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Guest Post by Colleen Wanglund: Does Misogyny Exist in Horror?

There is nothing new about sexism and misogyny in the geek community.

Some of the things women have experienced are daily things that don’t seem like they’d be a big deal on their own, but stack up over time (I’m not going to link to it, but just search “feminist gamer bingo” and you’ll see the kinds of comments many geek women hear). Some of them are more obvious incidents, especially at cons. Cosplayers (people who wear costumes to represent a particular fictional character) in particular often face harassment, but it’s not limited to them– con attendees, authors, and panelists have all experienced disheartening behaviors due to their gender. Author Ann Aguirre wrote about her own experiences at cons not that long ago, and caused enough of a flurry to qualify for an interview at Publishers Weekly (link here). There continues to be a belief that the way things are now– both the actual treatment of geek women and girls and the representation of women in the media they consume– is okay, or at least to be expected. It’s not, and it’s important to be having a conversation about it. (Here are a couple of links that have contributed to that conversation- this article from  author John Scalzi, this article from Dr. Nerdlove, and for a slightly different and more personal take, this article by Mercedes Yardley. And, of course this awesome video from the Doubleclicks, which drives the point home with clarity).

Mostly, though, discussions on the treatment of women geeks have been focused on science fiction, fantasy, comics, and gaming communities of various kinds, horror being the redheaded stepchild of genre fiction (although there is a fair amount of overlap).  I asked Colleen Wanglund, one of our reviewers who is very involved in the horror community and in Women in Horror Month (held every February) if she would share her thoughts on misogyny and sexism in horror, and here is what she had to say.

 

 

Does Misogyny Exist in Horror?

I’m a geek—and unashamedly so.  I’m also a woman, which to some seems to be a contradiction.  So it distresses me to read about other women’s bad experiences within the realm of geekdom.  While I have been to some big conventions—namely New York ComicCon, Chiller, and Horrorfind—I personally have only had good experiences.  I’ve also been to my local comic shop on many occasions and have never gotten weird looks or been made to feel uncomfortable.  My daughter Darlene (you know her as the artist who created Horatio P. Bunny)(editor’s note: Horatio P. Bunny is the mascot for MonsterLibrarian.com) is a cosplayer—that’s costume player for the uninitiated–and has been to many more conventions than I and she has been the victim of the sexism that has taken hold.  I was shocked to hear some of what she has told me recently, and quite frankly, it disturbs me….A LOT.

This started out as a piece on the horror world, but let’s face it, there is a lot of overlap between horror, sci-fi, and fantasy.  We see it in everything from comics, movies, anime, manga and literature to video games, toys, cosplay and role playing games.  What’s got me riled up is the fact that many so called “geeks”, regardless of genre and whether they are fans, writers or other participants think that women cannot have the same interests as deeply as the men.  There are plenty of stories of convention goers angrily confronting female cosplayers, thinking they are only out for attention.  They have questioned these women to determine if they have the appropriate knowledge to be a geek.  There are stories of sexual harassment and assault, as though men think they can treat these women any way they please.  Ironically, the men who attend the various genre conventions don’t seem to mind the Booth Babes—women hired to work the booths of companies specifically to attract the male convention goers.  Women aren’t the marketing targets, although they attend, too; or maybe  the businesses there think women are not worth the effort to attract toward a particular booth or product.

What is interesting is that for every story of a woman being harassed, or accused of sleeping with a publisher to get their book in print, there is a story of women being treated with respect, and welcomed into the community of their choosing.  I have spoken to a number of female horror authors who have said their experiences have been nothing but good when it comes to dealing with other male writers, editors, or publishers, both through long-distance business dealings and in person at conventions and other events.  Some have even told me that if anything, the only bad experiences they may have had have come from other women.

