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Women in Horror Fiction: Becky Siegel Spratford on Discovery of Women Horror Writers for Public Library Collections

    

 

Becky Spratford is a Readers’ Advisor for patrons 13 and up at the Berwyn (IL) Public Library. She is also a steering committee member for the Adult Reading Roundtable, which provides Readers’ Advisory training in the Chicagoland area.  You can see more of Becky’s work on her two popular and critically acclaimed blogs, RA for All and RA for All: Horror, or in her book The Readers’ Advisory Guide to Horror, 2nd edition (ALA Editions, 2012). She is also a proud member of the Horror Writers Association.

As the expert in readers’ advisory for the horror genre in the library world, Becky is sharing with us her tips for librarians and mainstream readers interested in discovering women horror writers. Thank you so much, Becky!

 

Discovery of Women Horror Writers for Public Library Collections

 

A guest post by Becky Spratford

 

One of the biggest complaints I get from my fellow librarians is that it is so hard to identify new horror authors in general, and to find women writers is almost impossible.  In honor of Women in Horror Recognition Month, Kirsten and I have teamed up to provide a month of posts aimed at helping you, the public librarian, to identify good female horror authors to add to your collections.

Now of course, the two places you should start your search for answers to any horror collection questions at your library are RA for All: Horror and Monster Librarian. But the larger question is, where do we get our info? That’s what I am going to do in this post–share my favorite resources for discovering new books and authors.

One of the problems with horror fiction is that outside of the biggest names, most horror is released by small presses.  Now the good news here is that many of these presses highly value librarians. To help us both discover and purchase their titles, they are making a better effort to make their books available through Baker and Taylor and Ingram. Even just as recently as 4 years ago, I would have to get administrative permission to make purchases from specific small presses on a case by case basis; now I can simply include them with my regular collection purchases on Ingram.

Now you can go to my full list of horror small presses here, but the ones I have had the best luck with in recent years for discovering authors (including plenty of women writers) who are best for public library collections are:

 

47 North

Cemetery Dance

Dark Fuse

Dark Moon Books

JournalStone

 

Speaking of JournalStone, one of the best things they do to aid your discovery of new authors is the annual writing contest they host. This year’s winner happens to also be a woman Cynthia Tottleben.  Her winning novel, The Eye Unseen, has just been released and is getting a lot of attention.

But just relying on the small presses and their marketing campaigns has its limitations; for example, are the books they are touting actually good for a general audience?  One way to figure out the cream of the crop is to look at who is being nominated for the horror industry’s most trusted award, The Bram Stoker Award.  Now, I speak from experience because as a member of the Horror Writers Association [who sponsors the award], I can, and do, recommend books for each year’s award. Starting early by looking at the Stoker Preliminary Ballot each year is a good idea.  It comes out in early February each year.  Click here for the current preliminary ballot. But spending a little time looking at the nominees and winners from the last few years is also helpful for your collection development.  If you are particularly looking for up and comers, I suggest the First Novel and the various short story categories.

In general, the Horror Writers Association’s website has many resources, reviews, and links that you can use.  I suggest setting up an RSS feed to the Horror Writers Association’s blog which will allow you to see an ongoing conversations about horror fiction today.

So there are my trade secrets about how I discover horror authors for my library’s collection, but so as not to make you do all the work yourself, here are some of my current favorite women in horror.  Please note, all write to a YA or adult audience.  Links lead either to my blog or Goodreads.

 

Ania Ahlborn

R.B. Chesterton

Mira Grant

Elizabeth Hand

Kate Jonez

Caitlin R. Kiernan

Sarah Langan

Alison Littlewood

Lisa Morton

Sarah Pinborough

Alexandra Sokoloff

Maggie Stiefvater

Cat Winters

 

Once you know where to look, it is not that hard to discover great new women writers. Just remember that RA for All Horror and Monster Librarian are both there to help you, the librarian, help your horror patrons.

