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Book List: Summer Scares Recommendations (Middle Grade)

With school nearly out and summer reading just around the corner, we can probably expect to see programming and suggestions from the HWA regarding their Summer Scares program.

I think it’s really cool that Summer Scares includes middle-grade fiction. Middle-grade fiction is a slippery creature. As a children’s librarian I have always identified it as what’s appropriate for and aimed at ages 8-12.  However, there are 11 and 12 year olds who are already in sixth grade, which can be elementary or middle school depending on your district, and if sixth grade is in the middle school, then MAYBE some people stretch it  a few years later. Problem is, there starts to be an overlap with YA fiction by the end of middle school, and it’s a huge developmental leap from grade 3 (yes, there are 8 year olds in third grade) to grade 6, much less to grade 8.  In my world, middle grade fiction is ages 8-12.  If I can’t put it in the elementary library, it’s not middle grade. I don’t think this is necessarily the age range the Summer Scares committee was considering, though. Kiera Parrot, one of the committee members, made some additional recommendations for middle-grade horror, which I want to share with you.

 

 

Out of the Wild Night by Blue Balliett

I am a huge fan of Blue Balliett, so when the school librarian at my kids’ middle school handed this to me and said, “You like these kinds of books, right? I just can’t get into this, would you give it a shot?” I said yes right away. I can’t begin to tell you how disappointing Out of the Wild Night was for me. Balliett does a good job of building atmosphere but it is so slow, and the plot is confusing, while the vocabulary is advanced. Only very persistent readers will push through to the end. I would love to be able to recommend this as an outstanding ghost story for middle grade students, especially as an author’s note explains that this story was very close to her heart, but there are better ones out there, and much better books by Balliett.  I did review this one in detail here.

 

Dreaming Dangerous by Lauren DeStefano

This didn’t really strike me as horror– it’s more of a science-fictiony dystopia where scientists are experimenting on children. It’s horrific that anyone would do that, but I’d call this more of a dystopian thriller. The main character, Plum, and three of her peers, have been dreaming in tandem since they were babies, and based on the way the book starts, with the kids getting blood tests and psychological testing, it’s not terribly surprising to find out that the adults in charge don’t really have the children’s best interests at heart.  Booklist  suggested this for fans of Stranger Things (which I hope is not being watched by elementary-aged kids, although I’m sure it is) but this lacks the 1980s aesthetic or realism on the show. I can see it maybe appealing to kids who liked Gathering Blue. 

 

Nightbooks by J.A. White

This is a dark, fairytale-like story both fantastic, wondrous, and frightening, perfect for the young horror lover feeling out of place. A boy on his way to destroy the scary stories he has been writing is lured into the equivalent of a gingerbread house by the promise of getting to see his favorite movie, Night of the Living Dead. He is forced to tell the witch a new scary story each night, as he tries to find a way to escape, and comes to the realization that he actually has something to be proud of, rather than something to hide. The same librarian who gave a thumbs-down to Out of the Wild Blue ran excitedly up to me with this one, saying, “You’ve gotta read this!” At that point, I already had. It’s probably one of my favorite books for any age that I’ve read this year. J. A. White is also the author of The Thickety, and we’ve reviewed a couple of the books in that series. We are fans.

 

The Girl in the Locked Room by Mary Downing Hahn

This one starts out promisingly, with a truly disorienting beginning, but I quickly started to feel like Hahn was phoning it in. As with many a ghost story (and many of Hahn’s ghost stories) a family is involved with an old house in need of repair. In this case, Dad restores old houses, Mom is an absentminded writer, and Jules is the resentful daughter who is tired of moving from place to place. The three move into a modern addition to the old house that will be their home over the course of the renovation. Jules has nothing to do except wander around. She’s pretty sure she’s seen a ghost but her only company is her skeptical parents. She makes one friend on a visit to the library, who comes to visit and investigate the old house. There’s not a lot at stake for Jules here. The ghost is silent, afraid, and in a locked room. The backstory is interesting, but while there’s tension, this isn’t something that will make the heart race. Hahn has done so much better; her previous book, Took, was much more suspenseful and definitely scarier, with better character development, even though there were many more characters and the story was more complex. Hahn has written many excellent ghost stories, including All The Lovely Bad Ones and Deep and Dark and Dangerous. Author Grady Hendrix, also on the Summer Scares committee, recommended another, older, book of Hahn’s, Wait Til Helen Comes, which is well-known as a classic children’s ghost story. Many kids in the target age range for this book will enjoy The Girl in the Locked Roombut if I had a shelf of her ghost stories to choose a recommendation from, this wouldn’t be the first one I suggested.