Even looking at movies, women are forever portrayed as the damsel in distress having to be saved from the likes of Jason Vorhees, Michael Myers, Leatherface and Freddy Krueger.  But not so fast.  There is also the phenomenon of the Final Girl, the girl left standing in the aftermath of a crazed psychopath on a killing spree.  The Final Girl is no helpless female. On the contrary, she has survived and (usually) been responsible for the demise of the psycho.  And of course there have been plenty of badass heroines, including Ripley (Alien), Sarah Connor (Terminator), Alice (Resident Evil), Laurie Strode (Halloween), Heather (I Spit on Your Grave), Kristy (Hellraiser), and most recently Katniss (The Hunger Games), among many, many others.

So does misogyny exist in horror?  Or sci-fi and fantasy, for that matter?  I think it depends on who you talk to and how their own experiences frame their opinion.  Is it outright hatred of women?  I can’t say for sure. For some, I think it’s just arrogance to think women can’t participate in geekdom.  For others, I think it’s fear—fear of losing what these male geeks and writers have thought of as their domain.  One thing I do know is that it seems to mirror society, in general.  Women are always getting the short end of the stick, no matter how successful they become.  We see it with women who work behind the scenes in the horror film industry, with the male to female ratio of published stories in horror, the number of publishing houses run by men versus women, and in the ratio of awards given out to women in all aspects of the horror industry. While on the one hand it’s a good thing to see horror film festivals and book publishers focusing on the women in the industry, I also think it’s sad that these steps must be taken to give hard working women the recognition they deserve.

Either way, women have to work harder than most men to be successful in horror, sci-fi, fantasy, or whatever it is they are pursuing.  This is the reason behind the annual Women in Horror Recognition Month.  Taking place every February, the brainchild of Hannah Neurotica aims to bring to light all of the women in the horror film industry, both in front of the camera and behind it.  My personal involvement came about because I wanted to ensure that women in the horror literary industry also received their due.  There is support for women, both from other women as well as men.  Not all men are clueless.  Most of the men I have dealt with as a reviewer and writer have been nothing but supportive and respectful.  However, not everyone is so inclined to give their fellow writers, directors, gamers or fans the respect they deserve….and this is not going to change overnight.  But I believe it is changing.  The Viscera Film Festival and Bleedfest showcase female moviemakers.  In the literary world, an annual award given for “outstanding achievement in the literature of psychological suspense, horror and the dark fantastic” is named for Shirley Jackson, female author of such notable works as the short story “The Lottery” and the novel The Haunting of Hill House. 

Have I answered the question “Does misogyny exist in horror?”  I think there is some measure of misogyny and sexism but I don’t think it is as bad as some may think.  Again, this is dependent upon the individual’s own experiences.  It’s the remnants of a patriarchal society that is still struggling with women’s equality.

 

Colleen Wanglund

 

 

 

 

Good Night, Sammy Terry: Guest Post by Mike Redmond– Bob Carter Is Dead, But Not Sammy

Sammy Terry - Sammy Terry George Wallwalker Bonus Picture

Sammy Terry– Photo courtesy of George Wallwaker.

If you grew up in Indianapolis in the 1960s, 1970s, or even 1980s, you probably remember Sammy Terry. Before cable, before movies came out on VCR or DVD, before Netflix and Hulu, if you wanted to see the classic (or classically awful) horror movies out there, you had to hope that your local television station had spent money on Universal’s “shock theater” package, and put together a low budget midnight movie show, complete with creepy host. The local station here was WTTV4, the show was Nightmare Theater, and the horror host was Sammy Terry, played by Bob Carter. Sammy’s impact didn’t stop in the Indy area (I was wowed by this tribute at Horror Hosts and Creature Features), but this is where he started, and when Bob Carter died on June 30, it was clear what a major influence he was on so many of us who grew up to love scary movies (and books). Sammy Terry’s official website can be found here, if you’re interested.

Mike Redmond, an author, humorist, journalist, and speaker who grew up in the Indianapolis area (and still lives here) agreed to share a tribute to Sammy Terry he had written here.

