Home » Posts tagged "historical horror"

Book Review: They Drown Our Daughters by Katrina Monroe

Cover art for They Drown Our Daughters by Katrina Monroe

They Drown Our Daughters by Katrina Monroe

Poisoned Pen Press, 2022

ISBN-13 ‏ : ‎ 978-1728248202

Available: Paperback, audiobook, audio CD, Kindle edition

Buy:  Bookshop.org  | Amazon.com

 

 

The women of Cape Disappointment, descended from Regina Holm, all meet a singular fate: drowning. In 1881, Regina, hoping to prevent her husband from leaving, was placing a charm when she was interrupted by her 14 year old niece Liza, who realized it was witchcraft and threatened to tell Regina’s husband. In the resulting conflict, Liza was killed, and Regina rolled her up in a rug and dumped her in the nearby ocean. Regina’s daughter Marina witnessed it, and followed Liza into the water, where she drowned. Mothers and daughters in every generation since have been affected by this trauma, tempted into the water where they are drowned by a malevolent ghost girl.

 

Meredith has been long absent, but is now returning with her 7 year old daughter Alice to live with her  estranged mother, Judith, as Meredith finalizes a separation with her wife. Meredith left Cape Disappointment not just because of her difficult relationship with her mother, but to escape the way she was drawn to the water. Now that she’s returned, she feels the pull again, and Alice does, too. Judith and Meredith must decide how far they are willing to go to protect Alice and end the curse. The novel is thoughtful about motherhood, and the way it depicts mothers’ choices and sacrifices.

 

This atmospheric, haunting tale brims with historical detail and vividly depicts the waters and environment of Cape Disappointment, and the fear the women experience, especially the fear of drowning. Highly recommended.

 

 

Reviewed by Kirsten Kowalewski

 

 

Graphic Novel Review: Pretty Deadly Volume 3: The Rat by Kelly Sue DeConnick, art by Emma Rios

Cover art for Pretty Deadly volume 3: The Rat

Pretty Deadly Volume 3: The Rat by Kelly Sue DeConnick, art by Emma Rios

Image Comics, 2020

ISBN-13: 9781534315198

Available: Kindle, paperback

Buy:  Bookshop.org  |  Amazon.com

 

 

DeConnick and Rios’ Pretty Deadly Volume 3 : The Rat launches us forward in time from World War I to 1930s Hollywood. The late Sara Fields’ granddaughter Clara has been found murdered. Her Uncle Frank, known as “Conjure-Man” to some, is desperate to find her killer. He tracks her path through Los Angeles, where the Reapers of Hunger, Thirst, and Obsession have each attempted to lure Clara to their way of life in some way. Frank calls out, loud enough for the Reaper of Vengeance to hear his pleas to help him find out what happened to Clara. Deathface Ginny appears to aid her old acquaintance.

 

As per volumes 1 and 2, volume 3 presents a compelling story with familiar characters, and a few new ones. I could read an entire series on Deathface Ginny alone. Getting a few more glimpses of the Immortal Reapers is interesting as well. I wish we had more of them. Art by Emma Rios and colours by Jordie Bellaire are, as usual, well rendered. I’m hoping there will be more Pretty Deadly in the future by this team, especially knowing that Image released Pretty Deadly: The Shrike Vault Editionon April 30, 2024.

 

The long gap in years between  the publication of volumes 2 and 3 was unfortunate. Luckily, I was able to access all volumes through interlibrary loan to reread the first two and finally read the third.

 

Pretty Deadly Volume 3: The Rat collects issues 1-5. At the end of the trade paperback is a collected discussion guide created by Dr. Jeremy Stoll, which makes this a book that could find use in the classroom. Recommended.

 

 

 

Reviewed by Lizzy Walker

Book Review: Eynhallow by Tim McGregor

cover art for Eynhallow by TIm McGregor

Eynhallow by Tim McGregor

Raw Dog Screaming Press, 2024

Available: Hardcover, Paperback, Kindle edition

Buy: Bookshop.org  |  Amazon.com

 

 

Tim McGregor’s writing evokes the ghosts of 19th century English writers who captured the mystery of human beings and the wild forces of nature that remain untamed around us and in us. His latest book, Eynhallow, is an irresistible mix of science fiction and horror, with a twist of Gothic terror and a dash of old legends.

 

This story about an unusual, hardy woman opens in 1797 in the nearly deserted Orkney Islands, where four families are struggling to survive. Agnes, a devoted mother, has always acted out of necessity, the only reason she married and stays with her abusive husband. She now cooks and delivers meals to their new, wealthy neighbor, for a price. Her days revolve around family life, and occasionally helping to bring a neighbor’s child into the world. It is a monotonous existence, but Agnes has a curious and active mind that is constantly evaluating and analyzing everything and everyone around her. She also has many questions she feels she must answer about herself, what she wants, and whether she can have what she most desires.

 

As she pursues these answers, Tim McGregor’s atmospheric descriptions of the weather, vegetation, houses, characters, and even the church and food take on a life of their own, putting the reader into a state of growing uneasiness about Agnes’s safety and security. Slowly but surely, we discover that she has a role to play in another story, a famous one about a monster created from dead human body parts, who is now alive. McGregor brings the two stories together in surprising ways, reminding us of what we already know about Victor Frankenstein and his Creature, and filling in new details about the challenges of dealing with the monster’s demands and the unforeseen consequences of what Frankenstein dreamed would be the greatest scientific achievement of all time.

 

In the end, Eynhallow, meaning holy island, is far from it. It is a place of violence, pain, torture, and death. Just as Mary Shelley made her audience consider the boundaries between God and man, the spiritual and the scientific, and life and death, so too does Tim McGregor, but with an important difference. McGregor’s audience has had a much greater chance to explore these boundaries and observe their crossing. It is in that context, one of greater understanding, that we can truly see an earlier horror story becoming a contemporary one… and a permanent nightmare.

 

 

Reviewed by Nova Hadley