 

City of Ghosts by Victoria Schwab

I first encountered Victoria Schwab when we were sent her first book, The Near Witch, for review, many years back. Since then, she’s written the Shades of Magic books as V.E. Schwab, but on the cover of City of Ghosts, she is back to Victoria Schwab again. Our main character, Cassidy, fell into an icy river with her new camera and drowned a year ago, but was brought back by Jacob, a ghost, who is now her best friend. Cassidy can now cross the “Veil” and see ghosts. Her camera, altered by her fall, can capture photos of the ghosts. When Cassidy starts losing track of herself, Jacob is always with her to bring her back from beyond the Veil.

Cassidy’s parents are “ghost hunters.” One is a historian, the other is a storyteller, and while they don’t actually believe in ghosts, they do make a living writing and talking about them. Her parents are offered a “reality” show where they will travel to haunted places, tour them, and talk about them. They decide to take Cassidy with them, and their first stop is Edinburgh, in Scotland. The catacombs, cemeteries, and execution grounds they visit are not for the weak even if they can’t see ghosts, but Cassidy’s ability means we experience her panic and dread.

City of Ghosts is creepy, ominous, and at times terrifying. Schwab is great at creating atmosphere; you feel like you are in Edinburgh, especially the oppressiveness of the “haunted” areas.  It is compelling and, at times, truly scary. There’s also a mystery– clearly unsolved– that will lead to sequels I can only look forward to.

The House in Poplar Wood  by K.E. Ormsbee

Reminiscent of Tuck Everlasting, this fable/fairytale feels “out of time”.  Twin brothers Felix and Lee are the sons of the apprentices of Death and Memory, tricked by Passion into falling in love. While they live in the same house, Felix must live with his father in Death’s half of the house and Lee must live with his mother in Memory’s half of the house. Their parents are not allowed to meet or see each other. Their father can only see Felix, and their mother can only see Lee. Outside the house, the two boys can meet, but never inside. When they come of age, both boys will have to choose whether to also become apprentices or to walk away. Gretchen is the daughter of the town’s Summoner, who is responsible for keeping the balance between Death, Memory, and Passion to benefit the town. When Passion’s apprentice dies in a mysterious accident, and her father covers it up, Gretchen decides to do some detective work, and involves Felix and Lee in her schemes. Death in particular is horrific in this book, abusing his power and disciplining Felix in an abusive manner that his father is unable to act against. At heart this is a story about family, friendship, and self-determination, but with strong mythic bones that take it out of the everyday and into the universal.

 

Well, that’s all for now. I’m compiling some additional middle-grade recommendations, but this should get you, and the young readers you know, started with your summer reading!

 

 

 

 

Musings: Introducing the Summer Scares Reading List

I am more than a little behind in getting information out to you all right now, but FINALLY I am at a place in my “gotta get it done” pile where I can share with you something I am pretty excited about. In fact, this is something I wanted to do years and years ago but could never really figure out how to execute it. Since Monster Librarian started, there have been huge changes in both the way HWA does things, how horror publishing works, and how seriously libraries take horror fiction. In 2006 (when we started reviewing) horror fiction and horror publishing was a pretty tiny community still communicating mainly through groups like Shocklines with independent presses that printed a lot of limited and collectible editions. Ebooks and self-publishing were just really getting their start and were the source of a lot of contention.

