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Book Review: Monsters, Makeup, and Effects: Conversations with Cinema’s Greatest Artists, Volume 2 by Heather Wixson

Monsters, Makeup and Effects: Conversations with Cinema’s Greatest Artists, Volume 2  by Heather Wixson

Dark Ink Books, 2022

ISBN-13: 9781943201488

Available: Hardcover, paperback, Kindle edition

Buy: Bookshop.org  |  Amazon.com

 

Heather Wixson, horror journalist, FX historian, and managing editor with Daily Dead News, has given readers a second tome of interviews with horror movie special effects and makeup artists. The book features interviews with 19 creators of the uncanny, a tribute to John Carl Buechler, and hundreds of behind-the-scenes photographs. Interviewees include Eryn Krueger Mekash, Michèle Burke, Kazu Hiro, Steve Wang, Chris Walas, Mike Elizalde, Todd Masters, Phil Tippett, Richard Landon, and more.

 

Readers will get brief histories of special effects and makeup artists in their own words, what got them interested in the field, and their paths to working on film. Nothing was particularly eye opening to me, but it was enjoyable reading these interviews. Seeing the behind-the-scenes images was great, including sketches, various sculpts, screen test images, and more. I would recommend this for readers interested in film studies and SFX in the industry.

 

One issue I had with it isn’t the fault of Wixson. Upon opening my copy of the paperback version, the first ten pages fell out. The binding isn’t great for a book with almost 500 pages. Recommended.

 

Reviewed by Lizzy Walker

 

Book Review: The Man Who Killed His Wife (and What Happened Afterward) by Wol-vriey

cover art for The Man Who KIlled His Wife (and What Happened Afterward) by Wol-vriey

 

The Man Who Killed His Wife (and What Happened Afterward) by Wol-vriey

Blood Bound Publishing, 2023

ISBN: 9781948278690

Available: Paperback, Kindle edition

Buy: Bookshop.orgAmazon..com

 

Wol-vriey’s latest is so nutty that readers might just laugh at the absurdity of it all, and that’s not a bad thing.  It’s a merry-go-round of horror craziness, like his last one.

 

Maryanne Wilson wants to get pregnant, but her poor, overworked husband Bob simply doesn’t have the energy for bedroom fun.  So, she turns to her neighbor (who of course happens to be a witch) for a demon sex charm.  That works until an argument with Bob ends in her accidental death.  Unfortunately, the charm causes Bob to have sex with her corpse, which makes him leery of calling the cops.  So, he enlists the help of another neighbor (who of course is a top-level computer hacker) to dispose of the body and come up with a viable explanation.  Naturally, nothing goes right for Bob.  Ashley, the hacker, is a psychotic sadist who wants payment in pain, the corpse won’t stay dead, and there’s the matter of the little blue demon who eats everyone he finds.  It’s a tragic comedy of errors for everyone involved.

 

Enjoying this means not taking it too seriously, as Bob constantly makes boneheaded decisions that no rational person would.  While skipping details to avoid spoilers, let’s say Bob probably could have got out of his mess in less painful ways.  Plus, this must be some apartment building, as it has a witch with real powers and an ace computer whiz with government connections under the same roof.  Who knew they were this common?  That’s why it’s important to remember, none of that matters in this type of fiction.  It’s meant to be fun and not taken too seriously, much like some of the pulp writing of yesteryear.  And, fun this is.

 

As always with this author, the book speeds along, with no deep soliloquies or wasted time.  Despite the pain and gore that show up (and, if you’ve read Wol-vriey before, this isn’t as brutal as some of his other works) the book still has a somewhat lighthearted touch compared to some of his darker, more ‘serious’ efforts.  The little blue demon goes a long way towards keeping this from getting too ugly: it’s such an obnoxious eating machine that you have to chuckle at it, and its final fate is hilarious.  Some of Ashley’s ridiculously painful ideas of a good time (and her amusing notes afterwards) also keep the story trending that way.  Quite over the top, but still entertaining.

