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Graphic Novel Review: Beasts of Burden: Animal Rites by Evan Dorkin, art by Jill Thomspon

Beasts of Burden: Animal Rites by Evan Dorkin, art by Jill Thompson

Dark Horse, 2018

ISBN-13: 9781506706368

Available: Hardback, paperback, Kindle ebook

Burden Hill is a peaceful suburb like any other, with well-kept yards, families, and their adoring and loyal pets…some of whom happen to be paranormal investigators. Witches, demonic frogs, werewolves, and zombie dogs are a few of the problems these brave investigators face in Beasts of Burden: Animal Rites.

The main characters in this are a group of dogs and one sassy cat. Wise dogs are summoned by the neighborhood dogs when they need guidance, something these brave souls are always ready to give. There is a black cat “familiar” looking to redeem herself in the eyes of the animals she once tried to kill. Humans have very little influence on the story, and when they are interjected into the story, it is heartbreaking and powerful simply because of the choices the animals in the story make willingly or are forced to make at the power of the supernatural.

Dorkin expertly weaves tales about loyalty, courage, acceptance, personal accountability, and a host of other very human emotions all bundled in these animal bodies. Each creature has a distinct personality. They even have their own religion, which the reader gets a glimpse of when the dogs hold a funeral service for dogs who were killed because of careless drivers. Adding Thompson’s beautiful artwork makes Dorkin’s story even stronger. It’s easy to take a few minutes to get lost in some of the fine details she includes in the panels, especially regarding the story of Hazel needing help finding her lost puppies.

Award-winning comics creators Evan Dorkin (Milk & Cheese) and Jill Thompson (Scary Godmother) first introduced the characters of Beasts of Burden in The Dark Horse Book of Hauntings. They both won Eisner awards for Best Short Story (Dorkin) and Best Painter (Thompson). Animal Rites collects the earliest stories and the four-issue comic series Beasts of Burden. This isn’t exactly a kid-friendly read, so if you have young readers of Scary Godmother, be aware that there is content that may be disturbing. This would be a good read for YA and above depending on how well they do with such. I will say that there were a few times I had to take a few minutes between stories because of how much this team is able to call up emotions so effectively using animals as the storytellers. It’s truly beautiful, terrifying, heartbreaking, and hopeful all in one book. Highly recommended.

 

Contains: blood, brief nudity, mention of animal abuse

 

Reviewed by Lizzy Walker

Book List: 21st Century Lovecraftian Fiction

A lot of people have had limited (or no) exposure to the work of H.P. Lovecraft. Maybe they’ve seen those memes that go around at election time that say “Cthulhu for President: Choose The Lesser of Two Evils”, or have an adorable tentacled plushie, but that doesn’t mean they have ever actually read his stuff (and in addition to being creepy and terrifying, his writing can get pretty cumbersome). And once you toss in the really problematic aspects to his work, those people are probably not going to seek it out.

But you do not have to be a fan of the man to appreciate the imaginative worlds he created. Way before the Internet made fanfiction communities possible, people took his words and ran with them to create their own stories, and they are still doing it. I think he’d truly be astonished to see what people today have done with what little he wrote.

I will admit that I am not his biggest fan, mainly because his work gave me the heebie-jeebies in high school and I’ve never been able to get past that. But as an adult, I have read books that are grounded in the universe he imagined, and some of them have been really, really good. Books that are outstanding on their own merits, but that would never have existed if he hadn’t written down his own stories first.  Also, there are many authors that have approached his work in different ways, some more inventive than others. It makes me curious as to what will come next!  I’m going to share a few titles with you here that either I have read and enjoyed or that our reviewers have recommended. If you’re ready to move on from the past,  here are a few books you can try to check out what’s new in the world of Lovecraftian fiction.