Dylan actually started  Monster Librarian during his internship for his MLS (for the uninitiated, that’s a master’s degree in library science) when he discovered that the other librarians working with him at the reference desk were familiar with Stephen King and… Stephen King, and neither knew or cared about most other contemporary horror. At the same time, I was sitting on a student choice awards nominating committee of school librarians who had neither a liking for or interest in horror or scary stories, this despite my being asked all the time “where are the scary books?” by kids. The fact that HWA now has a library committee, that major review publications now cover horror and scary stories and that there are major publishing imprints that now publish horror, that social media and sites like Book Riot exist and connect readers, writers, and publishers… this is huge. It makes Monster Librarian a very tiny fish now, but I am really proud that we have been here promoting horror for librarians and readers of horror and scary stories for all ages and have gotten to see and participate in this amazing growth and not just acceptance but celebration of the genre. I really wish Dylan was here to see this all happen.

And now, a press release on the beginnings of what I hope will be more than a one-time partnership: the Summer Scares reading program.

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SUMMER SCARES FIRST ANNUAL READING LIST ANNOUNCED

In celebration of National Library Lover’s Day, the Horror Writers Association (HWA), in partnership with United for Libraries, Book Riot, and Library Journal/School Library Journal, is delighted to announce the first annual Summer Scares Reading List, which includes titles selected by a panel of authors and librarians and is designed to promote horror as a great reading option for all ages, during any time of the year.

Each year, three titles will be chosen in the Adult, Young Adult, and Middle Grade categories, and for 2019 they are:

ADULT

Mongrels by Stephen Graham Jones (William Morrow Paperbacks, 2017)

My Soul to Keep by Tananarive Due (Harper Voyager, 1998)

Earthworm Gods by Brian Keene (Deadite Press, 2012)

YOUNG ADULT

Rotters by Daniel Kraus (Ember, 2012)

Slasher Girls and Monster Boys, edited by April Genevieve Tucholke (Speak, 2016)

Devil and Winnie Flynn by Micol Ostow (Penguin Random House Publisher Services, 2015)

MIDDLE GRADE

Doll Bones Holly Black (Margaret K. McElderry Books, 2015)

Through the Woods by Emily Carroll (Margaret K. McElderry Books, 2014)

The Jumbies by Tracey Baptiste (Algonquin Young Readers, 2016)

The goal of the Summer Scares program is to introduce horror titles to school and public library workers in order to help them start conversations with readers that will extend beyond the books from each list and promote reading for years to come. Along with the annual list of recommended titles for readers of all ages, the Summer Scares committee will also release themed lists of even more “read-alike” titles for libraries to use when suggesting books to readers this summer and all year long. And, in order to help libraries forge stronger connections between books and readers, the Summer Scares committee will be working with both the recommended list authors and horror authors from all over the country, to provide free programming to libraries. From author visits (both in person and virtual) to book discussions to horror themed events, Summer Scares is focused on connecting horror creators with libraries and readers all year long.

The Horror Writers Association (HWA) will also be hosting special Library Day programming at its annual StokerCon event, which will be held May 9-12 in Grand Rapids, Michigan. Several of the authors from the Summer Scares reading list, as well as the committee members, will be in attendance. Authors and committee members will also be available throughout the year for on-site and/or remote appearances to libraries and schools to promote the Summer Scares program and discuss the use of horror fiction as a tool to increase readership and nurture a love of reading.

The Summer Scares program committee consists of award-winning author Grady Hendrix (We Sold Our Souls, Paperbacks from Hell), Becky Spratford (library consultant, author of The Readers Advisory Guide to Horror, 2nd Ed.), Carolyn Ciesla (library director, academic dean, book reviewer), Kiera Parrott (reviews director for Library Journal and School Library Journal), Kelly Jensen (editor, Book Riot, author of [Don’t] Call Me Crazy: 33 Voices Start the Conversation about Mental Health), and JG Faherty (HWA Library Program director, author of The Cure and Carnival of Fear).

