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Book Review: D.O.A. III: An Extreme Horror Anthology edited by S.C. Mendes

 

DOA Vol. 3

D.O.A. III: An Extreme Horror Anthology edited by S.C. Mendes

Blood Bound Books, 2017

ISBN: 9781940250267

Available: Paperback, Kindle edition

Buy from:   Amazon.com

 

The tagline on the back cover of the book reads: “You’ll laugh, you’ll cry, you’ll vomit.”  And, they aren’t kidding.  This is one of the most extreme collections ever published: 30 stories of raunchy, sex-driven, blood-drenched mayhem.  The stories are good, just prepare for revulsion.  This is for true hardcore lovers only– keep the kids away from this one.

 

The book’s pedigree is impressive, as Edward Lee, Jack Ketchum, Wrath James White, Bentley Little, and Richard Matheson are among the authors represented.  The stories are generally entertaining and well-written.  If there’s a theme, most of the stories involve horrible people doing horrible things to each other.  No joke: there are some VERY ugly torture sequences in this book that make Eli Roth films seem like Disney movies.   There are some stories with a paranormal bent, which helps keep the book from getting too one-dimensional.  The originality is decent, although not to the level of the Welcome to the Splat Club series.  As we’ve come to expect from Blood Bound Books, there is an undercurrent of dark humor threaded through many of the stories, which helps balance out the overall story mood. Notable stories worth mentioning include:

 

“Hostile” is only four pages, but it is comedic genius.  Jeff Strand’s hilarious twist on the Hostel movie series proves that the worst situations can be amusing, when written correctly.

 

In “Taking Root”, a virulent strain of plant spores has contaminated Earth, turning people into… plants, of a sort.  Two survivors find that, unfortunately, an apocalypse still doesn’t change peoples’ predatory instincts, or their bad nature.  Despite sounding grim, it’s a light-hearted take on doomsday writing.  Plants growing out of a person’s rear can be funny!

 

In “Ritchie”, Jackson killed Ritchie the bully when he was a kid, but Ritchie has a bad habit of coming back from the dead once a year.  So, Jackson has to kill him, again.  And again, and again.  The fun part is, Ritchie’s injuries from each death carry over year to year, and he becomes less intimidating to the point of hilarity… but Ritchie may still have a trick or two up his sleeve…

 

 It’s worth mentioning that this isn’t ‘peek under the bed and close the curtains out of fear’ horror writing.  These aren’t scary, and aren’t meant to be.  This is straight-up extreme splat writing to the max.  

 

Bottom line: if the members of Cannibal Corpse and GWAR decided to write short stories instead of lyrics, then DOA III is probably what you would get.  Recommended for hardcore fans only.

 

Reviewed by Murray Samuelson

Book Review: The Memory Eater by Rebecca Mahoney

Cover art for The Memory Eater by Rebecca Mahoney

The Memory Eater by Rebecca Mahoney

Razorbill, 2023

ISBN-13 ‏ : ‎ 978-0593524602

Available: Hardcover Bookshop.org )

 

Whistler Beach in Maine is a magical place, but frightening for those who know the truth. When was the last time Maine wasn’t like this? Stephen King didn’t invent the spookiness and weirdness of the state– it’s been there forever. Rebecca Mahoney has unchained the dark charms of the coastal region and churned out a beautiful storm of a YA novel that is tough to categorize. At different points, it could be considered horror, fantasy, thriller, or family drama. All fit, and that’s the charm of The Memory Eater

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Seventeen-year-old Alana Harlow has an interesting job. While she should be planning for college and enjoying the hell that is high school, she’s inherited the Harlow business. Every day, she treks down to the cave on the beach and helps people lose chosen memories– and makes sure they emerge alive.

 

Inside that cave resides a unique monster. The Memory Eater was brought into the country two hundred years ago by the Harlow family. Instead of killing the massive beast, they imprisoned her with a dark magic deep within the cavern. What does the creature look like? Two stories tall, or long, depending on the situation, and clever. Her flesh is covered in the faces of the memories she devours, and her own memories might not be her own. She speaks in riddles, hungry, aching to be filled with the lives of others. Mahoney has created a masterpiece of a beast here.

 

Alana guides guests into the cave to have unpleasant memories taken from them, while protecting the rest. The business keeps Whistler Beach bustling. The family business is a tricky, twisted history. Her own life is a mess, too, navigating romance and friendship while figuring out how to handle the weight of the job.

 

Then one day, the Memory Eater escapes, along with a bunch of secrets. The holes in Alana’s memory become crucial bits of the puzzle to survival and her family history.

 

The writing is lean and deceptively simple. Mahoney nails teen relationships and small town life. There’s a lot to digest in these pages, yet she has penned a novel that flows easy, allowing the horrors and relationships to build in waves.

 

Recommended.

 

Reviewed by David Simms

 

Book Review: The Marigold by Andrew F. Sullivan

 

The Marigold by Andrew F. Sullivan

ECW Press, 2023

ISBN: 9781770416642

Available: Paperback, Kindle edition 

( Bookshop.org  Amazon.com )

 

 

The Marigold is a book readers will probably either love or hate: there won’t be a lot of in-between.  It has a wildly inventive plotline revolving around city decay and revival, but its more literary style of prose may split readers: some will see it as genius, others as overly pretentious writing.  

 

As noted, the plot is a true original, a nice horror-spiked take on urban blight.  The book asks: what if there is a physical cause?  That’s where the antagonist of the book, a fungus (or is it?) called the Wet, slides in, invading certain buildings in Toronto.  Where the book really shines is playing with the possibilities throughout the book, never giving away too much.  Is the Wet just an annoying mold? Can it infect people?  Could there be intelligence directing it, or is it a sentient being in its own right?  Scary possibilities!  The author does a fantastic job leaving the avenues open, and it all becomes clear at the right time.  He also avoids the usual big reveal at the end, and the story is much better for it.  Tied in to this plot thread is another, the idea of actual sacrifices needing to be made to keep buildings standing upright.  The two threads together make for a very creative knot in terms of story.  Regardless of whether you like the book, one has to admire how well laid out the scenario is.

 

The book itself moves at somewhat of a “slow burn” pace, gradually picking up some speed, but it’s not a fast page-turner: it works best read in chunks.  The characters push the story where it needs to go. They include a mix of health investigators, unscrupulous land developers, some nosy ordinary citizens, and a conspiracy theorist or two.  All the pieces fit where they should in terms of character development, and there’s enough backstory for the characters to appear believable and generate emotion.

 

It’s the writing that is a blessing or a curse, depending on how you look at it.  This isn’t straight-ahead Stephen King style writing, it’s more in the vein of T.E. Grau.  The problem is, it doesn’t always work.  The author is capable of reeling off beautifully written passages that would do a literature professor proud, and does it often. However, there are plenty of times where it winds up bogging down the story, instead of driving it.  The main examples are the chapters dealing with how the Wet invades different apartments in the building called the Marigold, and what happens to the tenants.  These chapters could have been trimmed down or slashed altogether. They muddle the pacing, and don’t add to the story.  I started skimming those chapters, since I already knew how the chapters were going to end.  Some of the character dialogue scenes suffered the same problem. They needed less fluff and more stuff.   When it’s good, it’s very good, but the book lacks consistency.  

 

Bottom line time: The Marigold has a lot of good qualities, but also some glaring deficiencies to overcome.  

 

Recommended for readers who like what they read above.  It’s not for all, but definitely for some.

 

Reviewed by Murray Samuelson