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Book Review: Kiranis: Secrets of the Universe (Kiranis #3) by Ronald A. Geobey

Cover art for Kiranis #3 by Ronald A. Geobey

Kiranis: Secrets of the Universe, by Ronald A. Geobey

Temple Dark Books, 2023

ISBN: 9781739749248

Available: Paperback, Kindle edition

Buy:  Amazon.com

 

 

The saga continues…

The third volume in the Kiranis series, Secrets of the Universe continues the far-reaching galactic odyssey.

 

As in the previous two books, it is staggering in scope, and takes place in an entirely new era, with a new slate of characters.  However, while the series is still a very good read, it’s starting to feel like the foundation may be trembling a bit. Adding more detailed explanations to certain parts would certainly help shore the story up.

 

The basic idea still revolves around the hidden planet Kiranis and the fate of Earth, although the Garran race and their planet, Sieltor, play a part also.  A couple of the characters from previous books do play a part, Cassandra Messina being one, and as always, the prophet Naveen flits in and out of the story.  Having a new cast of characters is good and bad in this case: lt allows for a whole new dynamic group of characters, unfortunately just as we got used to the last batch (it’s a shame Sam Vawter didn’t make it back in, he was one of the best characters). At face value, the story is excellent, and as always, adds new items that play a crucial part of the story.  In this case, this includes the Barrier as one of the big ones, and the new spaceship drive that appears to be powered by the sun.  There’s a lot of dialogue in the book, but also a number of large space battles: the author certainly has a flair for creating them with a lot of ships, and a lot of destruction.

 

As good as the story is, it might be getting to be too much for some readers, I’ve never read a series with a scope as large as this one.  It would help to explain a few things a bit more: the author tends to insert new things from his imagination (and they are well-imagined), but they just appear without narrative paragraphs to really clear them up.  While things start to make sense as the story progresses, it would help to offer more details up front.  The Fate Lines are a prime example, I’m still not really sure how those work, and how the characters use them.  The Barrier is another example: it was not in the other two books, and some background would have helped, as it is such a big part of the story.  There is a lot of mental, psy-type material in the book, it’s tougher to grasp than tangible things.  Clearing these areas up would help propel the story to the next level.

 

Bottom line?  It’s still very good and worth the read for fans of the series, but could use a few tweaks at this point for clarification, so readers don’t get totally blown out of the water.  Recommended.

 

Reviewed by Murray Samuelson

 

Graphic Novel Review: Let Me Out by Emmett Nahil, illustrations by George Williams

cover art for Let Me Out by Emmett Nahil

 

Let Me Out by Emmett Nahil, illustrations by George Williams

Oni Press, 2023

ISBN: 9781637152362

Available: Paperback, KIndle edition

Buy: Bookshop.orgAmazon.com

 

It’s 1979. Mitch wakes up after a terrible assault near the local Y. His friends scold him for going there alone and take him home to recuperate. There’s also been a murder in the quiet suburb of Columbiana, New Jersey. The body of Pastor Holley’s wife, Kelly, has been found with demonic sigils carved into her body.

 

New Jersey Sheriff Mullen and FBI Agent Garrett partner up to investigate the case. At least, that’s how it appears to the locals. Behind the scenes, they are devising a Satanic Panic cover to conceal their own crimes. They set their sights on a group of queer punks; Mitch, Lupe, Terri, and Jackson.

 

Sheriff Mullen hears a rumor that Pastor Holley records extra sermons for himself, and confronts the priest about them. It takes a little convincing, but Father Holley turns over some of the tapes to be played on the local radio station. A federal agent issues a warning, announcing the lurid details of satanic rituals, and asks teenagers to keep an eye out for anyone different. After a violent altercation between Lupe and the manager on duty at the local grocery store, the authorities quickly pin Kelly’s murder on the teens. When the friends flee to a cabin in the woods, they find the building gone and a bloodstained pentacle embedded in the ground. Mitch knows they aren’t alone out there.

 

I love a good Satanic Panic plot. With a diverse cast of characters, each with a unique personality and story, Let Me Out has a unique angle on the “devil in the details”. There is good LGBTQ+ representation, as well as people of color. There are parents and adults who are not accepting of their children, which is difficult to stomach, but is a painful reality some LGBTQ+ teens face. As hard as it was to confront on the page, I am glad that Nahil didn’t shy away from that. The character designs were really good and well rendered, as were the backgrounds and sweeping landscapes.