 

 

Posted on February 12, 2014 by , Reply

It’s Women in Horror Month!

Yes, it’s that time of year again– Women in Horror Month is here! It’s too bad that it takes a special month for horror lovers and makers who are women to be brought up into the light, but that really does seem to be what it takes. While there are a lot of great women writers of horror, very few of them are well known, so this month we’re going to spotlight some of them. I’ll be bringing up some of the older posts we’ve done on some of the great women we have interviewed or had as guest bloggers previously,  sharing some information about writers of the past, suggesting links on women writers that might be of interest, and publishing interviews with some of the wonderful women writers of horror out there who mainstream readers and librarians may not be familiar with. We are working on putting together an index of women horror writers, but that is a BIG project, so whether that will be done by the end of the month I don’t know.

So here’s the thing. Spotlighting women writers in horror doesn’t mean I think you should read or recommend a book JUST because it’s by a woman. But by not knowing about the work of these women writers, you miss out on some really, really good storytelling. The immediate name that comes up when someone says “women writers of horror” is almost always Mary Shelley, followed by Anne Rice and maybe Shirley Jackson. Even in the Reader’s Advisory Guide to Horror Fiction, Becky Spratford mentions very few women authors outside a short section identifiying five excellent contemporary women writers.(Lisa Morton, Alexandra Sokoloff, Sarah Langan, Sarah Pinborough, and Caitlin Kiernan, as I recall) But there are so many more great books out there that are just MISSED, and I hope that this month we’ll be able to bring some of those to your attention!

Here’s a link to the WiHM Facebook page, which is collecting together posts from a variety of participating sites. And here’s a link to their tumblr– they are collecting donations right now as well. Also check out Becky’s blog, RA for Horror, this month. I know she’s got some great things coming up!

 

Enjoy!

Posted on February 1, 2014 by , 2 comments

Guest Post by Paula Cappa: The Literary Ladies of Horror’s Haunted Mountain

It may not be February, but October is just as good a time (if not a better one) to recognize women in horror, especially women writers. Paula Cappa, author of the supernatural novels The Dazzling Darkness and Night Sea Journey (both reviewed here), gives us her take on women writers in the genre from the beginnings of their journey until the present day. Love quiet horror? Visit her blog to discover what classic story she’s presenting as her Tuesday Tale of Terror. Really. It’s awesome.

Want another take on women writers in the horror genre? Check out this post by Colleen Wanglund, which includes a fantastic list of contemporary women writers and recommended titles.

The Literary Ladies of Horror’s Haunted Mountain

By Paula Cappa

If there is ever a time to hear a night-shriek, it is October, a month that welcomes readers to the dark mountain of the horror genre. Listen to the hallowed voices, their devouring muscular growls and hot stinging hisses. Canadian writer Margaret Atwood, author of MaddAddam, says “Some may look skeptically at ‘horror’ as a subliterary genre, but in fact, horror is one of the most literary of all forms.”

The literary ladies at the summit are as ghoul-haunted as the gentlemen claiming Haunted Mountain as their territory with their persistent footprints and pulsing voices. Their names are familiar: Poe, Hoffman, James, Blackwood, LeFanu, Lovecraft, Stoker, King, Koontz, Herbert, Straub, Saul, Strieber, Bradbury, Barker, Campbell– the list goes on.

With women so under-represented, one would think the only woman writing horror in the early years was Mary Shelley, setting up ropes and spikes, blazing a wide path up horror’s haunted mountain with Frankenstein in 1818. But look closely at the mountain, and you’ll find the distinctive footprints of Ann Radcliffe, who tore open supernatural paths with The Mysteries of Udolpho as early as 1794. Radcliffe’s writing of suspense about castles and dark villains influenced Dumas, Scott, and Hugo. Mary Elizabeth Braddon, author of Eveline’s Visitant, wrote eighty novels and volumes of short stories during the 1800s, and was known as the Queen of Sensation. The little-known and much-overlooked Margaret Oliphant scaled the rocky mountainside with a heady ghost story, “The Secret Chamber.

