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Do We Need More Kid Horror?

Derek Faraci at Blumhouse.com has written an article titled “We Need More Kid Horror“He claims that today’s generation of kids will be the first to grow up “without nightmares caused by authors, artists, and filmmakers”. The world, he says, has decided it’s not okay to scare kids anymore.  Kids would rather watch Minecraft videos on YouTube than horror movies these days.

While it’s very possible that some kids would rather watch Minecraft videos on YouTube, that doesn’t mean they aren’t exposed to horror in its various guises. I have a 10 year old son who is obsessed with Minecraft, and that’s where he learned about slasher movies and horror video games. It’s where he learned about Slenderman. (thanks a bunch, Mojang, for enshrining a fictional character that inspired two girls to stab a friend multiple times into a children’s video game). If you want to learn about any kind of monster or cryptid, he’s your go-to guy. There’s no lack of resources to feed his nightmares. Visit the library and you’ll see.

According to Faraci, “horror is more than fun. It’s more than entertainment.” Parents should be using it to teach their kids lessons.

Gee, way to drain all the enjoyment out of the genre. You may have noticed that horror, as a genre, doesn’t get a lot of respect. A lot of kids who do read it are doing it under the radar, and they like it that way. In some of the research, they’re called “underground readers”. They don’t want horror to teach them a lesson. They get lessons at school. They want to read (or watch) something they actually enjoy. If, as a parent, you have a genuine love of the genre that you want to share, great. That’s what will engage kids. If, as a parent, you have grave reservations about sharing your love of the genre, you should probably know that eventually your kids will get into your stuff and decide whether they want to read or watch horror anyway.

I do agree with Faraci that horror gives us a way to experience fear in a controlled way– you can always close the book or turn off the television if things get too intense– but how many of us are thinking about that when we read? If it’s not fun, if it’s not entertaining, if there’s no suspense, why waste your time?

Do we need more kid horror? There’s definitely a place for it! A children’s horror novel, Neil Gaiman’s The Graveyard Book, even won the Newbery Award a few years back. Is there a gap where kid horror used to be? I don’t think so. But there’s certainly room for more!

 

Looking for titles? Here are our reviews of scary (and not so scary) books for kids

 

Women in Horror Month: 5 Books By Women Writers That Horror Readers Might Not Know (But Should)

Far be it from me to dictate an entire canon of works (at least today) but there are definitely some books by women authors that deserve to be known better than they are, and they often get shorted because the story of Mary Shelley and Frankenstein is pretty amazing, so everybody writes about her. There are lots of great women writers who aren’t Mary Shelley, though, and I can only claim to have read a few of them, despite my intention to do better. Here are some books you might have heard of but passed on for some reason– or maybe they are unknown to you.

1.) Beloved by Toni Morrison.

Toni TheMorrison is a great American writer, so I hope most people at least recognize her name. Beloved was made into a movie, so it’s you may at least know of that. The story concerns Sethe, an escaped slave, living in Ohio many years after her escape, in a house haunted by a ghostly child.  To say more than that is to give away what was (to me, anyway) the breathtaking, visceral shock of some of  the book’s later events. Morrison uses a nonlinear writing style, and the events move back and forth in time, so this is not a quick, light, beach read. But it is certainly one that will leave an impact.

2.)  The Keep by Jennifer Egan

The Keep is a nested story, with a story about a character situated in a Gothic trope– visiting an acquaintance who is renovating a castle with Gothic terrors and trappings, which is also a playground for bored people who want to imagine they are living in the Gothic… and all of this is framed by yet another story. The Keep does not tie up all of its loose ends, so if that bothers you, be warned. It’s really hard to describe this in just a few sentences without giving up some of the surprises in the plot, but suffice it to say that it is suitably creepy and unsettling. I’d save this for when you have plenty of time.

3.) The Castle of Los Angeles by Lisa Morton

The Castle of Los Angeles won a Stoker award in 2010, and was mentioned in the second edition of The Readers’ Advisory Guide to Horror. Two of our reviewers chose to review it independently of each other, and both of the reviews were glowing. Despite her reputation as a horror writer, though, it is possible that you might not have come across this book, because it was published by a small press, Gray Friar Press, that does not (to my knowledge) seem to exist anymore. Cemetery Dance has republished it as an ebook, but hard copies appear to be only available used, so you would probably have to be looking for it specifically, or be blessed with serendipity, to come across it. The Castle of Los Angeles  takes place in a haunted theater, the Castle. While it uses many Gothic tropes, Morton makes them her own, and her eccentric mix of characters and their reasons for living in the Castle make it a unique contribution to the haunted house genre. It is a treasure for lovers of quiet horror.

4.) Doomsday Book by Connie Willis

If you are purely a horror reader you might not have come across the brilliant Connie Willis, who is primarily known as a science fiction writer. Among her other works, she has written a loosely connected series of books about historians in an alternate future who use time travel in their research. In Doomsday Book, history student Kivrin’s research trip to the Middle Ages is derailed when the tech running the machine collapses, having entered incorrect coordinates that send her to the time of the Black Death. The tech turns out to have contracted an unknown and deadly disease that spreads rapidly through the area, and the time travel lab is quarantined due to suspicion that the disease escaped from the past when Kivrin went through, trapping her there. This isn’t horror in the traditional sense, but the reader is a witness, through Kivrin, to the despair and terror caused by the Black Death. The parallel plot of the quarantine during the spread of the unknown disease in the future is more science-fictional, but Willis does not pull her punches, and she doesn’t seem to have compunctions about killing off characters you’ve grown to care about. The story builds over the course of the novel, and it is exhaustive in its detail, so you have to be patient, but it is so worth poking your toe outside the horror genre to delve into the horror and consequences of the spread of an epidemic disease.

5.) Nameless: The Darkness Comes by Mercedes M. Yardley

While she has published short stories and novellas before, this is Mercedes Yardley’s debut novel, and the first book in her Bone Angel trilogy. It’s relatively new, having just been released in December. We just reviewed it here, and when I asked my reviewers for a book by a top woman writer in the horror genre, this is the one that was suggested.  Luna, the protagonist, can see and speak to demons. When her niece is kidnapped by Luna’s brother’s ex-wife, a demon named Sparkles, the game is on! Described as “whimsical”, “gritty”, and “macabre”,  this novel, while technically an urban fantasy, gets high marks from lovers of horror as well.

 

I hope you’ve had a great month of reading women horror writers this month– but don’t stop now! Enjoy!

Women in Horror Month: An Invitation to Toni Morrison’s “Beloved”

On the heels of Tor.com’s blog post stating that the horror genre doesn’t claim Toni Morrison’s novel, Beloved, I feel like it’s necessary to set the record straight. As much as I would personally like to claim it for the horror genre, some people might consider that appropriation, given its topic and the context in which it was written– and certainly, horror isn’t the only genre represented(it has also been described as magic realist, historical fiction, and African-American fiction, and Morrison has said she prefers to be identified as simply an American writer). But as a widely read person and a reviewer of horror fiction, I personally, and as a representative of Monster Librarian, will argue that it most certainly should be included (I have always considered it to be part of the genre) as it spotlights one of the most innovative and powerful depictions of horror and the Gothic by women, in recent literature.

In the way that it taps into the feelings we attach to American history, Beloved is a unique book that I am not sure any other can quite measure up to.  I won’t argue that it doesn’t also have a relationship to other literary genres and styles. But there is room in the horror genre for things we haven’t yet even imagined, and there is certainly an honored place for Beloved.