Home » Posts tagged "grief in fiction" (Page 4)

Book Review: Crime Scene: Poetry by Cynthia Pelayo

Cover art for Crime Scene: Poetry by Cynthia Pelayo

Crime Scene: Poetry by Cynthia Pelayo

Raw Dog Screaming Press, 2022

ISBN-13 ‏ : ‎ 978-1947879515

Available: Hardcover, paperback, Kindle edition ( Bookshop.org  |  Amazon.com  )

 

This collection follows up Into the Forest and All the Way Through, a collection of poems about missing and murdered women and girls from all 50 states intended to bring the victims of cold cases to light without exploiting them.

 

Crime Scene is a more straightforward story. It’s a narrative in verse of the discovery and investigation of a cold case leading to the capture of a serial killer, using a format of numbered “reports”. It explodes on impact and immediately crashes into the parents’ grief on notification, then backtracks to the discovery of the crime scene and body by a brother and sister. Then we meet our protagonist, Agent K, whose investigation is complicated by her history as a witness to the disappearance of a friend when she was a girl, leading to guilt, insomnia, and a drive to solve the case. Much of the story explores both her actions and mental state.

 

Pelayo also addresses issues with reporting on true crime. Report 0011 comments on exploitation, and Report 0054, the medical examiner’s report, interestingly is nonspecific in describing the age, race, and ethnicity of the victim, avoiding the trap of “white girl” syndrome.

 

Crime Scene is a lyrical, powerful, surreal exploration of the justice system, its failures, and the human consequences. Highly recommended.

 

Reviewed by Kirsten Kowalewski

 

Book Review: Unquiet Spirits: Essays by Asian Women in Horror edited by Lee Murray and Angela Yuriko Smith, foreward by Lisa Kroger

Cover art for Unquiet Spirits: Essays by Asian Women in Horror edited by Lee Murray and Angela Yuriko Smith

Unquiet Spirits: Essays by Asian Women in Horror edited by Lee Murray and Angela Yuriko Smith, with a foreword by Lisa Kroger.

Black Spot Books Nonfiction, 2023

ISBN-13: 978-1645481300

Available: Hardcover, paperback, Kindle edition

( Bookshop.org | Amazon.com )

 

I read an uncorrected ARC of this book.

 

Unquiet Spirits is a collection of 24 personal essays by women across the Asian diaspora, grounded in the authors’ family history, relationship to their culture, and the supernatural.

 

One of the takeaways from reading this is that the Asian diaspora is far from monolithic. Each of the authors has a distinct background and set of circumstances: one certainly cannot speak for all.

 

Some of the authors include Nadia Bulkin, who is Javanese-American, Geneve Flynn, who is a Chinese-Australian born in Malaysia, Rena Mason, who is a first-generation immigrant to America of Thai-Chinese descent, and Tori Eldridge. who was born in Hawaii and is of Hawaiian, Korean, and Norwegian descent, all of whom approached their essays differently.

 

The diversity of the authors and their choices of what each individual focused on is what really drew me in. That I read almost 300 pages in tiny print on a PDF is a testament to the quality of the writing.

 

I learned a lot from these essays: in Lee Murray’s essay on displaced spirits I learned that Chinese immigrants to Australia expected to be returned to China for burial, or become hungry ghosts, and from Nadia Bulkin’s essay that the terms “amok” and “latah” originated in Indonesia, to name just a few. The authors wrote about growing up feeling out of place, feeling unwilling or unable to meet expectations about filial duty, marriage, and motherhood. They wrote about hungry ghosts, fox demons, and yokai
They wrote about finding and using their voices.

 

I read this a few essays at a time. There’s a lot to think about in each one, so I think that’s a good way to approach this book. I highly recommend taking the time to do so.

 

Reviewed by Kirsten Kowalewski

Book Review: The Honeys by Ryan La Sala

Cover for The Honeys by Ryan La Sala

The Honeys by Ryan La Sala

PUSH, 2022

ISBN-13 ‏ : ‎ 978-1338745313

Available: Hardcover, paperback, KIndle edition, audiobook.

( Bookshop.org |   Amazon.com )

 

 

When genderfluid teen Mars Matthias’ twin sister Carikube dies violently in front of them after running away from summer camp, Mars insists on attending the camp for the rest of the summer. They agree to placement with the boys, but their real goal is to rediscover Caroline, especially through The Honeys, her girlfriends in Cabin H, which tends to the camp’s beehives.

 

Mars’ previous experience at camp involved the other boys tying them to a wooden scoreboard and setting it on fire so their experiences are mixed. Camp authorities prefer to let campers solve conflicts on their own, not great news if you can’t defend yourself. While the rest of the camp participates in mandatory activities, the Honeys do their own thing, and they invite Mars to be a part of it.

 

But the Honeys aren’t just tending bees, they are the hive– the collective mind of all the bees, seeking a queen, and being pressured by the adults around them to create umbral honey (created as it feeds on living, albeit predatory creatures (such as camp counselor Brayden), that will give them real-world power.

 

This is an interesting look at how genderfluidity and societal and parental expectations affect teens in a different environment and a genuine and authentic exploration of grief and the complicated feelings that arise when someone you have mixed feelings about dies.

 

Early in the book, a counselor points out that an aspen grove is actually a colony, with one original tree, effectively making the aspens around the camp disturbing. The whole collective hivemind, blood honey and giant honeycombs, is incredibly creepy, too. It’s one thing to know you are surrounded by interrelated creatures out in nature (nature being something you expect to encounter at summer camp), but it’s horrifying to  experience being absorbed into them against your will. Recommended for grades 9+

 

 

Reviewed by Kirsten Kowalewski