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Graphic Novel Review: Pretty Deadly Volume 3: The Rat by Kelly Sue DeConnick, art by Emma Rios

Cover art for Pretty Deadly volume 3: The Rat

Pretty Deadly Volume 3: The Rat by Kelly Sue DeConnick, art by Emma Rios

Image Comics, 2020

ISBN-13: 9781534315198

Available: Kindle, paperback

Buy:  Bookshop.org  |  Amazon.com

 

 

DeConnick and Rios’ Pretty Deadly Volume 3 : The Rat launches us forward in time from World War I to 1930s Hollywood. The late Sara Fields’ granddaughter Clara has been found murdered. Her Uncle Frank, known as “Conjure-Man” to some, is desperate to find her killer. He tracks her path through Los Angeles, where the Reapers of Hunger, Thirst, and Obsession have each attempted to lure Clara to their way of life in some way. Frank calls out, loud enough for the Reaper of Vengeance to hear his pleas to help him find out what happened to Clara. Deathface Ginny appears to aid her old acquaintance.

 

As per volumes 1 and 2, volume 3 presents a compelling story with familiar characters, and a few new ones. I could read an entire series on Deathface Ginny alone. Getting a few more glimpses of the Immortal Reapers is interesting as well. I wish we had more of them. Art by Emma Rios and colours by Jordie Bellaire are, as usual, well rendered. I’m hoping there will be more Pretty Deadly in the future by this team, especially knowing that Image released Pretty Deadly: The Shrike Vault Editionon April 30, 2024.

 

The long gap in years between  the publication of volumes 2 and 3 was unfortunate. Luckily, I was able to access all volumes through interlibrary loan to reread the first two and finally read the third.

 

Pretty Deadly Volume 3: The Rat collects issues 1-5. At the end of the trade paperback is a collected discussion guide created by Dr. Jeremy Stoll, which makes this a book that could find use in the classroom. Recommended.

 

 

 

Reviewed by Lizzy Walker

Graphic Novel Review: Pretty Deadly Volume 2: The Bear by Kelly Sue DeConnick, art by Emma Rios

Pretty Deadly Volume 2: The Bear - de Connick, Kelly Sue

Pretty Deadly Volume 2: The Bear by Kelly Sue DeConnick, art by Emma Rios

Image Comics, 2016

ISBN-13: 9781632156945

Available: Paperback, Kindle edition

Buy:  Bookshop.org  |  Amazon.com

 

Pretty Deadly Volume 2: The Bear moves the first volume’s timeline ahead to World War I. Sarah Fields lays dying, and her children want nothing more than their brother, Cyrus, to arrive in time to say goodbye. They approach Fox, formerly a blind man traveling with young Sissy, now a dapper sighted reaper, to give their mother until the next full moon to take her. He takes this to Sissy, who agrees. Sissy herself has changed, as she has taken on the mantle of Death, and appears as a blend of human and shrouded vulture. The problem is that Cyrus, now a young man, is fighting in the war in the trenches of France, where the Reapers of Vengeance and Cruelty run rampant. Deathface Ginny and Big Alice ride together for similar purposes.

 

Things have changed for everyone.

 

The second volume is easier to follow than the first, but just as strong. (See my Monster Librarian review for Pretty Deadly Volume 1: The Shrike here.) DeConnick used a more linear storytelling method for this installment. However, she did not lose any of her philosophical integrity in addressing very human questions regarding war. There is a deeper meaning here.

 

The artwork by Rios is incredible. It is easy to get lost in panels that have so much energy to them, but deliciously so. Scenes on the battlefield are intense, between the movement and Jordie Bellaire’s color palette. The updated character design for Sissy as Death is beautiful, and Fox as a reaper cleans up nicely, as the saying goes. Seeing more of Deathface Ginny and Big Alice was fantastic. Highly recommended.

 

Pretty Deadly Volume 2: The Bear collects issues 6-10.

 

 

Reviewed by Lizzy Walker

Graphic Novel Review: Manga Classics: Dracula by Bram Stoker, adapted by Stacy King, art by Virginia Nitouhei

Manga Classics: Dracula by Bram Stoker, adapted by Stacy King, art by Virginia Nitouhei

Manga Classics, 2021

ISBN-13: 9781947808058

Available: Hardcover, paperback, Kindle edition

Buy: Amazon.com

 

Manga Classics brings us a manga version of Bram Stoker’s Dracula. By now most readers are familiar with the vampire classic’s general story. Jonathan Harker, a young English solicitor, travels to Transylvania to assist the mysterious Count Dracula with a real estate transaction in England. However, he soon realizes that he is a prisoner on the count’s vast estate. Through observation, he notices the count is not all he seems. While the young Harker is trapped in the castle, Dracula travels to England, where he begins preying upon Lucy Westenra, a young woman engaged to Jonathan’s friend, Arthur Holmwood. A patient of Dr. John Seward’s, Renfield, under the employ of the count, becomes increasingly obsessed with consuming the living a leaves cryptic clues as to the nature of his boss.

 

As Lucy falls ill with an unknown malady, her friends Arthur, Dr. Seward, American Quincey Morris, and vampire hunter Professor Abraham Van Helsing are determined to save her from the vampire menace. Unfortunately, Lucy succumbs to Dracula’s influence and becomes one of the undead. The friends turn their efforts on hunting down and destroying Dracula where he poses a threat to Mina Murray, Jonathan’s fiancée, and others. With teamwork and the aid of modern technology, they pursue Dracula for a final bloody confrontation.

 

This is the first Manga Classics edition I have picked up. I read the hardcover version from my library, and I have to say it is worth it. King, editor for Manga Classics, does a great job of adapting the original text. As the story is told through letters, diary entries, recordings, newspaper articles, and ship’s logs, I was not sure what to expect from a manga version. Everything lined up and flowed nicely from page to page. The mangaka for Dracula is Virginia Nitouhei, who is a featured artist for “The Tell Tale Heart” in Manga Classics: The Stories of Edgar Allen Poe, which I will also be reviewing. She has a classic style to her art that lends itself well to a story like Dracula. The detail Nitouhei puts into the characters’ costuming alone is exceptionally beautiful.

 

At the end of the book, the editor and creators include information on themselves, an article on what it took to adapt Dracula to manga, and other helpful tips on reading this book. It would make an excellent entry point for readers who want to read classic horror, as well as manga. Highly recommended.

 

 

Reviewed by Lizzy Walker