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Book Review: Behind by Bentley Little

cover art for Behind by Bentley Little

Behind by Bentley Little

Cemetery Dance,2024

ISBN: 978-1-58767-970-4

Available: Kindle edition

Buy: Amazon.com

 

 

A new Bentley Little novel is always cause for celebration for horror fans. The author has made a living playing off our primal fears through the lens of what truly causes us terror– school, corporations, identity, dysfunctional families, and the DMV. This time, Little tackles something a bit more recent– the big C (no, not that one. The one that kept us on lockdown and showed us who had brains and who didn’t). Yet instead of focusing on the pandemic itself, the author dives into how life itself changed.

 

Alex Lowry finds himself out of work, thanks to downsizing. He could go the normal route, as many did, seeking another corporate job to bore the life out of him:. his wife, Jennifer, begs him to use her father’s connections to find something “respectable.”. Of course, that doesn’t happen– and that’s where the Bentley Little we know and love, unfolds his story in prime fashion.

 

His ex-colleague, Britta, brainstorms a cool idea. It’s like DoorDash, GrubHub, or one of the other delivery services that rose to prominence during the dark years. Yet, instead of food or toilet paper, they deliver odd items to even odder clients. It begins innocently enough, as most of Little’s plots do, but soon takes a hard left turn. It pays well, once the business takes off. Alex finds himself enjoying his strange new profession.

 

There’s one problem, though. When he was a child, he saw a house behind his own. It wasn’t supposed to be there. By the laws of physics and reality, it can’t be there, but it is.

 

His parents died in an accident, and he moved on– until now.

 

The house is back. His in-laws notice it– and reality begins to unravel.

 

What’s behind it?

 

If you’re familiar with Bentley Little’s work, you know this is where things can get truly odd, but still relevant to the social issues of the day, complete with characters who embody us– although that includes the darker, stranger, hidden sides of us that we keep from the scrutinizing eyes of those on our block, our workplace, and our relationships.

 

Part satire, part horror story, but all entertainment, Behind  is Little’s best work in a long time. Some might say it’s a straight-up ghost story or haunted tale, but fans know it’s something deeper.

 

The writing is smooth and deceptive. It might appear simple at first, but readers will find themselves immersed in the language and relevance to who and what we are.

 

It’s a fascinating, terrifying novel, and one that comes highly recommended. What makes a great horror novel is the people who inhabit them. Little has always known this and loves to screw with his readers– and they love him for it.

 

 

Reviewed by David Simms

 

Book Review: Passing Through Veils by John Harrison

cover art for Passing Through Veils by John Harrison

 

Passing Through Veils by John Harrison

Wordfire Press, 2023

ISBN-13 : ‎ 978-1680574234

Available: Hardcover, paperback, Kindle edition

Buy: Bookshop.orgAmazon.com

 

Sometimes, the best stories have the worst narrators, at least in reliability. Spending time with the character who we travel through the book with, wondering how much is accurate versus that person’s perception, makes for an intriguing read-– if written well. Passing Through Veils has been compared to Gone Girl and The Haunting of Hill House, but John Harrison has penned a novel that forges its own path in Passing Through Veils, constructed with skill and insight, into a mentally unstable mind. Harrison has plenty of experience in entertainment, from writing episodes of Creepshow, to directing Tales From the Darkside, and the horror miniseries Residue, on Netflix.

 

The novel opens with a vicious murder, witnessed only by a young boy, and is seemingly unconnected to the rest of the novel.

 

The reader is then introduced to Kathryn, once a promising star in the legal field until a complete breakdown sends her to a psychiatric ward for six months. When released, she secures a job with a friend’s firm, and purchases a townhouse with her mother. She hears music and other noises through the walls, but just as she is about to relapse, she punches through the wall – and discovers a secret room with a vanity, o ther items, and the source of the music.

 

As Kathryn investigates who used to live there, possibly the murdered woman from the scene at the beginning of the book, reality begins to unravel in front of her. Visions of a strange woman plague her, and she is having bouts of dissociation when in the house or with items left behind. She meets an intriguing man with a connection to the house and his odd brother, both who have integral roles in the story. How the story is resolved is worth the read. Recommended to fans of ghost stories and unreliable narrators-– or simply well told tales.

 

 

Reviewed by David Simms

Graphic Novel Review: The Night Eaters, Volume 1: She Eats The Night by Marjorie Liu and Sana Takeda

 

Cover art for The Night Eaters Book 1: She Eats The Night by Marjorie Liu and Sana Takeda

 

The Night Eaters: Volume 1, She Eats the Night by Marjorie Liu and Sana Takeda

Abrams Comicarts, 2022

ISBN-13: 9781787739666

Available: Hardcover, paperback, Kindle edition, Bookshop.org  |  Amazon.com  )

 

The creative team behind the Monstress comic series have created another world for readers to visit in The Night Eaters: She Eats the Night, the first in a trilogy.

 

Chinese-American twins Milly and Billy are in their early 20s and own their own business. They struggle to keep their restaurant afloat while navigating COVID-19. They also struggle with personal relationships and life in general. Billy spends his free time locked away killing virtual monsters, while Milly comes to terms with dropping out of med school and pining for her ex-boyfriend, who she still visits. Their parents, emotionally distant mother Ipo and laid-back father Keon, are in town for their annual visit. Ipo and Keon, immigrants from Hong Kong, have supported their children throughout their lives, but the parents worry that their support has hindered rather than helped their children. 

 

To test their strength and fortitude, Ipo forces Billy and Milly to help her clean the house across the street, which was the scene of a grisly murder, and where dolls move on their own. Ipo has been hiding a deadly secret from them their entire lives. In the span of one night, everything is revealed to the twins, but they are left with more questions than answers.  

 

Liu’s storytelling is great. The family dynamic is well-written, with tension, love, and humor, and the four of them are just dealing with each other at the forefront of the story. Milly and Billy have a believable sibling relationship, with antagonistic details on display. We get glimpses of Ipo and Keon’s relationship told in a series of flashbacks. We gradually find out more about them as a couple, as well as who they really are as people. Ipo spends more time with her plants than she does with her children, something which infuriates Milly. Keon is at times insufferably relaxed about situations that would send others into a panic or downright anger. Yet, they work as a couple, and their children are stronger than they are given credit for, especially by Ipo.

 

Takeda’s artwork is something I have sought out since I started reading Monstress. Her comic panels are beautiful. There are a few illustrations that feel like they were rushed, but her skill is still evident. Liu and Takeda give us another beautifully haunting, and haunted, in The Night Eaters: She Eats the Night. The next volume will be released in 2023. Highly recommended.

 

Reviewed by Lizzy Walker