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MonsterLibrarian.com Review of The Undead and Theology Published By Examiner.com

If you visit our site frequently, and I hope you do, you know that we just wrapped up a big review project on the Stoker nominees of 2013. In 2012, for the first time, we decided to review as many of the Stoker nominees as we could. Many of the writers and publishers of nominated books sent us review copies and our hardworking reviewers took on the challenge of getting as many reviewed as possible. This year we decided to do it again. Lisa Morton at the HWA notified nominees that we planned to review Stoker nominees, and we received review copies from many of the writers and publishers. Our final reviews for the Stoker 2013 project went up in June before the Stokers were awarded.

One of the Stoker nominees in the nonfiction category was The Undead and Theology, edited by Kim Paffenroth and John W. Morehead. This is an anthology of essays by academics on the topic indicated by the title, published by Pickwick Publications, an imprint of independent publisher Wipf and Stock. Having just written an essay for an anthology of essays by academics myself, I can tell you that it doesn’t pay much to write for one, and copies are expensive and not handed out to just anyone. So we were very pleased to receive a review copy of this book! Reviewer Colleen Wanglund read and reviewed The Undead and Theology for us, and recommended it for purchase by libraries.

I am pleased to say that Colleen’s review has now been picked up by Examiner.com, where hopefully an entirely new audience will be reached. Reviews matter, especially for niche academic titles, and the more people who know about a great book, and want to read it, the better. Take a moment and check out the review, and reviews for some of the other nonfiction titles we’ve done in the past. Best wishes to everyone involved!

The Horror of Science Gone Awry

An article in The Guardian suggested that the absence of the supernatural monster from books generally considered horror fiction could be the end of the genre. I must respectfully disagree. While Becky Siegel Spratford, considered the expert on reader’s advisory in horror fiction, suggests that supernatural forces must be present for a book to be considered part of the horror genre, here at MonsterLibrarian we have always taken a broader view of what constitutes horror fiction (some would argue, I’m sure, that our definition is too broad). In fact, when we started out, with a much smaller number of genre divisions, one of the categories we had was “science gone awry”. It can be as terrifying as any supernatural creature, that’s for sure. We’ve since integrated the titles from that category into other subgenres, because it’s now such a common source of monstrosity. I confess that the books I remember as most terrifying from my own teenage years included not just Stephen King’s early works, but science fiction stories such as Asimov’s “Nightfall”, and medical thrillers, like Robin Cook’s Godplayer and Mutation. The natural world at its most frightening, and the dangerous obsessions of the mad scientist intent on altering, extending, or creating life–these are the stuff of terror, fear, and dread. And they have been for ages.

The advancement of science and the expansion of our world have changed us, and the source of our fears is now much more often the evil we do to each other and to the world around us, and how it rebounds to us. That’s not to say that we have abandoned our fears of attack from outside or supernatural forces, but mad science is hardly new to the horror genre. Critique of social, economic, and political issues isn’t new to the genre either, and the existence of that critique in a text doesn’t determine whether it’s horror–the emotional punch to the gut does that. Horror does not have to be, as the author of the Guardian’s article suggests, drawn from ancient fears and folktales, or from gothic novels. If it’s not somehow situated in the real, or at least the believable, then the fantastical elements are unlikely to succeed. In spite of the occasional moaning and groaning that horror is dead, it’s not. Like so many of the iconic monsters of the genre, as long as there are things to fear, it will rise. And, to answer the question the author poses of where we will find books that really scare us now… well, in a genre as broad as horror, there is a place for everyone to get their literary chills. And if you’d like some recommendations, we at MonsterLibrarian.com are happy to oblige.

Dark Regions Press’ “Sale For Good”

 

 Libraries should definitely know about the love they’re getting from Dark Regions Press.

     The sale discounts everything in stock, with some items discounted as much as 90%. For every book purchased, Dark Regions will donate one to a school, library, or military base. Their goal is to donate 1,000 books or more, and when you buy a book you can designate where you would like the matching donation to go. If you order a 20 volume book set, they’ll donate 20 books, and you can get up to 60% off retail price.k Regions Press, an independent small press specializing in horror and dark fiction, in the form of their “Sale for Good”.

There are some really great authors published by Dark Regions, including many Stoker winners and titles by Rick Hautala and David B. Silva, admired writers and contributors in the horror genre who both passed away in March.

At this time Dark Regions has sold 851 of the 1000 books they have offered to donate. Go help your library out and check out what Dark Regions has to offer. They’re worth seeking out.