 

 

Winter Tide by Ruthanna Emrys

 

Emrys flips Lovecraft’s view completely, by giving the narrative voice to Aphra Marsh, one of the “people of the water” who inhabited Innsmouth until the government destroyed it and took the survivors to an internment camp in the desert in 1928. Aphra and her brother Caleb are the only survivors, and are adopted by the Koto family, Japanese-Americans interned there during World War II. After the war is over, Aphra is contacted by a Jewish FBI agent, Ron Spector, who has reason to believe that the Russians may have learned the dangerous ability to body-switch, a power possessed by the Yith, long-lived time travelers who archive as much of history as they can. Spector wants Aphra to visit Miskatonic University as part of a research delegation and attempt to discover who at Miskatonic might have presented the Russians with the information. Aphra and Caleb jump at the opportunity to visit the Miskatonic library, where all books and documents remaining after the destruction of Innsmouth are stored. All this is just the beginning of a suspenseful and creepy mystery with more than its fair share of terror. A second team of FBI agents working at cross-purposes with Spector, a mysterious Yith, and an unexpected family reunion all feed into the chaos and pain, but there’s also love and loyalty, coming from unlikely places. With survivors of Innsmouth, formerly interned Japanese-Americans, a Jewish FBI agent, and an African-American informant, as central characters, genocide and racism must be faced head-on, but Emrys handles it without ever getting didactic. From Aphra’s point of view, we are all monsters, and it’s the choices we make that matter.

 

Dreams from the Witch-House: Female Voices of Lovecraft edited by Lynne Jamneck

 

This feminist anthology of Lovecraft-inspired horror received a rave review from Monster Librarian reviewer Lizzy Walker. Read her review here.

 

The Dream-Quest of Vellit Boe by Kij Johnson

 

This novella by Kij Johnson is her response to Lovecraft’s The Dream-Quest of  Unknown Kadath. It has an unreal, dreamlike feel to it, reminiscent in places of Ursula K. Le Guin, and draws the reader in to that dimension where uncaring, destructive, and capricious gods determine the fate not just of individuals but of entire communities. Vellitt Boe is a professor of mathematics who goes on a nightmare quest to retrieve one of her students, who has escaped to the waking world, before her grandfather, an insane god now deep in sleep, awakes and destroys the women’s college Vellitt works at, out of vengeance. An  adventurous traveler earlier in her life, Vellitt, now middle-aged, sets out again to find her student, a rare woman traveling through dangerous places, forced to face her regrets and past decisions as she moves closer to her goal. In a note at the end of the novella, Johnson writes that her first experience with Lovecraft was with The Dream-Quest of Unknown Kadath, and that while she was uncomfortable with the racism, it was only later that she noticed the absence of women. Even though there are women in Johnson’s story, that absence is notably obvious. It’s also rare to see an adventure story with a middle-aged woman as protagonist, and it’s pretty cool that Johnson chose to center her in this novella.

 

The Ballad of Black Tom by Victor Lavalle

 

This is Lavalle’s response to Lovecraft’s “The Horror at Red Hook”. It’s been featured in many major review sources and has won multiple awards. Read our review here.

 

Maplecroft: The Lizzie Borden Dispatches by Cherie Priest

 

Lizzie Borden lives with her sister Emma, a disabled, brilliant, mad scientist, near the town of Fall River, Massachusetts, in the remote estate of Maplecroft. Although she’s been found innocent of the crime of murdering her parents with an ax, she can see malevolent entities from the ocean infecting the people of her community with nightmares and insanity, and she is not afraid to take them on, with every resource at her disposal. This is an epistolary novel, made up of journal entries and letters, and it’s easy for a story told using this method to drag. In this case, though, the plot is fast-paced, descriptions are vivid and horrific, and characters are revealed as in the peeling of an onion. Priest climbs inside the minds of characters who are slowly going insane, and we see through their eyes– it is a riveting, disturbing, trainwreck of a book. Priest does a great job of integrating historical details and Lovecraftian elements into her story. In addition to being ruthless and brutal with an ax, Lizzie also has a lover, Nance, who adds to the tension of the story. With complex women at its center, Maplecroft is a take on Lovecraft that would blow him away. A second volume, Chapelwood, is also available.

