy. Trust is much more difficult, and should never be given lightly. If an addict truly wants help, it is available, but it is a rocky path. The monster always calls, something people in support positions must always remember. Never give an addict money. Clothe them. Feed them. Make sure their children are safe. But enabling them is the quickest path to watching them fade away completely. This may seem harsh. But I’ve watched my own child relapse, after six years sober. I love her. Always. But I can’t help her die.

ML: This is the question where I usually ask about other releases the author has, or exciting projects they’re working on. While I’d definitely like to hear yours as well, do you think you could also list some great resources (other than your books) for those struggling with these issues?

EH:  Addiction is rarely conquered alone. Many people find the way out through Alcoholics Anonymous (which, for some reason, most addicts find more helpful than Narcotics Anonymous). And for family members, Al Anon will not only help you through, they will offer local resources you might need.

My next young adult book is Perfect (about the drive for the unattainable goal of perfection), due out Fall 2011. And I’m currently writing my first adult novel-in-verse. Triangles (also 2011) is about midlife freakouts.

 

 

 

Women in Horror Month: Interview: David Simms Talks to Alice Henderson, Author of A Solitude of Wolverines

Recently, our reviewer David Simms had an opportunity to interview Alice Henderson, author of A Solitude of Wolverines, published late in 2020 and reviewed earlier this year. We’re sharing it now, as part of Women in Horror Month!

 

 

David: You have a new thriller out, A Solitude of Wolverines. Can you tell us a little about the inspiration for it?

 

Alice: In addition to being a writer, I’m a wildlife researcher. I travel to remote locations and do species presence studies. I was out in the field in Montana, setting up remote cameras in the hopes of capturing images of wolverines on a wildlife sanctuary there. I got the sudden inspiration to bring my writing and wildlife work together and create a suspenseful series that would both entertain readers and inform people about the plight of different species. I chose wolverines for the first book because so few people know about them, and they are in trouble. They are the largest members of the weasel family, weighing in around 35 pounds, and are important members of their ecosystem. For instance, in winter, many animals such as coyotes, foxes, and other types of weasels follow wolverines to the best scavenging sites, which aids in the survival of those species. They used to roam as far south as New Mexico and as far east as the Great Lakes, but a combination of habitat fragmentation, anthropogenic climate change, overtrapping, and other threats has reduced the wolverine population to less than 300 in the lower 48.

 

David: The love of the environment is apparent in your novels, from your incredible debut Voracious to this new title. Is this a conscious decision, to bring awareness to readers or to simply utilize these stunning settings as their own character?

 

Alice: Thank you so much for the compliment on Voracious! I really loved writing that one. Yes, it is absolutely a conscious decision to bring awareness to the plight of species. It’s very important to me to help struggling species in whatever ways I can. It’s an extra bonus that the remote locations where species like wolverines live are excellent isolated settings that are conducive to suspense.

 

David Your background is, to say the least, varied and impressive. I know that readers would love to know what it’s like to work for George Lucas. What can you tell us about that time?

 

Alice: There were a lot of great aspects to working for Lucas. I was surrounded with a lot of fellow creative people. We would eat lunch at Skywalker Ranch, and there was a display case in the main house there with things like Indiana Jones’s fedora and whip, the idol from Raiders of the Lost Ark, and Cherlindrea’s wand from Willow. We’d have these huge parties for Halloween and Christmas. The Halloween costumes people created were stunning! No one went small. I remember one person created a Titanic costume that was even wired for electricity. Two people were in it and it could break in half when a third person, dressed as an iceberg, crashed into it. There were also a lot of wonderful private screenings of movies.

 

David: You’re a wildlife researcher, right? How has that impacted your writing? Is it tough not to talk too much about the science and details in your writing, especially in a fast-paced thriller, when the passion for these animals is so strong?

 

Alice: I am a wildlife researcher, yes. I do a lot of species presence studies to determine what species are using a particular piece of land. I walk transects and look for spoor, set out remote cameras, and place out bioacoustic recorders. One of my specialties is bats. By examining the recordings of their echolocation calls, I can determine what bat species are present. I also do a lot of remote computer work, such as mapping sanctuaries and designing wildlife corridors. When depicting this research in my fiction, it can be tough to strike a good balance between being technical enough to interest readers who love science, and not so technical that it can turn a reader off. I try to take a middle ground that will pique readers’ interest while still maintaining the pace of the suspense.

 

David: Readers love to know what inspires authors to do what they do. Who are your biggest creative influences – and why?

 

Alice: One of my favorite writers is Robert McCammon. He truly brings settings and characters to life. I feel like I could call those characters up on the phone. He engages all the senses, making readers feel like they’ve been in that place, in that time. His fiction was really an inspiration for me to include the senses in a vivid way in my own writing. I also love the wilderness settings and mysteries of Nevada Barr; the combination of science and history used by Douglas Preston and Lincoln Child; the action of James Rollins novels; and the tough character of V. I. Warshawski by Sara Paretsky.

 

David: I’ve seen the photo of you at the Arctic Circle. Your adventures have taken you all over the world. What has been your wildest adventure – yet?

 

Alice: I would have to say it was that trip to the Canadian Arctic! It was an incredible journey. We drove up the Dempster Highway, 740 km of dirt, to Inuvik, Northwest Territories. From there, we took the new Tuktoyaktuk road, 138 km of even rougher dirt all the way to the Arctic Ocean. We spent months exploring the Yukon and Northwest Territories on that trip, taking in vistas of tundra and seeing it change from the greens of summer to the reds and golds of fall, to the white of winter. I delighted in seeing collared pikas, the northerly cousins of our American pikas, grizzly bears digging for roots in fields, black-phase red foxes bounding on the tundra.

