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Book Review: You Can’t Kill Snow White by Beatrice Alemagna, translated by Karin Snelson and Emilie Robert Wong

 

You Can’t Kill Snow White by Beatrice Alemagna, translated from French by Karin Snelson and Emilie Robert Wong

Unruly, 2022

ISBN: 978-159270381

Available: Hardcover

Buy: Bookshop.org

 

 

You Can’t Kill Snow White puts a spin on the traditional story of Snow White by telling it from the Queen’s point of view. Alemagna reminds us of the darkness of the original Grimms’ tales and attempts to recapture and extend it by exposing the Queen’s evil plans, demented intentions, and murderous mind. We see her relishing the liver and lungs of the boar killed in place of Snow White that she believes are her victim’s and celebrating how “alive” and “renewed” she feels after feasting on them.

 

Although the idea of focusing on the Queen as narrator has great potential for enhancing the terror of the story and forcing the reader to feel the fear that children are protected from by modern re-tellings, Alemagna’s version does not go far enough. The fact that the focus on the queen cannot be maintained because she is not present at key points, like when the huntsman decides not to murder Snow White, causes breaks in the build up of tension. These breaks become longer and more difficult to bridge when the dwarves enter the picture and we are told by the queen that her heart is filled with “unspeakable pain” and she is full of “dread.” Are we meant to sympathize with her or to see her as so damaged that she is dangerous? Either way, the lack of development of the character does not shed much more light on her than we have had in the past.

 

It seems that rather than creating a new take on the story of Snow White, Alemagna has used it as an opportunity to showcase her art. The illustrations are plentiful and create a dark moodiness in a palette primarily of murky browns, reds, blues and golds with jolts of reds and pinks. The dwarves are Eastern European folkloric type figures, mainly bearded. The human beings typically suggest nightmares with elongated bodies, impossibly long hair, gaping mouths, and giant hands. There is much frenetic movement: sweeping, gorging, and screaming that is a much stronger portrayal of emotion and much more effective at eliciting it from the reader than the writing is able to do.

 

You Can’t Kill Snow White is published by Enchanted Lion Books under their new picture book imprint, “Unruly,” intended for older readers and adults. These publishers are on the right track by engaging the many readers who have, even since childhood, loved the way in which illustrations add depth and beauty to storytelling. What better way to draw out our deepest fears than to experience on the page the horrible pictures  we can only imagine from descriptions?

 

Reviewed by Nova Hadley

Book Review: Midnight Masquerade by Greg Chapman

 

Midnight Masquerade by Greg Chapman

IFWG Publishing Australia 2023

ISBN: 978-1922856432

Available :  paperback, Kindle edition (pre-order, ships Oct. 31)

Buy: Bookshop.orgAmazon.com

 

This is my first encounter with Greg Chapman (and I’m sure it won’t be the last).

 

The present collection, assembling both previously published material and brand new stories, has been, to me, an enticing reading experience. 

 

In her introduction to the book, Lisa Morton states that Chapman’s  spiritual father is Clive Barker, and this already explains many things. But Chapman has a voice of his own, a narrative voice able to scare and to delight, never ordinary and never boring (which nowadays is a rarity, at least for me).

 

Reviewing this collection is both an easy and a difficult task at the same time. You have to read it to understand what kind of writer Chapman is.

 

So I will simply mention the stories which, to me, really stand out. And I will avoid the use of adjectives such as “unusual”, “offbeat”, “bizarre”, “astonishing” etc., although they keep coming to my mind.

 

“The Last Night of October” is a tense and quite  terrifying novella, although it may be a bit overlong to fully maintain suspension of disbelief until the very end.

 

“Second Coming Circus” features a priest facing an abnormal situation which is totally beyond his understanding, while in “Octoberville”, a traveling agent has a car accident in the outskirts of a very peculiar town.

 

“Vaudeville” is a very imaginative tale, blending fantasy and reality, taking place in a forest populated by half-alive, half-dead monsters, hungry for young people’s flesh.

 

A new collection by Chapman is scheduled for 2024. I’m already eagerly looking forward to it.

 

Reviewed by Mario Guslandi

Book Review: The City Beautiful by Aden Polydoros

The City Beautiful by Aden Polydoros

Inkyard Press, 2021

ISBN-13: ‎978-1335402509

Available: Hardcover, paperback, Kindle edition, audiobook

Buy;   Bookshop.org  |  Amazon.com

 

Wow. Polydoros set out to write a work of historical fantasy about Jews and Judaism not set during the Holocaust, and was inspired by an article about H.H. Holmes to set his story among Jewish immigrants from Eastern Europe during the 1893 Chicago World’s Fair.

 

Alter, the main character, was ill as a baby and named to avoid the notice of the Angel of Death, but people around him frequently die. Alter is also gay, but in denial and ashamed. He is in love with his roommate Yakov, who leaves to meet someone and is found drowned the next day, the most recent of several Jewish boys who are dead or missing.

 

Alter, a member of the burial society, is helping immerse Yakov in the mikveh when he thinks he sees Yakov move, and jumps in the mikveh to pull the body out. Instead, he is possessed by Yakov’s dybbuk (a dybbuk is a malicious spirit, usually the dislocated soul of a dead person with unfinished business). Alter’s only choices to save his own soul are either0 to exorcise the dybbuk or to find Yakov’s killer and exact revenge. Luckily, he has the help of Raizel, a unionist working for an anarchist newspaper (the local matchmaker keeps trying to hook them up), and Frankie, an ambitious Russian Jewish teenage criminal and boxer who heads a gang of thieves.

 

This is such a layered, detailed story, both in the integration of the various aspects of Jewish culture and the Eastern European immigrant experience, and the vividness of the Chicago and World’s Fair setting. In addition, it really reveals the viciousness of antisemitism in this country and how it also traveled from overseas. I think people don’t really think about how insidious and common it was. It’s truly a Jewish horror story, and there aren’t too many of those around. I’m so impressed with the research and writing on some very difficult-to-address topics.

 

The City Beautiful won the 2022 Sydney Taylor Award and was a finalist for the 2022 World Fantasy Award for Best Novel, the 2021 Lambda Literary Award, the 2021 National Jewish Book Award, and the preliminary ballot for the Bram Stoker Award for Toung Adult Novels. The attention is well-deserved.

 

Reviewed by Kirsten Kowalewski