Homer | Musings of the Monster Librarian

Help a Reader Out: Are Myths Fiction or Nonfiction?

Interestingly, this question popped up in keyword searches a number of times, so I’m going to briefly address it.

“Are myths fiction or nonfiction?”

The answer probably depends on who you ask and why. I imagine that if you ask an atheist, you’ll get the answer “fiction”. But in the wonderful world of the Dewey Decimal System, books (and other media) on mythology are in the 200s, the category for philosophy and religion. So for straight mythology or books about mythology, it’s considered nonfiction. Poetry (like Homer’s Odyssey will generally end up in the 800s, with other books of poetry. Yes, poetry is considered nonfiction.

Novels and stories inspired by mythology usually end up getting pulled from the 800s and end up shelved with fiction, though. So if you’re asking because you want to know where Rick Riordan’s books fall on the shelf, you’ll find those in fiction. And if you are asking about a graphic novel, it kind of depends on the library. Some libraries will shelve all graphic novels under 741.5, the number for that format, and some pull the graphic novels into a separate section and shelve them by either subject (my daughter’s elementary) or author (my son’s middle school).

So the answer is that, especially in the library, it’s complicated. And sometimes it is kind of hard to figure out. If you’ve encountered Percy Jackson’s Greek Gods”, it probably falls in nonfiction, even though it is written in the annoying contemporary voice of a fictional character(that’s just my personal opinion, my kids love it) and “updated” versions of many myths. But the novels will end up shelved in fiction. Ultimately, though, the myths of a culture are stories of their gods, and their religion, and as long as people believe in gods, mythology is nonfiction.

It occurs to me that, given that this site focuses on horror fiction, someone reading this might think “Well, what about the Cthulu mythos? That’s a mythology, right? Why isn’t Lovecraft in the 200s?” As it was originally the invention of one person recognized as a writer of fiction, and how that person felt about religion is publicly known, I don’t see why it would be anywhere except in fiction. If you do know a person who worships the Elder Gods, please encourage them to seek help.

The H-Word. Part 3

And now… The tipping point for me. The article that made me want to shake somebody at the Wall Street Journal. Did you know this summer is…

THE SEASON OF THE SUPERNATURAL!

Yep. “Real” authors are now coming out of the closet. The genre fiction my creative writing professor, Clint McCown, banned us from writing in his class because it wasn’t “real” or “literary” is suddenly okay. Except, wait! Let’s not call it horror fiction when literary writer Glen Duncan writes about a werewolf with “a lusty appetite for human flesh”. Nope- it’s “a high concept literary novel.” It just HAPPENS to have a man-eating werewolf as the narrator. Hmm… How can the literary establishment avoid the stigma of writing genre books? Certainly, those books, populated with werewolves, zombies, ghosts, and vampires, couldn’t possibly be horror fiction. Of course not. It’s “supernatural literary fiction”. I’d like to thank Glen Duncan’s publicist for taking the time to offer us here at MonsterLibrarian.com, a horror fiction review site, a review copy of The Last Werewolf.

The Wall Street Journal did briefly acknowledge the horror genre, but none of the books in this article were mentioned as part of the horror genre. And, while I understand that different imprints have different audiences, I was appalled at Knopf’s attitude that “we don’t do those kinds of books”. It’s so disrespectful to readers’ preferences, and readers are the lifeblood of any publishing house. The author of the Journal’s article tried to justify the popularity of these titles by counting Homer, Shakespeare, Dante and Milton as writers in the literary tradition who tossed gods, monsters, and the undead into the mix, but those guys cared about telling a story, not whether it was “literary”.

And that’s why my five year old is begging me to tell him about Odysseus and the Cyclops for the billionth time, and preparing for the zombie apocalypse (in spite of my attempts to protect him from all things zombie). The stories and the monsters are just that good. There’s no reason to be afraid of the H-word. There are a LOT of good storytellers out there. Even if they write “those books”, that’s no reason to write them off, or treat their readers with contempt.

Look, the horror community is not as organized as the romance community. RWA has hard data on sales and on who their readers are. Writers in the horror genre don’t. And it would be hard to collect… are there ANY major publishers who publish horror since Leisure went by the wayside? But horror readers, writers, and books are here, and it’s foolish for publishers, mainstream authors, and book critics to write them off. Horror fiction. Not “paranormal”, not “supernatural”, not, “thriller”, “science fiction”, “fantasy”, “dystopian” or “lowbrow”.(although it can be any of those things as well). It’s okay to read and write horror fiction with pride. No one should have to defend that choice.

No matter what anyone else doesn’t say.