Home » Posts tagged "illustrators" (Page 2)

Linkity Links: Monster Kids, Scary Stories, Fifty Shades, and Maurice Sendak

First, I’ve learned about a couple of cool Kickstarter projects. We received an email telling us about a documentary about “Monster Kids”- the kids who grew up on classic creature features and horror movies and became the next generation of artists, moviemakers, writers, and actors. From Rose Fox at Genreville, I learned about Nightmare Magazine, soon to be presented by Creeping Hemlock Press, and edited by John Joseph Adams. The lineup for the first issue is impressive- it includes original short stories by Sarah Langan and Jonathan Maberry, among others. Both of these projects are still in need of funding, so if you’re intrigued I encourage you to check them out.

Not that long ago, I wrote about an excellent reason to read the classics– Harry Clarke’s illustrations of Edgar Allan Poe’s Tales of Mystery and Imagination At the time, I had seen them only in an article from io9, but now, those who would like a full scale experience (and don’t have the book) can go here to the book design blog 50watts.com and see how disturbing they really are when they fill the entire screen.

And, over at Agnostic, Maybe, Andy Woodworth discusses why the Brevard County Library System’s quandary over Fifty Shades of Grey should lead to pairing Banned Books Week with “National Update Your Collection and Challenge Material Policies Because You Probably Need To (No, Seriously, Do It)” week. Apparently the Fond du Lac Library in Wisconsin declined to purchase it as well, but at least they made the decision, based on their selection policy, BEFORE purchasing the book. Not that the average person who wants to check out Fifty Shades of Grey will care whether the reason it’s not there is because of selection policy or because of censorship, but librarians are going to have to take a position, because it affects them now, on a practical level. It’s going to be an interesting Banned Books Week this year, no matter what.

Finally, Maurice Sendak and his impact on children and children’s literature (and me) can’t be summed up in a couple of paragraphs here. When I went to Amazon.com to look at children’s bestsellers, up at the top was Higgelty Piggelty Pop!  I was a little surprised, since I don’t think of it as being as well known as many of his others. It’s an odd little book, with a lot of story devoted to eating (and being eaten, by a lion). This afternoon one of my kids said “I don’t care” in response to something, and the other said “Well, you’ll be eaten by a lion”. They were referring to Sendak’s Pierre, in which a little boy who only responds to his parents with “I don’t care” is, in fact, eaten by a lion. And then there are the Wild Things, who scream to Max “Oh please don’t go! We’ll eat you up, we love you so!”  And so I was glad to have this article come my way. It does an excellent job of expressing why Sendak’s nightmares and bizarre fantasies are so powerful for so many. And maybe also why he wrote so much about being eaten.

And that’s all for now! Whew!

Posted on May 10, 2012 by , Reply

Maurice Sendak, 1928-2012

It wasn’t just because I learned of the death of the great illustrator and author Maurice Sendak yesterday that I was thinking of Where the Wild Things Are. I have a little boy who sometimes acts very much like Max in his wolf suit, and even runs around at home in a dragon costume. Yesterday afternoon at the park he really was a Wild Thing, and when we got home I sent him to his room. Eventually, he came out, ate dinner, and hugged me. All Wild Things need to know that they’ll be fed and loved.

I had it off the shelf this morning, because I volunteered to be a guest reader in his classroom this afternoon, and my daughter asked me to read it. We read it through and then went back and looked at the pictures, which tell the story more than anything else. We read “That night a forest grew in Max’s room…” and we turned the pages, looking at the room as the walls fell away to the forest and the night sky. When I read this book to children, I always ask them if they think his room really became a forest. She said yes. For children aged 4, 5, and 6, much of the time this is a real journey. Sometimes it’s a scary one, and sometimes it’s liberating, and sometimes a little of both. In the safety of storyhour when you tell kids to roar their terrible roars and gnash their terrible teeth, it can be fun to get carried away (not for everyone, some kids are truly frightened). It’s one I love to read out loud. It’s a story that’s so much a part of the inner being and outside actions of so many kids.

Here’s a snippet I found online, courtesy of FridayReads, that expresses so well the way kids engage with Where the Wild Things Are. When most of us think of books, even picture books, we think of reading- the written word, or, if we’re reading out loud, the verbal experience. Sendak’s work can’t be fully appreciated with just a reading, though, or even through the incredible artwork that tells so much of the story wordlessly. For some kids, it’s an immersive, emotional book- something they live, not just something they read, as with the child in this story Sendak shared with Terry Gross at NPR:

Sendakquote

Sendak’s work, and his life, are a gift to us all, if not an easy one.  Rest in peace, Mr. Sendak. But not too much peace.

Posted on May 9, 2012 by , Reply

A Look Into the Mind of Shaun Tan

In May, artist Shaun Tan won the Astrid Lindgren Memorial Award, a sort of equivalent to winning a Nobel Prize in picture book illustration. I can see why.

Shaun Tan is an amazing illustrator. I first came across his work while reading Kelly Link’s short story collection Pretty Monsters, reviewed here, and loved his illustrations so much that I tracked down some of his other works, including Tales from Outer Suburbia and the incredible graphic novel The Arrival. If you aren’t familiar with The Arrival, you should be. There are no words.

And that is what is coolest about this interview he did for Der Spiegel. Rather than giving lengthy, wordy answers to the questions they posed, he sketched in his answers. I love this approach to interviewing an illustrator, and particularly to interviewing Shaun Tan, who expresses himself so beautifully without any exposition at all.

Congratulations, Shaun. I look forward to seeing what you come up with next.

Posted on June 26, 2011 by , Reply
First « 12