 

Bob Carter Is Dead, But Not Sammy

By Mike Redmond

The news came in the form of a text that said, simply, “Sammy Terry died.”

How sad. And how wrong. If you took a look at the World Wide Interweb thingie in the days after the story broke, with comments by the hundreds on Facebook, you would have seen that Sammy Terry was more alive than ever in the memories of all us kids who peeked from behind sofa cushions  (or, in the case of my brother, the sofa itself), when “Nightmare Theater” was showing on WTTV Channel 4.

The death of Bob Carter, who created and played Sammy from 1962-1989, brings a couple of ideas to mind.

The first is how much fun it used to be to watch a scary movie. Of course, my definition of scary has little in common with what passes for a scary movie today, unfortunately.

I’m a big fan of the classic monsters– Frankenstein, Dracula, the Wolfman, the Mummy. Why? Because despite the visual impact of the monsters themselves, their movies rely on your mind to do most of the scaring. Blood and gore– the stock in trade for scary movies for the last three decades or so– aren’t necessary. The sight of the Frankenstein monster coming to life or Dracula’s riveting stare was more than enough to send a kid’s imagination into high gear. One of the greatest– and spookiest– shots in any classic monster movie has to be in The Mummy, after Im-Ho-Tep comes back to life. As he shuffles away, the camera fixes on a piece of linen trailing after him out of the room, and you just know bad things are going to start happening.

Bob’s death (I met him a couple of times so I’m taking the liberty of calling him Bob) also brings to mind how much we’ve lost with the death of local entertainment television. Kiddie shows like “Cowboy Bob’s Corral,” “Janie,” and “Harlow Hickenlooper” were just the beginning. Remember Jim Gerard’s interview show? I always thought that was one of the best things about being home from school.

Oh, well. That’s why we have memories, I guess. Which gets us back to Sammy Terry.

Bob Carter, the man who played spooky ol’ Sammy on Channel 4 during the 60s, 70s, and 80s, might have gone, but Sammy himself? He’ll be around forever, or at least as long as guys like me remember his spooky laugh, his spider George, and the creepy-campy fun of the classic monster movies he loved.

— This tribute first appeared in the July 16, 2013 issue of Current in Carmel.

 

 

Goodnight Moon, Or, Why Horror Readers Should Read Children’s Books

Having been immersed in children’s books of all kinds my entire life, I tend to take for granted that people read them as children themselves, or at least to their own children. Even really smart people  who read widely haven’t necessarily read the children’s books that most lovers of children’s literature would consider core titles. Unfortunately, that means a lot of people miss out. You might not think it, but there are a lot of cultural references dependent on knowledge of a common literary history, beginning in childhood. And horror is a very intertextual genre, with cultural references aplenty.

Goodnight Moon by Margaret Wise Brown is one of those books I always thought everyone at least knew about, even if they hadn’t read it. There have been many parodies, It wasn’t that long ago that Michael Rex produced an homage to this classic titled Goodnight Goon, with lots of monsters, creatures, and chaos. Of course you don’t have to have read the original to enjoy it, but you’ll enjoy it more if you understand what is being parodied (your kids probably won’t care, but you’ll enjoy it more). For your enjoyment, then, here is a video that showcases the book.

 

 

 

Sometimes, though, you DO have to be familiar with the original to have the referential title make sense– and to “get it” so you can say “wow, that’s cool”!  And it doesn’t work if you don’t know the context. In my travels across the Internet, I came across this short video, and it kind of wowed me with the way it took the familiar elements of the book and made them into a horror movie.

 

 

I ran to get my husband and showed it to him and he kind of shrugged. I didn’t realize he was unfamiliar with Goodnight Moon. Not knowing the book took the meaning away for him–it was nicely done, but so what?

It doesn’t matter what you read or watch… Life is richer, and in often unexpected ways, when you read children’s books.