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Book Review: The Old One and The Sea by Lex H. Jones, illustrated by Liam ‘Pais’ Hill

The Old One and The Sea by Lex H. Jones, illustrated by Liam ‘Pais’ Hill

Sinister Horror Company, 2019

ISBN-13: 978-1912578160

Available: Hardcover, paperback, Kindle edition

The Old One and The Sea introduces children to a now-famous author and one of his most famous creations, reimagining the childhood of Howard “Howie”  Phillips Lovecraft and his first encounter with the extraordinary. Taking place just after World War I, in the coastal town of Innsmouth, Howie’s father is missing in action, and he and his mother have a close relationship, although he is curious about the world around him and prone to take risks. With no other children and few other adults around he has preserved a fearless sense of wonder in the world that most older children and adults grow out of,. His only companion, Mr. Derleth, is a brusque former soldier who has seen terrible battles, and studies the sea and the stars, and the mysteries he sees in them. One night, when Mr. Derleth has noted that the stars are in an unusual alignment, a black stone pillar rises out of the sea, and Howie decides to explore it. Once he’s reached the top, he accidentally summons a great creature from the sea: surprised, he falls off the pillar and into the water. The creature saves him, and when Howie really looks at the creature, instead of seeing a monster, he sees the tendrils that saved him flowing from the round head of the creature, and black, endless eyes that reflect the stars. Howie names the creature Oolu, and a strange friendship begins between the lonely boy and the equally lonely creature that has risen from the sea. Both are grieving: Howie for his father, and Oolu for his friends in the city of Rlyeh, lost to the bottom of the sea. Jones’ depiction of grief here, especially the grief of a child, rings very true. It’s there, but without making the story entirely about grief.

Then sailors discover that Oolu has risen, and recognize him as Cthulhu, the Great Old One, a monster who destroyed their ship, and decided to attack him. Howie runs to Oolu, chased by his mother and Mr. Derleth, to face the sailors. Mr. Derleth, who still has his military skills, runs the sailors off, terrified. Mr. Derleth notes to Howie, “Fear can be a powerful motivator”. Howie makes a plan to use his imagination to write stories about Oolu, using the name Mr. Derleth used, Cthhulu, but to make the stories scary to keep people like the sailors from ever attacking his friend again.

This is not a frightenting book. It is a tale of friendship, loyalty, grief, love, and family that honors wonder and imagination.Lex H. Jones has given us a gift in this idyllic fictional portrait of Lovecraft, reminding us that he, too, was once a child with curiosity and imagination. There couldn’t be a gentler introduction to the Cthulhu mythos than this book. In fact, it is entirely possible for a child who has no knowledge of Lovecraft of Cthulhu or even any interest in horror to enjoy this delightful, fantastical story.  The illustrations by Liam ‘Pais’ Hill, in pastel colors with simple, cartoony line drawings, add to this impression. In all honesty, The Old One and The Sea is the most refreshing children’s book (and I read a lot of children’s books) I’ve read this year.

Jim McLeod of Ginger Nuts of Horror wrote a nice introduction to this book on when horror lovers can best introduce the genre to their children, and how, and on how much availabilty of children’s horror fiction (and fiction that uses horror concepts and tropes) has changed, It has changed quite a bit over the last 15-20 years, and that’s been exciting to see. Lex Jones has added a lovely title to that genre that I hope both librarians and parents will share with the children they encounter. Recommended.

 

 

Book Review: The Ghost Hunter’s Daughter by Caroline Flarity

The Ghost Hunter’s Daughter by Caroline Flarity

East Side Press, 2019

ISBN-13: 978-0996845007

Available: Paperback, Kindle edition

 

Anna Fagan lives in a haunted house, but that’s the least of her problems. Her father, Jack, is well-known for his ability to “clear” spirits from the objects they haunt, but since the traumatic death of her mother, his ability is fading and he’s picked up the habit of hoarding, aggressively. He stores holy water in the refrigerator, and “cleared” objects in the basement, where Anna is forbidden to go (the results of Jacks’s hoarding exposed when Anna breaks into the basement later in the story is one of the most appalling things in the book: previously haunted objects are the least of the problems).  Now the lack of space has led Jack to rent an office to reinvigorate his business. He has hired a new investigator, Geneva Sanders, a scientist who has invented a new way to see the electrical activity that indicates that ghosts and supernatural forces are at work.