The HWA is a non-profit organization of writers and publishing professionals, and the oldest organization dedicated to the horror/dark fiction genre. One of the HWA’s missions is to foster an appreciation of reading through extensive programming and partnerships with libraries, schools, and literacy-based organizations.

For more information about the Summer Scares reading program, including how to obtain promotional materials and schedule events with the authors/committee members, visit the HWA’s Libraries web page (www.horror.org/libraries), Becky Spratford’s Reader’s Advisory Horror Blog RA for All: Horror (http://raforallhorror.blogspot.com/), or the Book Riot, School Library Journal, Library Journal, or United for Libraries websites and social media sites.

You can also contact JG Faherty, Library Program Director (libraries@horror.org) or Becky Spratford, HWA Secretary (bspratford@hotmail.com).

Stoker Finalists Named

The finalists for the Stoker ballot have been named! It’s unbelievable that Women in Horror Month is already drawing to an end and it will soon be Stoker time! As in past years, we at ML will make a heroic effort to review the finalists (I hope that’s not a surprise, guys). Yes, our reviewers are heroes. Any finalists who happen to be reading this… Please contact us at monsterlibrarian@monsterlibrarian.com so we can get this (heroic) party going!

And now:

“We are proud to present a particularly notable slate of nominees this year, showing the horror genre is strong and popular,” Rocky Wood, the HWA’s President, said.

IMPORTANT: Voting begins on 2/28 and ends on 3/15. Only Active and Lifetime members can vote.

The nominees are:

Superior Achievement in a Novel

      Joe Hill – NOS4A2 (William Morrow)
      Stephen King – Doctor Sleep (Scribner)
      Lisa Morton – Malediction (Evil Jester Press)
      Sarah Pinborough and F. Paul Wilson – A Necessary End (Thunderstorm/Maelstrom Press)
      Christopher Rice – The Heavens Rise (Gallery Books)

Superior Achievement in a First Novel

      Kate Jonez – Candy House (Evil Jester Press)
      John Mantooth – The Year of the Storm (Berkley Trade)
      Rena Mason – The Evolutionist (Nightscape Press)
      Jonathan Moore – Redheads (Samhain Publishing)
      Royce Prouty – Stoker’s Manuscript (G.P. Putnam’s Sons)


Superior Achievement in a Young Adult Novel

      Patrick Freivald – Special Dead (JournalStone)
      Kami Garcia – Unbreakable (Little, Brown Books for Young Readers)
      Geoffrey Girard – Project Cain (Simon & Schuster Books for Young Readers)
      Joe McKinney – Dog Days (JournalStone)
      Cat Winters – In the Shadow of Blackbirds (Harry N. Abrams)


Superior Achievement in a Graphic Novel

      Ed Brubaker – Fatale Book Three: West of Hell (Image Comics)
      Caitlin R. Kiernan – Alabaster: Wolves (Dark Horse Comics)
      Brandon Seifert – Witch Doctor, Vol. 2: Mal Practice (Image Comics)
      Cameron Stewart – Sin Titulo (Dark Horse Comics)
      Paul Tobin – Colder (Dark Horse Comics)


Superior Achievement in Long Fiction

      Dale Bailey – “The Bluehole” (The Magazine of Fantasy & Science Fiction, May/June 2013)
      Gary Braunbeck – “The Great Pity” (Chiral Mad 2, Written Backwards)
      Benjamin K. Ethridge – “The Slaughter Man” (Limbus, Inc., JournalStone)
      Gregory Frost – “No Others Are Genuine” (Asimov’s Science Fiction, Oct./Nov. 2013)
      Greg F. Gifune – House of Rain (DarkFuse)
      Rena Mason – East End Girls (JournalStone)