 

Lovecraft Country by Matt Ruff

 

This is a series of interlocking stories taking place during the Jim Crow era,  about two African-American families threatened by cultists. Some critics have said it’s short on the existential dread and wiggly creatures, but an argument can be made that African-Americans in segregated America had more immediate terrors as part of their daily lives. This book is being made into an HBO series produced by Jordan Peele, the individual responsible for the excellent movie Get Out. 

 

 

Authors: Show Some Respect, PLEASE!

If you are thinking of requesting a review from us, and especially if you are a self-published author, please read this from beginning to end.

As you know if you’ve followed this blog for long enough, I don’t get paid for the time and effort I put into running this blog. My reviewers are also volunteers– that means they don’t get paid for the time and effort they put in to reading and reviewing here. They are an awesome group of people who really, truly, love the horror genre and want to share it and make it available to readers, not just by recommending them to individuals, but by recommending them to libraries.

Committed, knowledgeable, reviewers don’t appear out of thin air. I can’t summon them from a demon dimension. Sometimes I get lucky and they find me. And recently, my mom recruited her next door neighbor (no, that is not a joke). The first book he offered to review was so poorly formatted that there were actual pages missing. The second had so many spelling and grammar errors that it was hard for him to finish reading it. This is the kind of thing that makes reviewers want to quit before they even really get started. Remember, we’re not getting paid to do this.  It is embarrassing to the author to send out work that hasn’t been edited. Spellcheck is not enough. Do you really want to put out less than your best? Here we are honest about what we review, and if you haven’t put the effort in, please don’t waste our time. We are not an editing service.

Let’s take this a step further. Do you know what happens when one of your reviewers lives next door to your parents? He talks to them about it, and tells them how poorly it was edited. Then I get to listen to my dad tell me how poorly written horror fiction is and how it’s all written by hacks, and how unfathomable it is that I would waste my time promoting such crappy writing by someone who can’t even bother to do more than run their book through spellcheck. It gives the genre a black eye, and his impression now is that what I’m doing here is not worth respect.

When I worked in a public library, customer service training was a big thing. One thing I learned at that time is that every person who has a negative experience tells approximately 10 other people, and those people are likely to repeat it as well. That was way before social media existed. Now if someone has a crummy experience, they can put it on Facebook, or write about it on their blog, or share it on Twitter. With a click of a button,  someone can share an opinion with an awful lot of people. Be glad my dad is not on social media or active in the horror community.

Perhaps you’re thinking that my writing isn’t perfect, either. Well, right now, nobody is paying me to do it. And I do mean nobody. The site has made a total of $11 this year– not even enough to cover hosting fees.

When someone asks us to review their book, they are asking for me not just to give them free publicity, but actually to pay to publicize their book (since obviously nobody else is contributing, and I am still paying for postage and hosting fees and WORKING FOR NOTHING).

So, authors, if you plan to request a review, please do everyone a favor and show some respect to yourself, your work, reviewers, review sites, me, and the horror genre. Get your book edited, preferably by a professional. I am personally putting myself on the line to promote the genre to your potential readers, and I would prefer NOT to hear negativity about something I spend a lot of time doing FOR OTHER PEOPLE at family Sunday dinners.

I know there are authors out there who work and work and work on editing, and go back and fix mistakes when those are pointed out. I have the utmost respect for them. If you aren’t one of those people who is willing to spend the time fixing errors and tightening your writing, get an editor. In our Author FAQ we say “an objective third party”.  If you aren’t willing to do either of those things, you’re not ready to publish your book, and you’re not ready to submit it for review.

Read our Author FAQ if you have any additional questions about what you can submit and what information we need for me to send on your request for review. Thank you for taking the time and effort with your writing to show your respect for yourself, horror reviewers, and horror readers.