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Book Review: Sacrilege by Barbara Avon

Sacrilege by Barbara Avon

Self published, 2020

ISBN: 9798690309411

Available: Paperback, Kindle edition

Buy:    Bookshop.orgAmazon.com

Sacrilege is a depressing psychological drama that takes you down, down, and further down.  There are no monsters or boogeymen in this one, just the mental demons that inhabit the characters.  It’s a pretty good read for those who prefer human interest/interaction stories.

 

Almost the entire story focuses on the two leads: wayward priest Cris Corelli, and Jules, the lady who owns the boarding house he stumbles into.  The author sets the tone right out of the gate: mentally, these two are trainwrecks, for various reasons.  As the story progresses, the death of someone close to both of them pushes Cris and Jules further down into depression.  They start drinking and drugging to numb the pain, only finding minimal comfort in each other.  However, it’s the best either of them can hope for, unless they somehow are able to use each other to pull out of their respective tailspins.

 

The stark manner in which the dialogue between Corelli and Jules is written is an unusual choice.  Often, books like this rely on fairly long and in-depth conversations, as a way to explain how the characters became, and where they are heading.  The author goes against the grain here, as most talks are fairly quick and clipped, not really revealing a lot about the characters.  Then again, maybe they don’t need to, the characters’ actions may speak louder than any lengthy dialogue in this case.  It’s an interesting choice for this type of book, and works reasonably well for the narrative, giving it a unique flavor.

 

I felt the “big reveal” at the end of the story was anticlimactic. You could tell it was supposed to be fairly important, due to Corelli’s actions after he discovered it, but it just didn’t seem like anything that should alter the story’s trajectory, or what the characters do for the rest of the book.

 

The bottom line is…this will appeal to a certain segment of readers.  If you enjoy depressing psychological dramas, this might work for you.  If your idea of horror is fast-paced, with monsters and supernatural craziness, then this probably isn’t your cup of black ichor.

 

 

Reviewed by Murray Samuelson

 

 

Book Review: The Rack: Stories Inspired by Vintage Horror Paperbacks edited by Tom Deady

Cover art for The Rack edited by Tom Deady

The Rack: Stories Inspired by Vintage Horror Paperbacks, by various authors

Greymore Publishing, 2024

ISBN: 9780990632771

Available: Paperback, Kindle edition

Buy: Bookshop.orgAmazon.com

 

The Rack is a mixed bag.  That’s surprising, considering the pedigree of the authors involved, many whom I’ve read before.  There are some really good ones, but when the best one is a Stephen King one borrowed from his ’80s collection Skeleton Crew, that tells you something.  If you really want good ’80s style horror stories, track down the original ones from that era on Ebay,

 

The reason it’s a bit of a disappointment is that for the five or six really good ones, there are an equal number of clunkers.  The rest are somewhere in the middle: they provide some entertainment, but nothing you are likely to read again. The writing and ideas are fine, but most of them just don’t have any real “grab” to them.  Still, there are some that have plenty of zip,

 

“White Pages” is one of the best and most creative stories, illustrating how prank calling could go horribly wrong in the old days of rotary phones.  “Fuzzy Slippers” is straight, messy, ’80s-inspired lunacy, with yes, killer slippers, and a great twist at the end.  This one really captures the feel of the gory, free-for-all stories that marked some of the best ’80s horror.  “Blood of my Blood” may be the most unusual, with its blood-drinking health zealots.  Mixi them into a marriage ceremony with a groom who has no idea what type of family he’s marrying into, and you have a wonderfully dark humored story.  “The Keeper of Taswomet” and “Lips Like a Scythe” are solid, vintage-inspired monster mashups, with enough character interactions to keep the story humming. They’re not just focused on the monsters and carnage, although there is plenty of that too!  The best story, King’s “The Raft”, is one that doesn’t need to be mentioned; you already know how good it is.

 

As for the rest…again, this is strictly opinion.  There’s nothing lacking in how the stories are written, they just really aren’t page turners, which is my main requirement for a good short story.  Other readers may feel differently..

 

Bottom line?  If you want to read the best ’80s shorts, go back to the originals: they truly hit the mark.  King’s Night Shift or Skeleton Crew, Robert McCammon’s Blue World, or Clive Barker’s Books of Blood are all prime examples of what made the ’80s such a fertile period for creativity in the horror field.

 

 

Reviewed by Murray Samuelson

 

Book Review: Uncertainties 7 edited by Carly Holmes

Cover art for Uncertainties 7 edited by Carly Holmes

Uncertainties 7 edited by Carly Holmes

Swan River Press 2024

ISBN: 0781783800506

Available: Hardcover

Buy: Swan River Press

 

This is the seventh volume in the ongoing anthology series published by the excellent Irish imprint Swan River Press, collecting “strange”, unsettling stories penned by writers from the UK, Europe and USA.

 

The first, successful, six volumes have assembled a number of noteworthy authors and editors, trying their hand at every possible subgenre of speculative fiction: ghost stories, horror tales, science fiction, fantasy and more.

 

And since it’s normal that not everything pleases everybody, I will point out the stories which, in my opinion,are the best in the present volume.

 

In the intriguing and sinister “Pond Scum” by Tyler Keevil, two brothers vacationing in Tuscany are involved in a scary paranormal experience revolving around an unusual pond. This is one of the very few cases of fiction in English  where sentences in Italian are reproduced  and spelled correctly…

 

“Sad Face”, by the prolific Mark Morris, is a disturbing, atmospheric piece where a widower searching for peace in a wild and secluded resort place ends up being literally engulfed in an unwanted embrace.

 

“The Winding of the Willows” by Steve Toase is an effective mix of horror and SF, depicting how the water of a stream brings about disease and death in a small village.

 

“The Good Old Days” by Craig Rosenberg is a kind of neat “ Twilight Zone” story, in which an Aussie man relocated to the USA has to face the past while taking a vacation back in his hometown.

 

I am looking forward to volume number 8.

 

 

Reviewed by Mario Guslandi