Superior Achievement in Short Fiction

      Michael Bailey – “Primal Tongue” (Zippered Flesh 2, Smart Rhino Publications)
      Patrick Freivald – “Snapshot” (Blood & Roses, Scarlett River Press)
      David Gerrold – “Night Train to Paris” (The Magazine of Fantasy & Science Fiction, Jan./Feb. 2013)
      Lisa Mannetti – “The Hunger Artist” (Zippered Flesh 2, Smart Rhino Publications)
      John Palisano – “The Geminis” (Chiral Mad 2, Written Backwards)
      Michael Reaves – “Code 666” (The Magazine of Fantasy & Science Fiction, March/April 2013)


Superior Achievement in a Screenplay

      Fabien Adda and Fabrice Gobert – The Returned: “The Horde” (Ramaco Media I, Castelao Pictures)
      Brad Falchuk – American Horror Story: Asylum: “Spilt Milk” (Brad Falchuk Teley-Vision, Ryan Murphy Productions)
      Bryan Fuller – Hannibal: “Apéritif” (Dino De Laurentiis Company, Living Dead Guy Productions, AXN: Original X Production, Gaumont International Television)
      Daniel Knauf – Dracula: “A Whiff of Sulfur” (Flame Ventures, Playground, Universal Television, Carnival Films
      Glen Mazzara – The Walking Dead: “Welcome to the Tombs” (AMC TV)


Superior Achievement in an Anthology

      R.J. Cavender and Boyd E. Harris (ed.) – Horror Library: Volume 5 (Cutting Block Press)
      Eric J. Guignard (ed.) – After Death… (Dark Moon Books)
      Michael Knost and Nancy Eden Siegel (ed.) – Barbers & Beauties (Hummingbird House Press)
      Joseph S. Pulver, Sr. (ed.) – The Grimscribe’s Puppets (Miskatonic River Press)
      Anthony Rivera and Sharon Lawson (ed.) – Dark Visions: A Collection of Modern Horror, Volume One (Grey Matter Press)

Superior Achievement in a Fiction Collection

      Nathan Ballingrud – North American Lake Monsters: Stories (Small Beer Press)
      Laird Barron – The Beautiful Thing That Awaits Us All and Other Stories (Night Shade Books)
      James Dorr – The Tears of Isis (Perpetual Motion Machine Publishing)
      Caitlin R. Kiernan – The Ape’s Wife and Other Stories (Subterranean)
      Gene O’Neill – Dance of the Blue Lady (Bad Moon Books)
      S. P. Somtow – Bible Stories for Secular Humanists (Diplodocus Press)


Superior Achievement in Non-Fiction

      Barbara Brodman and James E. Doan (ed.) – Images of the Modern Vampire: The Hip and the Atavistic (Fairleigh Dickinson)
      Gary William Crawford (ed.) – Ramsey Campbell: Critical Essays on the Modern Master of Horror (Scarecrow Press)
      William F. Nolan – Nolan on Bradbury: Sixty Years of Writing about the Master of Science Fiction (Hippocampus Press)
      Jarkko Toikkanen – The Intermedial Experience of Horror: Suspended Failures (Palgrave Macmillan)
      Robert H. Waugh (ed.) – Lovecraft and Influence: His Predecessors and Successors (Scarecrow Press)

Superior Achievement in a Poetry Collection

      Bruce Boston – Dark Roads: Selected Long Poems 1971-2012 (Dark Renaissance Books)
      Helen Marshall – The Sex Lives of Monsters (Kelp Queen Press)
      Marge Simon and Sandy DeLuca – Dangerous Dreams (Elektrik Milk Bath Press)
      Marge Simon, Rain Graves, Charlee Jacob, and Linda Addison – Four Elements (Bad Moon Books/Evil Jester Press)
      Stephanie M. Wytovich – Hysteria: A Collection of Madness (Raw Dog Screaming Press)

HWA’s voting members will now vote on this Final Ballot, with voting closing on March 31 (only Active and Lifetime Members are eligible to vote).

The Bram Stoker Awards® will be presented at the 27th annual Bram Stoker Awards® Banquet held during the WORLD HORROR CONVENTION 2014 in Portland, Oregon, on May 10th. Purchase of tickets to both the convention and the banquet are open to the public. The awards will also be live-streamed online for those who cannot attend in person.