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Book Review: More Deadly Than the Male: Masterpieces from the Queens of Horror edited by Graeme Davis

More Deadly Than the Male: Masterpieces from the Queens of Horror edited by Graeme Davis

Pegasus Books Ltd., 2019

ISBN-13: 9781643130118

Available: Hardcover, Kindle, audiobook, audio CD

Buy: Amazon.com

 

More Deadly Than the Male gives us 26 tales of terror written by women between 1830-1908. Some of my favorite Gothic and horror tales were written around this time period. Davis has selected some great stories in this anthology by well-known, and some not as well-known, women authors. In addition to select stories, Davis includes brief biographies with information about the authors’ lives and challenges they faced as women writers, and about the stories themselves. While I enjoyed all of the stories in More Deadly Than the Male, there are several that stand out. Some of my favorite tales include the following.

 

The volume opens with Mary Shelley’s “The Transformation,” in which Guido, seeking revenge, makes a deal with a monstrous being to trade bodies. What will become of the man trapped in a monster’s body?

 

In “Lost in a Pyramid, or the Mummy’s Curse” by Louisa May Alcott, Evelyn begs Forsyth to tell her how he came to be in possession of an ancient and strange gold box. He tells a tale of exploration, colonization, greed, hubris, and the mummy of an ancient sorceress and mysterious seeds found in the box.

 

Edith Nesbit’s “The Mass for the Dead” is a haunting story about a couple who change their history because of a vision. Jasper mourns that the woman he loves, Kate, is to marry someone else. When she reveals she is not marrying for love, but for wealth, he still insists that she should break her engagement. Out of familial obligation, she refuses to end the engagement in order to help her father with his finances. When she shares her vision of a mass for the dead with Jasper, they believe it to be a sign of her impending marriage. Later, when he reveals his own vision to Kate, they find they may have misinterpreted the vision entirely.

 

“The Vacant Lot” by Mary E. Wilkins-Freeman is a lovely ghost story. The Townsend family has decided to move to Boston, and the man of the house has purchased a home for a more than reasonable cost, originally $25,000 for a mere $5,000. The family wonders what the catch is with such a low dollar amount. After a month goes by, they find out. There are strange happenings in the vacant lot next door, and shadows moving about with nobody to cast them.

 

Other authors include Charlotte Perkins Gilman, Mary Austen, Elizabeth Gaskell, Edith Wharton, Eliza Lynn Linton, Margaret Oliphant, Vernon Lee, Mary Louisa Molesworth, Ada Travenion, Edith Wharton, and more.

 

It’s not new or controversial to say that horror is subjective. When we read the Gothic or older horror tales of the past, we may not be frightened, we may not get the spine tingles we are looking for or may scoff at the fainting or other what we would deem as “quaint behaviors” of the heroines. Descriptions tend to be much longer and go too far for modern audiences. I, for one, love Gothic and older horror stories, thanks to my late grandmother Phyllis, so these early stories were great to read. I just recently heard about a subgenre called “cozy horror,” and I believe these would qualify. Also, not only would this be a good addition to a Gothic fiction collection, but it would also be an interesting addition to a Gothic novels course.

 

Highly recommended

Reviewed by Lizzy Walker

 

Posted on December 24, 2023 by , Reply

Book Review: Conquer: Fear of a Black Cat by Edward M. Erdelac

Conquer: Fear of a Black Cat (John Conquer series, book 2) by Edward M. Erdelac

Self-published, 2023

ISBN-13 ‏ : ‎ 979-8856895413

Available: Paperback, Kindle edition

Buy: Amazon.com

 

 

Forget about those silly excuses for black heroes that Marvel comes up with: if you want a real black hero-you call John Conquer.  Whereas book 1 in the series was a collection of short stories, Conquer gets his own full-length (over 500 pages) novel this time.   The book succeeds on all levels, and hopefully won’t be the last one in the series.  John Conquer is without a doubt one of the most interesting book characters out there today.

 

Set in 1978 Harlem, private investigator John Conquer has finally got a case that may be too much for him.  People are turning up dead all over Harlem with their hands cut off.  For Conquer, this case is personal- one of the victims is the lady who raised him.  What follows is a good detective crime story that races all over the city, from Studio 54, to CBGB’s, to Untermeyer Park, as Conquer tries to put the pieces together.

 

This book is a period piece, and in that aspect, it’s absolutely perfect.  The author did a staggering job of making 1970’s NYC seem real: this seems so true to life you can almost smell the spray from the graffiti on the subways.  The descriptions, the mannerisms, the dialogue: it’s all perfectly true to life.  The book is a phenomenal example of world-building: .