 

Bottom line?  This isn’t a book to terrify readers, or bowl them over with its profound nature.  It’s just big, goofy horror fun, and should keep the author’s fans happy until the next one.

 

Reviewed by Murray Samuelson

 

Graphic Novel Review: Fragments of Horror by Junji Ito

Fragments of Horror - Ito, Junji

Fragments of Horror by Junji Ito

Viz Media, 2015

ISBN: 9781540050465

Available: Hardcover, Kindle edition

Buy: Bookshop.org |  Amazon.com

 

 

Junji Ito’s Fragments of Horror, consists of eight original manga horror stories published in Nemuki+ in 2014, created after a hiatus from horror. Tales have a wide range in terms of content and atmosphere.

 

In “Futon,” new wife Madoka is lamenting her husband Tomio’s strange affliction. He refuses to come out from under his futon because of strange visions. Soon, Madoka experiences her own visions. Is there something supernatural going on, or is there a more mundane explanation for the strange occurrences the couple is witnessing?

 

Megumi and her father are quite proud of their old house and accept a new boarder in “Wooden Spirit.” The young woman eventually charms her way into the family, but it isn’t Megumi’s father that is attracting her affection.

 

“Tomio: Red Turtleneck” is one of the strangest stories in this anthology. Tomio returns to his ex-girlfriend Madoka, desperate for help. He has his hands covering his ears when he arrives at her house. At first, she tells him to return to “that woman” when the story turns to three days earlier. We see Madoka breaking up with Tomio for being unfaithful with a fortune teller they consulted. He goes back to the fortuneteller who turns out to have a unique collection, and she wants to add Tomio. If he removes his hands from his head, she will surely get her new addition.

 

“Gentle Goodbye” is a touching story, a departure from Ito’s usual horror fare. Riko, who is afflicted with nightmares of her deceased father, marries Makoto Tokura, although the family disapproves of their marriage. When she sees ghosts in the familial home, Makoto explains that his family has the ability to create afterimages of family members who have passed on. Through this ability, Riko discovers the shocking secret about her own nightmares.

 

In “Dissection-chan,” a class in the dissection lab at Chuo Medical University is preparing to dissect a cadaver. When they open the body bag, however, the body within is not dead. One of the students recognizes her as a childhood friend, and when the young woman realizes who he is, she won’t leave him alone, begging him to cut her open.

 

Rescued and injured hiker Kume is taken to the hospital in “Black Bird.” When he reveals how long he was lost- for a month– nobody can believe it. Then, there is the strange woman who visits him and feeds him every night..

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“Magami Nanakuse” is a somewhat problematic story in this anthology. Kaoru Koketsu finally meets her favorite author, the titular Magami. The author is strangely obsessed with people’s nervous tics and uses them as a sort of muse for their work. They’ve gotten bored with the current run of tics their associates have and needs to find new ones. Hence the reason for Kaoru’s presence. Can Kaoru provide the ultimate tic the author is searching for? The problematic part of the story is that it is revealed the villain is a transgender woman, where the main character exclaims, “She’s a man…?” with a disgusted facial expression. It could also be a look of surprise–it really can be viewed both ways. The character is written as a fairly distasteful person. Regardless, this could have been written without the “man in a dress” stereotype.

 

In “Whispering Woman,” Mayumi cannot make decisions on her own. She requires someone to tell her what to do constantly. Mitsu Uchida has been hired as the girl’s latest attendant. Mitsu has an uncanny ability to be at Mayumi’s side at all times, despite the fact that her health is clearly being effected. Mitsu becomes frail and emaciated, but she is faithful to her charge. What would happen if Mayumi’s external voice fails?

 

Fragments of Horror isn’t my favorite Ito collection. It feels like more of an exercise or warm-up to get back into his rhythm of horror. However, I would recommend this for the Ito completist. There are a few strong chapters, such as “Tomio: Red Turtleneck”, “Gentle Goodbye”, and “Dissection-chan”, so it is worth reading. Just do not expect Ito’s best work in this volume. Recommended.

 

 

Reviewed by Lizzy Walker