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Women in Horror Month: Researching Women in Comics– Guest Post by Rachel Hoover, Librarian of the Dead

Rachel Hoover is a librarian and aspiring writer living in the Chicago area. She runs the blog Librarian of the Dead, where she blogs about the sorts of things you’d expect from such a title. She writes frequently about the horror genre–whether it’s books, comics, movies or games– as well as gravestone art, cementeries, and other items or topics that are dark, spine-chilling or have something interesting to say about our relationship with fear or death. Rachel is an official participant in Women in Horror Month this year, and is spotlighting women in horror comics this month.

With comics and graphic novels such a big topic in libraries right now, we wondered how you discover horror comics created by women, and Rachel offered to share her research strategies. It takes some work, but there are some interesting surprises. Until Rachel wrote about it, I had no idea Nancy A. Collins, who won the Bram Stoker Award for Sunglasses After Dark, also wrote for comics, including Alan Moore’s Swamp Thing! Want to introduce women in horror comics to both comics and horror readers? Read Rachel’s suggestions below.

 

On Researching Women in Horror Comics

Rachel Hoover

In honor of Women in Horror Month , an annual event put on by the Viscera Organization each February, I’ve been writing about Women in Horror Comics for a weekly series on my blog, Librarian of the Dead.

The goal of WiHM is to provide exposure, support and education about the typically underrepresented women working in the horror genre. So each Monday, I’m featuring a specific female writer or artist that works on horror comics, discussing their work, and asking them a few questions about the industry, what influences them and what advice they have for aspiring comic creators.

I came up with this project was because I couldn’t think of that many women working on horror series that I read or was aware of. It’s not always easy to stumble upon the names of all the artists, colorists, pencillers, letterers that make up one issue of a comic, one graphic novel, let alone the many people that could contribute to work on a trade paperback that collects multiple comic issues. It’s even harder when you’re only looking for women in one genre.

Since I am an actual librarian (that blog title isn’t just for fun!) I was up to the challenge. I used a couple of different strategies. No one had already created the kind of resource I was looking for, so I went with the next best thing: a list of women working in comics in general, and I found a nice long one on Wikipedia.

Part of my work was looking through lists like this and trying to either identify horror titles, or watch for publishers that I knew did horror series (Dark Horse, for example). I also worked the other way around sometimes, looking up a specific comic series or a graphic novel and checking if they had any women working for them. The main websites that I used to explore names and titles were things like Comic Book DB, Comic Vine, and  DeviantART, as well as the publisher and convention websites.

Librarians looking to stock female comic creators on their shelves should dig deep into the comics or graphic novels they already read and seek out the names of all of the writers and artists who have contributed to it. Research their careers and you’ll find new titles to check out. But be open to seeking out independent comics, there are a lot of wonderful unknown writers and artists that self-publish or work with indie publishers. They may not have easily-available trade paperbacks, and most libraries don’t stock individual issues of comics, but what about buying digital issues and loading them onto a tablet? Slap a barcode on that device and you still get circulation stats!

I would also recommend going to comic conventions and visiting with the female comic creators and artists that are there, talk to them about what they’re working on right now, what they’re reading and other women in the field who do work they enjoy. Once you start learning their names you’ll see them everywhere and realize what you and your library users were missing out on before. Maybe you can inspire them to become a fan of something they wouldn’t have picked up on their own. Maybe the girls and women in your community will even try their hand and writing or drawing their own comics when they see the possibilities. It’s a win-win: you and your library benefit, and so do the women out there already creating comics.

If you’d like to learn more about the women I’m featuring in my blog, I have a few up already. My first feature is on writer Rachel Deering and her epic werewolf comic ANATHEMA and my second is on cover artist Jenny Frison, who works on titles like HACK/SLASH, REVIVAL and ANGEL . I have two more to go, plus bonus posts of more women I discovered, but couldn’t fit in February. I’m excited and passionate about my project, because I believe these ladies are doing amazing work and deserve the exposure.

If you don’t want to miss the next features in my series you can subscribe to my blog, follow me on Twitter @rachelsstorm or keep an eye on all of the Women in Horror Month events through their website, Twitter @WiHmonth or Facebook page.

Digital Comics

My new issue of Knowledge Quest (the official journal of the American Association of School Librarians)  has an article on digital graphic novels, a format I haven’t though much about. There are web comics I follow (I love Unshelved), and some of them have even gone to print editions, but that seems a little different than a graphic novel. When I’ve looked at heavily illustrated books on Kindle or Nook, I haven’t been impressed. But the author discussed a very cool platform for digital comics, called ComiXology, which you probably already know about if you are a big comics reader. But if you aren’t, this might just get you hooked.

First, ComiXology started out as a tool for retailers, to help them promote print comic books, and they still have a commitment to working with retailers so they get revenue from sales of comics sold through them, so you can set up your order through this site or buy through them and still be supporting your local comic book store. I think that’s pretty cool. Second, they have created not just a catalog but a space for a community of comics lovers to discuss and review comics, and it’s free to do so, without extraneous annoying advertisements. Presumably, if you are a member you’re there to discuss and buy comics so ComiXology’s own promotions won’t bother you, and there aren’t any others. They also have free comics, a nice feature that the author of the article I read mentioned… one of them for this week is Courtney Crumrin and the Night Things #1. Third, they have some pretty great partnerships and relationships with comics publishers, including DC, Marvel, and BOOM! Studios, so there’s a wide variety of comics available and ways to access them, which I won’t go into except that there are apps, and you want more details you can read about it here.

What’s fun for me, in terms of promoting horror through a variety of media, is that if you start from ComiXology’s home page for digital comics, there’s a “Browse” tab with a drop down menu that allows you to search in a variety of ways, including series, publisher, creator, story arc, top rated, and GENRE. And one of the genres you can explore is horror. I didn’t wander around much there but just on the first page I saw 28 Days Later, 30 Days of Night, and American Vampire, all of which we’ve reviewed here. The newest issue of The Walking Dead was a featured comic, too. There’s a lot going on out there not just in the world of ebooks, but in the comics world as well, and the arguments as to whether there’s a legitimate place for digital comics will, I’m sure, continue.

After a brief look, I know I’m probably intrigued enough to download the app and try a free comic, at the very least, to see what the reading experience is like. I’d love to hear what you think about the rise of digital comics, or ComiXology!