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Book Review: Borderlands 6 edited by Thomas and Olivia Monteleone

Borderlands 6: The Anthology of Imaginative Fiction, edited by Thomas and Olivia Monteleone

Samhain Press, 2016

ISBN-13: 978-1619234987

Available: Paperback, Kindle edition

 

In 1989, Thomas Monteleone, already a stellar author in several genres, decided to publish an anthology series that bucked the trends. He compiled a collection of unique stories that stretched the parameters of horror and weird fiction. There are no tired tropes or recycled plots here. Monteleone was interested in publishing great stories, not just big names, and many of the best tales came from the minds of previously unknown writers, many of whom became rising stars. After a 12 year hiatus, Borderlands 6 follows suit, and succeeds just as well as the previous five volumes. Some stories will leave readers with a sense of wonder, and others with the best sort of unsettling feeling.

There are some big names: Jack Ketchum, David Morrell, Steve Rasnic Tem, Gary Braunbeck, and new sensation Paul Tremblay all make an appearance, as does John McIlveen, whose novel Hannawhere was a Stoker nominee this year. Braunbeck’s satiric take on “mart-type-box stores” is chilling in its pure weirdness. However, the success of the Borderlands anthologies comes from sharing hidden gems, and this volume is no different. Many of the best stories are by relative newcomers. “Cocoa”, by Bob Pastorella, is the oddest tale here, and lingers in the memory; “The Dress”, by Peter Salomon, is similar in its strangeness, and has a twist that is both organic and perfect; “The Palace Garbage Man”, by Bradley Mitchell Zerbe, feels both medieval and modern in its unique take on evil; and “In God’s Image”, by Sean B. Davis, a story that feels like a warped episode of The Twilight Zone hung around in this reviewer’s darkened imagination for days.

Olivia and Tom have done a fine job here in continuing the Borderlands legacy. Highly recommended for all fans of short fiction looking for something new and different.

Reader’s advisory note: This anthology may be a good way to introduce new authors to horror readers looking for a change.

Reviewed by David Simms


Posted on July 22, 2016 by , Reply

Book Review: Dreams from the Witch House: Female Voices of Lovecraftian Horror edited by Lynne Jamneck

 

Dreams from the Witch House: Female Voices of Lovecraftian Horror  edited by Lynne Jamneck, illustrations by Daniele Serra

Dark Regions Press, 2016

ISBN 9781626411111 (ebook)

Available: Pre-order Kindle ebook, hardcover, trade paperback

I haven’t contributed financially to many Indiegogo projects, but when I saw the announcement for Dreams from the Witch House: Female Voices of Lovecraftian Horror, I knew I couldn’t pass it up, and I’m very glad I did not.

Dreams from the Witch House is a collection of twenty weird fiction stories, each one set in various times and places with characters and themes that resonate with the reader long after the tales have concluded. I had to take some time to mentally process each tale after I read them. The authors have crafted tales that really impact the reader. It’s hard to even say which one is my favourite since they each have their own distinct qualities. From the firsshadows-of-the-evening-joyce-carol-oates-1000px (1)t story by the legendary Joyce Carol Oates (what a way to start a book!) to the last, each story has so much complexity and succeed in evoking different emotions in such short page space.  I found that I have something to say about every one of these stories, but I have selected a few that really stand out.

“Shadows of the Evening” by Joyce Carol Oates is the story of Magdalena Schӧn told by her granddaughter. After being forced to leave home, Magdalena finds herself living with her wealthy great-aunt, Erica Kistenmacher to whom she is to be a companion. Finding that she has ample free time, she takes to wandering the streets of her new town. She is beckoned by a handsome voice singing a haunting song. She finds the owner of the voice, and he changes her forever.

Tamsyn Muir’s “The Woman in the Hill” is written in the form of a letter from Caroline, a woman who is afraid she is losing her mind. After her friend Elizabeth tells her of finding a door in a hill, she disappears mysteriously. Caroline discovers Elizabeth wasn’t the first to disappear, and most certainly won’t be the last.

“Pippa’s Crayons” by Christine Morgan is a story of a child whose crayons, crafted by her grandfather, display colours not of this world. Despite the short length of this story, Morgan has written an incredibly chilling story.

“Cthulhu’s Mother” by Kelda Circh injects some humour into the collection with a conversation between cultists of Cthulhu and the rather strict mother of the Sleeper of R’lyeh.

In addition the previously named authors, other women who have lent their writing skills to Dreams from the Witch House are, Collen Douglas, Cat Hellison, Caitlin R. Kiernan, Lucy Brady, Marly Youmans, Sanya Taaffe, Gemma Files, Molly Tanzer, Karen Heuler, Lois H. Gresh, Nancy Kilpatrick, E.R. Knightsbridge, Amanda Downum, Storm Constantine, R.A Kaelin, Elizabeth Bear and Sarah Monette, with full colour artwork by Daniele Serra. Introduction by editor, Lynne Jamneck.

I recommend this collection to anyone who enjoys incredible weird fiction. I was not disappointed with any of the stories. The artwork that Serra created for each story are beautifully rendered. To date, I have only had access to the ebook. The paperback version is still forthcoming.

Highly recommended

Contains: mild body horror, sexuality

Reviewed by Lizzy Walker

Posted on March 29, 2016 by , 2 comments

Book Review: Aberrations of Reality by Aaron J. French


Aberrations of Reality by Aaron J. French
Crowded Quarantine Publications, 201
ISBN-13: 978-0992883850
Available: Hardcover, paperback, Kindle edition

 

I love a good novel as much as anyone, but there is no greater way to get to know a writer than to read a collection of short fiction. A good short story collection will have stories that vary in length, tone and style, and can inform a reader about a writer’s potential range more than a single novel. Having read it, I can say that this is a well-written collection of razor sharp horror fiction.

 

French has a strong sense of what makes the weird tale work. His stories, while clearly influenced by early weird tale writers like Arthur Machen, Algernon Blackwood, and Lovecraft, mine that vibe, while still feeling modern. There is subtle humor at times, and some stories take  on a nearly mystical feeling.  My three favorites in the collection were “Graffiti Ghosts,”, the creepy tale “When Clown Face Speaks,” and the thoughtful “The Four Transitions of the Soul Upon Death by David P. Reichmann,” but every story was excellent. Reality is always in question during this collection, but the quality never is. Every library serious about intelligent high brow horror must get this book. Highly recommended for adult readers of horror fiction and weird tales.
 
 

Reviewed by David Agranoff
 

Posted on January 14, 2016 by , Reply
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