Anna is also suffering from grief and guilt over her mother’s death, but at school, she has other problems. With the exception of her friends Doreen and Freddy, Anna is mocked by other students with the nickname “Goblin Girl”. Izzy, the school sleazebucket, has decided she’d make a perfect target for his meanness and slut-shaming, while also throwing disgusting homophobic slurs at Freddy. Anna, focused on getting her crush, Craig, to notice her, while trying to manage her family problems and an uptick in paranormal activity, misses out on the serious problems Doreen and Freddy are dealing with. As levels of hostility and violence rise in town, Geneva theorizes that unusual solar flares are being harnessed by a malevolent spirit who is using them to feed on people’s anger and pain.

Flarity’s choice to make Anna the point-of-view character works beautifully here. There is so much going on in this book, especially in the larger picture of things, and yet we see that world through the self-centered tunnel vision of a teenager– which is perfect for a teenager in a YA novel. Our view widens with hers, and we see the story pull together as she does. Getting the story from Anna’s point of view means we are up close to her character growth.

This book reminds me a lot of Lois Duncan’s YA books, except that her books didn’t have the broader supernatural conspiracy behind this story. I’m not sure how many boys would choose to read this, but I hope they will, because there are parts that should really make them think. How many people say and do things without thinking, especially when they are angry or feeling hopeless, that regret it later?

Recommended.

 

Contains: suicide, suicidal ideation, mental illness (hoarding), self-harm, animal cruelty, bullying, abusive adults, violence, cyberbullying. rape culture, distribution of provocative images of a minor.

Book Review: Monsterland by James Crowley

Monsterland by James Crowley

G.P. Putnam’s Sons Books for Young Readers, 2017

ISBN-13: 978-0399175893

Available:  Hardcover, paperback, Kindle edition

 

It’s Halloween, and Charlie Cooper is missing his best friend, Billy, who was lost in the river the previous year.  Too dispirited to trick-or-treat, he wanders into the woods, to hide out in an abandoned army base where they used to play. When he sees a figure that looks like Billy, he follows him through the base and into a graveyard he’s never noticed, down into a crypt that leads to a tunnel, and discovers that he has not been following his friend: he has followed a vampire, into Monsterland, an unmapped territory where the U.S. government has contained the world’s monsters. The vampire is Prime Minister of Monsterland, tasked with keeping the peace between all the factions and creatures. Learning that Charlie is looking for his “lost” friend, the Prime Minister sends him on a journey with Frankenstein’s Monster that will lead Charlie to a place where he might find Billy, if he’s lucky.

Charlie’s journey with the Monster is eventful, with kidnappings, near-drownings, robberies, and dramatic rescues. He meets various types of monsters, who are fascinated to find a live boy in their country.  While some characters are well-drawn, especially the Monster, Crowley spends several chapters at the beginning introducing Charlie, with the result that, while Crowley does some terrific world-building, the story is too jam-packed with action and new characters to do everything (and everyone) justice. The door is definitely left open for a sequel– there are many characters I wanted to know more about, and the overall idea that government budget cuts are undermining control of Monsterland is intriguing.

What is most interesting, and most fully developed, is Charlie’s relationship with the Monster, who is not just uninterested but actively hostile to the idea of traveling with Charlie. Charlie insists that nobody should be referred to as Monster or Creature all the time, and helps the Monster choose a name (the discussion, which involves his annoyance with Mary Shelley, leads to the Monster being named Franklin Prometheus), something that significantly changes their relationship. Watching them interact is one of the most interesting parts of the book.

I was bothered by the plot being driven by Charlie’s need to look for Billy. It is pretty clear from the very beginning of the book that Billy isn’t just lost, and I didn’t like that the Prime Minister and all the monsters encouraged Charlie’s magical thinking and the idea that Billy was tangible. Magical thinking is a part of grief you want children to work through, and Charlie is protected from having to do this. Crowley did a nice job of depicting Charlie’s grief before he entered Monsterland, but once there, the possibility of finding Billy made it an adventure.

I wouldn’t call this horror so much as a monster-laden fantasy adventure, but there is certainly potential for it to go darker if there is a sequel. It is a great choice for monster-loving kids. Recommended.