By 1865, Amelia Edwards’  The Phantom Coach cut popular tracks across the haunted mountain. Helena Petrovna Blavatsky cleared the way for future women writers with her collection of nightmare tales, The Ensouled Violin, as did Elizabeth Gaskell with The Poor Clare, which deals with a family evil curse, complete with witches and ghosts. Charlotte Perkins Gilman’s short story “The Yellow Wallpaper”, written at the turn of the century, became the earliest feminist literature to expose 19th century attitudes against women’s mental health, in less than 6000 words. I like to think of Charlotte as the Wallerina, dancing up the haunted mountain.

Gothic writers like Edith Wharton (Afterward) and Mary Wilkins (Collected Ghost Stories) remain treasures.  V.C. Andrews, Shirley Jackson, Daphne du Maurier, Mary Sinclair, Rosemary Timperley, Victoria Holt, Mary Stewart, Joan Aiken, Phyllis Whitney, and Barbara Michaels, all were prolific writers on horror’s haunted mountain during the 20th century, and some are still writing today. Then, of course, there’s Anne Rice, with her newest release The Wolves of MidWinter. This queen of the damned has practically established a private driveway up the haunted mountain, with more than thirty enormously successful novels of vampires, angels, demons, spirits, wolves, and witches.

Horror’s haunted mountain, traveled by women writers from Ann Radcliffe to Anne Rice, is still being trailblazed by fresh talents, writers of gothic, ghost, supernatural, traditional, and dark horror: Alexandra Sokoloff, The Unseen; Barbara Erskine, House of Echoes; Caitlin R. Kiernan, The Drowning Girl; Chesya Burke, Dark Faith; Elizabeth Massie, Hell Gate; Gemma Files, The Worm in Every Heart; Joyce Carol Oates, The Accursed; Kelley Armstrong, Bitten; Linda D. Addison, How to Recognize a Demon Has Become Your Friend; M.J. Rose, Seduction; Melanie Tem, Slain in the Spirit; Nancy Baker, Kiss of the Vampire; Nancy Holder, Dead in Winter; Poppy Z. Brite, Drawing Blood; Rose Earhart, Salem’s Ghost; Susan Hill, The Woman in Black; too many more to list.

What about the short story? Look to Billie Sue Mosiman, with 150 short stories to her credit. Her “Quiet Room” is about a ruthless evil killer, written in “quiet horror” fashion. For collections, try authors Kaaron Warren’s Dead Sea Fruit, Carole Lanham’s The Whisper Jar, and Fran Friel’s Mama’s Boy and Other Dark Tales.

Men may continue to dominate horror’s haunted mountain, just as women continue to be fierce climbers with hawkish voices. But story is story; writers are writers. What does gender matter in art? In the words of Virginia Woolf: “It is fatal for anyone who writes to think of their sex. It is fatal to be a man or woman pure and simple; one must be woman-manly or man-womanly.” Oh wait, I forgot one more ghostly title for you: Virginia Woolf’s A Haunted House.

Bio:

Paula Cappa is a published short story author, novelist, and freelance copy editor. Her short fiction has appeared in SmokeLong Quarterly, Every Day Fiction, Fiction365, Twilight Times Ezine, and in anthologies Human Writes Literary Journal, and Mystery Time. Cappa’s writing career began as a freelance journalist for newspapers in New York and Connecticut. Her debut novel Night Sea Journey, A Tale of the Supernatural launched in 2012. The Dazzling Darkness, her second novel, won the Gothic Readers Book Club Choice Award for outstanding fiction. She writes a weekly fiction blog about classic short stories, Reading Fiction,Tales of Terror, on her Web site http://paulacappa.wordpress.com/

 

Posted on October 3, 2013 by , 1 comment
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