 

Nahil and Williams opted to include trigger warnings at the beginning of the book. I know there have been conversations in the horror community about the idea of including these warnings in general. My view is that if it makes someone’s enjoyment of a book better to have a warning, I have no problem with that. For those of us who are library workers, we are probably familiar with Ranganathan’s Five Laws of Library Science. Content warnings align well with three of the five laws: every reader their book; every book its reader; and save the time of the reader. Highly recommended.

 

 

Reviewed by Lizzy Walker

 

Graphic Novel Review: Tombs: Junji Ito Story Collection by Junji Ito

Cover art for Tombs: Junji Ito Story Collection by Junji Ito

Tombs: Junji Ito Story Collection by Junji Ito

Viz Media, 2023

ISBN: 9781974736041

Available: Kindle, hardcover

Buy: Bookshop.orgAmazon.com

 

Junji Ito’s Tombs presents a collection of nine original horror manga tales. In the titular story, Kaoru and her brother Tsuyoshi take a trip to visit their mutual friend, Izumi, in her new town. One the way, Tsuyoshi hits a young woman with his car. The siblings load her into the vehicle, only to find out she is dead and they transfer the body to the trunk. When they make it to town, they are perplexed by the random countless tombstones in the middle of the road. A few townspeople explain that they appear where people have died. Izumi corroborates these claims, even showing them tombstones that are inside her family home. The dead are not to be touched.

 

“Clubhouse” is an intriguing haunted house story. Friends Yukari, Chikako, and Minae enter an abandoned building. Minae decides to explore the second floor, while the other two wander the first. Soon after they leave, the friendship between Chikako and Minae deteriorates. Yukari, upset by her friends not speaking anymore, pleads with Chikako to make up with Minae. Chikako, however, has a new group of friends who frequent the haunted house they explored.

 

The “Slug Girl,” poor Yuko, hates these little creatures. She used to be so talkative, but she falls silent when her tongue transforms into, well, a giant slug. She’s tried cutting it off, but it grows back. Can her family and friends help her?

 

In “The Window Next Door,” Hiroshi and his parents move into a new house, where the closest neighbor only has one window on the second floor. Unlucky for him, it’s right across from his bedroom window. In the middle of the night, Hiroshi hears the woman next door calling to him. He is met with a terrifying sight when he looks out his window. She repeats her call to him night after night.

 

“Washed Ashore” is the story of the corpse of a strange, massive sea creature found on a beach. It is mysteriously luring people to it. The scientists studying the monster notice clear patches along the body. A commonality between all of those who are drawn to it is that they are missing loved ones. When bystanders get closer to the body and look closely into the clear patches, they find the unexpected.

 

In “The Strange Tale of the Tunnel,” a town is plagued by disappearances tied to a train tunnel. Goro, whose mother committed suicide in the tunnel when he was young, finds his sister wandering there when she is not watched. A group of scientists starts to study strange occurrences associated with the disappearances, such as strange sounds, unexplained wind, and blood dripping from the stones.

 

“Bronze Statue” is a cautionary tale. Mrs. Sonobe is a jealous woman obsessed with the beauty she has lost. Tsuchiya, a master of working in bronze, made the statues of Mr. and Mrs. Sonobe installed at the local park. Through her statue, she eavesdrops on conversations of the mothers who bring their children to the park, and she doesn’t like what she hears. She unexpectedly invites them for a social to unveil another statue. When their hostess leaves the room, they begin to discuss their honest feelings about the situation. Mrs. Sonobe, of course, doesn’t like this. How far she is willing to go to preserve her beauty in statues knows no bounds, and the women, as well as her bronzeworking miracle man and herself, will find out the lengths she will go before she exhausts her options.

 

In “Floaters,” Ryoichi finds his friend Masao, who has been out of school for a few days, with a bug net at the side of the road. He tells mutual friend, Kyoko, about it, when they see a hairy mass on a tree branch. It shifts in Ryoichi’s hand and starts proclaiming it’s love for Masao…in Masao’s voice. Soon, everyone in town is seeing these things floating around, some stating other townspeople’s secrets and innermost thoughts. The floaters from celebrities become the most coveted to catch and keep

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The last story in this collection is “The Bloody Story of Shirosuna”. Dr. Furuhata moves to a small village where the townsfolk are all weak and emaciated. Perplexed at what could possibly be afflicting everyone in town, he starts an investigation that reveals a disturbing secret.

 

This is a strong addition to the Junji Ito Story Collection series that Viz Media has been releasing. The body horror in all of the stories is up to par with the best of Ito’s work, such as Uzumaki and Gyo. Highly recommended.

 

 

Reviewed by Lizzy Walker