 

The plot itself is a good one. The author again does a fantastic job of mixing voodoo and all sorts of magic into a standard detective story. It’s what gives the Conquer stories their unique flavor.  Sometimes Conquer has to pound the pavement like a normal detective, but often he has voodoo tricks he can use to help solve the case.  One improvement over the last book is this time, some of the lesser-known gods and magic items come with a bit of background, so readers won’t need to make Wikipedia runs.  Some of the characters from the previous stories return. Detective Lou Lazzaroni plays a part, and Conquer is, thankfully, still driving the Cordoba inhabited by the wise-cracking ghost, Pope.  Conquer and Pope make a perfectly mismatched team, especially when they are squabbling about disco.  Some real people from the 1970s also pop up in the story.  David ‘Son of Sam’ Berkowitz plays a part, and there are also appearances by Muhammed Ali, Andy Warhol, and…Donald Trump.  (anti-Trumpers will be ecstatic with Trump’s part)  The gangs from the 1970’s cult classic film The Warriors also pop up in the narrative.  The new characters in the book are quite intriguing, with Conquer’s drunken sort-of security guard Oshkosh being one of the most fun.  For a detective story, this one has a fair amount to keep track of, but the author wisely inserted a recap into the story around page 300 for any readers who might have gotten a bit lost.

 

‘Da bottom line here: this is a fantastic knockout of a story.  You wanna hang with the slickest, baddest cat out there? You’ve gotta read Conquer.  Hopefully, this isn’t the last we’ll see of him.  Highly recommended.

 

Reviewed by Murray Samuelson

Posted on December 8, 2023 by , Reply

Graphic Novel Review: The Glass Scientists, Volume 1 by S.H. Cotugno

Cover art for The Glass Scientists, Volume 1

The Glass Scientists, Volume 1 by S. H. Cotugno

Razorbill, 2023

ISBN-13: 978593524442

Available: Hardcover, paperback, Kindle

Buy: Bookshop.org | Amazon.com

 

The Glass Scientists is a webcomic created by S. H. Cotugno. Set in 19th Century London, Dr. Henry Jekyll founds The Society for Arcane Sciences, a place where mad scientists prove they are more than just that. They can thrive in an accepting environment where they can conduct their experiments without fear of interruption, defy laws of nature while in a safe area, and make friends while doing it. London isn’t the ideal environment for these eccentrics, with officers of the law and other officials concerned about their practices after the Frankenstein incident. With mobs taking it into their own hands, or pitchforks and torches, to hunt down what they don’t understand, Dr. Jekyll has his work cut out for him in trying to improve public opinion, as well as keeping up the morale of the scientists within the walls of the Society. There is also the new play debuting right across the street, allegedly based on the “very real” story of Dr. Frankenstein and his Creature, just as Dr. Jekyll is about to show everyone the value of the Society within London.

 

So many things are against the good doctor. His own alter ego, Edward Hyde, is hellbent on running amok, and nearly causes the complete dissolution of the Society for Arcane Sciences. The Creature arrives, carrying the very doctor who created him, Dr. Frankenstein: both prove to be quite different from the little play going on across the street. Things spiral further out of Dr. Jekyll’s control, and his once loyal friends and colleagues begin to turn against him. Their search for the mysterious and dangerous Mr. Hyde is yielding no results: Dr. Jekyll, having shut him into the deepest corners of his mind, thinks them both safe. He is terribly wrong.

 

I enjoyed this interpretation of the Jekyll and Hyde tale. Rather than being fully separate from each other, each knew the other was present. They could hold conversations together and understand each other’s thoughts and motivations. The transitions between Jekyll and Hyde’s dialogue were easy to follow, as the text was white against a black field when Hyde was communicating in the doctor’s head. Dr. Jekyll could also allow Hyde to take over for a time, with Jekyll’s tall brunette gentlemanly figure turned into the green-eyed, blond-haired, unkempt Hyde. You know mischief will ensue with Hyde around. The Society’s lodgers are a great addition to the story. Newly discovered werewolf Jasper Kaylock, manager and cook of the Society Rachel Pidgley, and Dr. Frankenstein are fantastic characters. A few examples of the Society’s scientists are Miss Lavendar, a Junior Extremofaunic Zoologist; Dr. Ranjit Helsby, Exploratory Bathynaut; and Dr. Maijabi, Ectoplasmic Pathologist. I loved all of them, but I won’t list them all here.

 

The artwork in The Glass Scientists is crisp and the colours are wonderful. Volume One collects Chapters 1-7 of the webcomic and includes a short story, “The Creature and the Coffeehouse”,  as well as“The Vault,” which includes a brief history of Cotugno’s creative process, and additional materials. The story contains LGBTQ+ themes and characters, making this an inclusive title. The creator recommends the comic for ages 13 and up. The creator of one of my favourite shows, The Owl House, wrote a blurb for the first volume, which gave me a hint that I would enjoy it. Highly recommended.

 

 

Reviewed by Lizzy Walker

 

 

Posted on November 20, 2023 by , Reply
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