On that same trip, we took a little float plane out to Katmai National Park and lived among huge Alaskan brown bears for a time. They were fishing as the salmon spawned upstream. These massive bears would stand at the top of a waterfall and catch the salmon as they leaped in mid-air.

 

David: Is there a top destination on your wishlist?

 

Alice: Definitely Antarctica. I’d love to get embedded with a research team and spend a season down there. Setting a novel there would be an extra bonus! To set foot on that continent would be a dream come true.

 

David: What can readers do to help the new administration of this country focus on helping the environment regain some of what the animals need to survive?

 

Alice: Right now there’s a bill in the House of Representatives that is waiting to be brought to the floor for a vote. It’s called the Paw & Fin Act and would restore and strengthen the Endangered Species Act, which has been under attack and weakened in recent years. Readers can write and tweet to their representatives and urge them to bring the bill to the floor for a vote. In addition, encourage your representatives to support legislation that will tackle climate change.

 

David: We’ve all had to adjust during this pandemic. How have you coped, stayed sane, and thrived?

 

Alice: I’ve been sheltering since March. Normally I travel far afield during the summer field season for wildlife research, but this summer I stayed home. That felt really strange, so I tried to keep as busy as possible. I kept up with my local species like bats and the American pika, and wrote the second novel in the Alex Carter series. I also built a radio telescope and have been listening to storms on Jupiter. I make stop-motion shorts, and I began pre-production on my latest one.

 

David: You’ve written in other people’s universes, primarily Buffy The Vampire Slayer and Supernatural,two of the coolest series to have ever aired. Can you explain a little about those adventures and would you return there?

 

Alice: I loved writing the two Buffy the Vampire Slayer novels and the Supernatural novel. Both were shows I really enjoyed, so delving into those universes was a blast. It’s fun to take characters you love and create new adventures for them. The second Buffy novel I wrote was a Choose Your Own Adventure style novel called Night Terrors. That was a challenge! It has something like twenty-one different endings, and I created a huge flowchart on my wall to tie everything together. The other Buffy novel, Portal Through Time, won a Scribe Award (the award given by the International Media Tie-In Writers Association), and I felt really honored. Writing the Supernatural novel Fresh Meat was fascinating because I got to dig into the history of the Donner Party and research a mythological monster that I’d never seen anyone use before. I’d absolutely write another tie-in novel.

 

David: Finally, what’s next for Alex Carter and Alice Henderson?

 

Alice: The second book in the Alex Carter series is written and off to my editor. In it, Alex journeys up to the Canadian Arctic to study polar bears and must fight for her life out on the ice. The months I spent in the Canadian Arctic were truly inspirational, and I loved setting the next Alex Carter in the magic of that setting. It’ll be out in Fall 2021.

 

Thank you so much for the interview!

 

Interview: Lizzy Walker Interviews Hansi Oppenheimer, Director of All Hail the Popcorn King

Image of Hansi Oppenheimer

Hansi Oppenheimer is the director of the recently released documentary on Joe R. Lansdale, All Hail the Popcorn Queen, which we reviewed earlier this year. In addition to her interview with Lansdale, reviewer Lizzy Walker had the opportunity to interview Oppenheimer about her experiences with Lansdale and with making the documentary.

 

LW: How did your All Hail the Popcorn King documentary project come about?

HO: I have been a fan of Joe’s work since the 1980s. I finally had the opportunity to meet him two years ago when I was invited to appear at a con in Houston. I reached out to him to see if he’d be available for an interview for my YouTube channel, and he invited me to Nacogdoches for lunch and the interview. After the interview, I reached out to him for a piece on a short about Joe Bob Briggs that I was working on, and he wrote me the most beautiful, touching, funny piece, and got back to me in a day.

I was so grateful that I promised him my next film would be about him, and I’m so glad I did. I’ve never worked with anyone who was more honest, generous and collaborative.

 

LW: Why did you decide on the title All Hail the Popcorn King for the documentary?

The title of the film All Hail The Popcorn King is a reference to Lansdale’s The Drive-In, in which a group of people get trapped by an inexplicable force and chaos quickly ensues. Two of the characters get fused together (it’s a crazy book), don a popcorn bucket as crown and are blindly worshipped as The Popcorn King. Additionally, Joe came up with the story after a series of nightmares he had after eating popcorn that his wife used to make cooked in Kroger grease. The book has inspired dozens of writers, including Joe Hill, who has said when he read it as a kid, he decided he wanted to be a writer.

 

LW: When and where will the documentary be available outside of the film circuit?

HO: We completed the film and are working on some bonus features for the DVD. Right now, we don’t have a formal distributor. I expect that will change once the world gets back to some kind of normal.

 

LW: What drew you to Joe’s work?

HO: Joe’s been compared to Mark Twain and William Faulkner, won an insane amount of awards (see bio in the Press Kit) and has helped so many young writers with his advice or including them in anthologies. He’s a true American Literary Treasure and yet many people don’t know about him and his work. In part that is because he has never stuck to one genre. Joe Lansdale is his own genre. He has a singular voice which comes through in everything he writes.

He is also an incredibly good human being and there’s far too many documentaries about temperamental tortured artists. Joe loves what he does, and that’s a valuable message for anyone who wants to write.

 

LW: What is your favourite work of Joe R. Lansdale’s?

HO: My favorite books of Joe’s are The Drive-In and The Magic Wagon.

Check out the documentary trailer: https://youtu.be/pSvnb_Hzijk