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Book Review: Invisible Chains by Michelle Renee Lane

Invisible Chains by Michelle Renee Lane

Haverhill House Publishing, 2019

ISBN: 978-1-949140-03-3

Available: Hardcover, paperback

 

Jacqueline, an enslaved Creole growing up on a Louisiana plantation in Michelle Renee Lane’s Invisible Chains, learns all too soon what it means to be black and female. She is beaten, raped, and terrorized but manages to survive by using the secrets of Vodun her mother taught her and by tapping the powers of the vampire and werewolf who assist her on the flight toward what she hopes will be a rescue.

Even though monsters help Jacqueline, she is still threatened by them and in constant danger, even from love. Lane uses these relationships, including a flirtation with the vampire, to highlight the suffering, marginalized groups depicted in this novel. This includes enslaved people and monsters but also mixed race people, Spanish Jews, Irish immigrants, circus performers, Gypsies, seers and couples in interracial relationships. People who are considered different by the larger white society are powerless and can survive only by appeasing and imitating their oppressors or using magical or supernatural powers against them.

Although the book often moves quickly from one terrifying event to the next, Lane effectively traces Jacqueline’s growing sense of her own talents and strengths. Jacqueline learns that each horrific experience enhances her abilities as a conjurer and intensifies her understanding of herself, thus making it possible for her to voice her demands and choose what she needs to live. She also learns that she must protect her mind and soul most of all and that she has a certain power in knowing the future in which her true freedom will never be a reality. However, she continues to be brave, heroic, and unstoppable. Recommended.

Contains: Graphic violence including rape and torture; sexual situations

 

Reviewed by Nova Hadley

Editor’s note: Invisible Chains was nominated to the final ballot of the 2019 Bram Stoker Award in the category of Superior Achievement in a Novel.

Posted on April 12, 2020 by , Reply

Book Review: Choking Back the Devil: Poems by Donna Lynch

Choking Back the Devil: Poems by Donna Lynch

Raw Dog Screaming Press, 2019

ISBN: 978-1-947879-12-6

Available: Paperback, Kindle

 

In the Afterword to Choking Back the Devil: Poems, Donna Lynch describes how the reader’s “immersion” in horror poetry can be “an ax right to the torso” and more intense than the horror fiction which she also writes. This poetry proves her right. Lynch has created nightmarish psychological landscapes full of emotional pain and torture and menacing nameless and faceless figures that are humans, monsters, and witches. Her words reveal monstrous truths like the real life horrors that are so bad we might want to believe they could only be fictional.

The central poems in this collection focus on capturing the trauma of torment in terrifying emotional detail. The poet keeps the spotlight on feelings rather than actions. There is despair here and a loss of faith, even in God, as well as symbolic images of mutilated internal organs and “hollowed” victims running in terror. In the most ghastly of these poems, the title poem, a body is invaded by the devil. As if that is not enough, Lynch does not spare the reader from imagining being the random victim of a callous human monster in the aptly named poem “It Just Wasn’t Your Night” and contemplating the chilling fate of each child in “Sacrifice” who is “chosen” to suffer in place of the rest. But, neither does she leave out those who turn their horrific memories into weapons, anger, and even a sisterhood of sorts as is the case in “Legend” and “Honey.”

Other poems move in different directions while maintaining the same emotional content. “If You Love Me” uses terrifying thoughts that a rational person might only think but never seriously enact to show how it feels when a victim of a manipulative love turns what should be doubt in someone else into self-doubt.  A clever little poem, “Wreckage,” uses a mirroring word effect in two stanzas to show alternative perspectives in a relationship, and “My Incomplete Children” makes one think of Anne Bradstreet’s “The Author to Her Book” with Lynch’s poems being the horror version since her poems, as she says, “have teeth.” And, indeed, they do. Highly Recommended

Contains: body horror, posssession, violence.

Reviewed by Nova Hadley

 

Editor’s note: Choking Back the Devil: Poems was nominated to the final ballot of the 2019 Bram Stoker Award in the category of Superior Achievement in a Poetry Collection.

Posted on April 9, 2020 by , Reply

Book Review: Dear Laura by Gemma Amor

Dear Laura by Gemma Amor

Self published, 2019

ISBN: 978-1-797875-7-12

Available: Paperback, Kindle edition

 

There are a lot of horrors in modern reality that don’t require monsters and boogeymen.   When combined, child abduction and fear of the unknown are two of the most effective ones.  In Gemma Amor’s quick 120 page novella, she uses them well.  This is a fast story with no drag between the pages, although the minimalist style she writes with may be off-putting to readers who prefer heavily developed stories.   Those who get squeamish about child abduction and murder in their fiction may want to look elsewhere, although there are no gory details.

 

Laura is a 14-year-old girl, who has the misfortune to leave her best friend and first boyfriend, Bobby,  alone at the bus stop for five minutes.  She returns to see him violating the #1 rule for kids: don’t ever get in a van with a stranger.  The van leaves, and that’s the last anyone ever hears from Bobby.  It’s not the last Laura hears, though.  On her birthday, she receives her first letter from ‘X,’ who claims to have taken Bobby.   Thus begins a bizarre game of quid pro quo, where X reveals a little more of Bobby’s fate with each yearly letter, as long as Laura leaves a personal object he requests at a specified location.  Some of the objects are mundane, and some require a personal and painful sacrifice of a physical nature from Laura.  This continues for decades, until the story resolves in the final few pages.

 

The story is told in the third person, and only from the point of view of the protagonist, it never shifts away from Laura.  The narration throughout Dear Laura is a very stripped-down, bare bones type of writing.  There is little time given to description in this book, and the backstory to the characters is essentially non-existent.  Dialogue?  Forget about it, there’s only ~10-15 lines of dialogue scattered throughout Dear Laura‘s 117 pages.  This is very straightforward writing: it tells what is happening, and doesn’t elaborate on anything.  Does the simplistic style weaken the writing?  No, it doesn’t.  Considering the bleakness of the subject matter, the basic style that author Amor uses lends to the curiously odd appeal.   People always seem to want answers to everything in life, and when people read books, they don’t want to just know what the villain did; they want to know WHY he did it.  Amor doesn’t waste time elaborating on such niceties, as they would get in the way and slow down the story.  That’s why her sparse writing style really shines with the novella’s subject matter. Sure the reader will have more questions than answers at the end of the story, but often, that’s what life is like anyhow.  Considering how often people in this world do evil things for no particular reason, the overall lack of explanation for actions of certain characters in Dear Laura make it all the more interesting…and realistic.

 

For readers that want an interesting, quick-paced story with no wasted time, Dear Laura should land right in their wheelhouse.  Most readers should find this appealing, the only exceptions being people who require densely layered stories and no plot holes.  Recommended.

 

Contains: violence, child abduction

 

Reviewed by Murray Samuelson

 

 

Editor’s note: Dear Laura was nominated to the final ballot of the 2019 Bram Stoker Award in the category of Superior Achievement in a First Novel.

 

Posted on April 7, 2020 by , Reply
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