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Book Review: Doll House by John Hunt

 

Doll House by John Hunt  (Bookshop.org)

 Black Rose Writing, 2017

ISBN: 9781612968070

Available: paperback, Kindle

 

Doll House is a white-knuckle horror/thriller that takes a common plot device and spends most of the book on “well, what about after it happens?'” The plot you know: young person abducted by a psycho or two, held captive and tortured for months or years, then escapes at the very end of the book, often killing their torturers in the process.  It’s been done before, sometimes well (Jack Ketchum, Whitley Streiber) and sometimes not so well (Ryan C. Thomas).  In Doll House, that basic plot is wrapped up in the first fortysomething pages.  It’s the “what next?” part that makes up the majority of the book, and it makes for a compelling story.  How will Olivia, the victim, cope with the rest of her life, knowing that one of the abductors got away?  Will the abductor give up and move on, or come back and try again?  How long can the cops provide protection, as the story fades from public eye and budgets are stretched thin?  All good questions, and the book delivers on them all, while providing a rip-snorting good read.

 

A critical part of this story type is hiding the killer’s identity until the end, keeping the reader guessing. The author does an excellent job concealing it, using red herrings and a few scattered clues extremely well.  The clues are there, but you have to read pretty carefully to catch them.  I didn’t guess right, and most readers probably won’t either.  It is very well done.

 

It’s worth nothing that the book is definitely heavy in the narration department, and pretty light on dialogue.  It’s a stylistic choice, but a bit more dialogue would have helped break the story up a bit and pushed it the extra mile. There’s still plenty to generate reader interest, and the story doesn’t drag at any point.  Some of the most interesting parts concern the police and their struggles to track a killer who left no evidence: it’s interesting how difficult detective work really is, and that unfortunately, it can be limited by financial constraints.  As far as nastiness, the author wisely shows restraint and only uses it where needed.  There are a few ugly scenes like toes getting snipped off and an ear getting razored off, but there’s not much blood, and no graphic rape sequences. It’s a horror novel with a few quick bouts of ugliness, and it’s a good one.  There is a sequel to Doll House due to be released later this year, and it will be reviewed here shortly.  Recommended.

 

Reviewed by Murray Samuelson

Book Review: Toadstones by Eric Williams

 

Toadstones by Eric Williams

Malarkey Books, 2022

ISBN: 9781088017302

Available: paperback, Kindle ( Bookshop.org )

 

If you thought you’d read all the possible plotlines available for short stories, think again.  Eric Williams’s Toadstones obliterates that notion.  The book relies wholly on originality and a deft touch with the writing, no gore or sex needed.  For horror fans, this is a can’t miss.

 

It’s only the beginning of the book that runs flat; of the first three stories, two are easily forgettable.  After that, in terms of imagination, all the stories are loaded with enough horsepower to redline a Peterbilt freight truck.  You can catch traces of the author’s influences (a touch of “The Mummy” and  “Invasion of the Body Snatchers” here, a trace of Lovecraft there) but he’s managed to create something entirely new with them.  The closest to a theme for this book would be ‘ordinary dudes running into REALLY weird things.’  Some examples:

 

1.  A man on a nature hike in Utah happens upon one of the Greek gods, and shares beer and conversation with him.

2.  A showing of a crime noir film turns all too real for some of the theatre viewers.

3.  A corrupt cop robs corpses of their limbs to sell for voodoo charms.

 

If that isn’t enough, there are also two bus-obsessed students tracking a phantom bus on an abandoned route, an oil rig crew drilling a seemingly pointless hole for an eccentric billionaire… the list goes on.  All these stories are very creative, and highly entertaining.  A special mention is needed for “Doomstown”, the best story in the book.  It involves two crazy grad students on a quest to locate one of the mock-up towns left over from the days when the military tested high powered bang-bangs in the Nevada desert.  This story has the highest scare factor of all of them: it’s off the charts.  If you thought mannequins were even remotely creepy, read this story.  You’ll never walk past a department store window again.  “Doomtown'” should win every award available for best horror short story this year, it’s that good.

 

All the stories are well written; they flow fast and smooth like the Jack Daniels at a Kennedy family party on Cape Cod.  There’s a nice touch of humor thrown in on occasion, and the characters are well sketched and feel authentic; there are no cardboard cutouts anywhere.  The author does have a mild touch of Dickens-ism (aka using too many overblown words) on occasion, but that’s easily overlooked, as it only shows up a few times.

 

The bottom line?  Just read it.  One of the best of 2022 so far. Highly recommended.

 

Reviewed by Murray Samuelson.

Book Review: The Apocalypse Strain by Jason Parent

cover art for The Apocalypse Strain by Jason Parent

The Apocalypse Strain by Jason Parent

Flame Tree Press, 2020

ISBN-13: 978-1787583535

Available: Hardcover, paperback, Kindle edition

 

Back in 2014, French scientists made an ancient virus found in Siberian permafrost infectious again after 30,000 years. This real-life event raised the possibility that diseases we thought were long gone might reappear. Add to that a post-pandemic world in which it seems as though science fiction has become real life, yet again, and we have to wonder what the future will hold. Our collective literary imagination will now need to take us to a new level of horror fiction contagion. Who better to infect us than Jason Parent in The Apocalypse Strain?

 

In this exciting and shockingly plausible book, a group of international scientists are under attack at a remote site that will self-destruct in case of an accident. Their human bodies are invaded, consumed, and incorporated into living, moving blobs of squirmy flesh when their research process goes terribly wrong. Within the facility, a woman with MS mysteriously becomes mobile, infected plants grow with abandon, a man marked with a black cross on his forehead seems bent on terrorism, many people die violently, and it becomes very difficult to tell who or what can be trusted. Everyone is focused on containing and exterminating the hybrid monsters, but will some humans escape only to spread doom outside the lab?

 

The action is nonstop in The Apocalypse Strain. With relentless intensity, Parent’s fantastic descriptions of the ever-morphing threat and the horrible deaths suffered by the victims are disgustingly graphic and amazing in their variety. As for the characters, they are not just stereotypes of people in their profession. We get to know the personal histories of some who are lured to destruction by actual, whispering voices from their past. Others are revealed by their fleeting thoughts or visceral reactions to their coworkers, details that are startlingly normal in contrast to the terrible circumstances in which they are trapped.

 

As the apocalypse seems imminent, we realize that this tale is not really the end of anything. If you like speculating about where science can take us and how science can potentially end us, The Apocalypse Strain will give you plenty to ponder. Recommended.

 

Reviewed by Nova Hadley