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Graphic Novel Review: Frankenstein: Junji Ito Story Collection by Junji Ito

Frankenstein: Junji Ito Story Collection by Junji Ito

Viz Media, 2018

ISBN-13: 9781974703760

Available: Hardcover, Kindle, comiXology

Junji Ito, the master of horror manga, adapts Mary Shelley’s classic, Frankenstein in this graphic collection. Victor Frankenstein is obsessed with creating life from death. He stops at nothing to create his giant, only to be repulsed by his design. Abandoned and angry, the creature takes his revenge on those Victor loves.

I read a few reviews that were critical of Ito’s adaptation, indicating that they felt that adapting Shelley’s novel restricted his horrific artwork and storytelling. I would have to disagree, particularly regarding the art. While it is true Ito is skilled at the grotesque, his ability to draw beautiful characters seems to go unnoticed. For instance, is titular character in Tomie is gorgeous, which I think makes the horrific scenes in the manga so effective. The same can be said of his art for Frankenstein. The Creature, and moreover the companion Victor creates for him, are horrific. The character designs are signature Ito. Ito takes some liberties with the story, but not enough that it takes away too much from Shelley’s original novel. Purists may be disappointed, however.

Included in this collection are six short stories that center on a high school student named Oshikiri who lives alone in a strange mansion while his parents are away. In “Neck Specter”, he murders his best friend Kojima over petty jealousies and buries him on his family’s land, only to discover that when he unearths him that his neck has grown longer. Soon he is seeing everyone around him growing long, winding necks and accusing him of his crime. “Bog of Living Spirits” tells the tale of a small body of water near Oshikiri’s high school where it is rumored the ghost of a jealous girl drowns handsome boys that wander into the area. In this story, Kojima is alive and followed relentlessly by the high school girls who adore him. When he volunteers to help the other students tidy up the land around the bog, the girls are distraught and beg him not to go. Were they right, especially when they witness him falling in and not resurfacing? Oshikiri becomes friends with a seemingly lonely girl in “Pen Pals”. The young girl begins receiving insults and death threats in letters after she tells them of her new friendship. Oshikiri finds out the disturbing truth when he visits her at home. In “Intruders”, Oshikiri befriends some classmates who are interested in alternate dimensions, and who want to explore his mansion after he describes the strange footsteps he hears. There, they discover their own graves, complete with rotting corpses.

“Hell of the Doll Funeral” is the shortest story in the book, but one of the most gruesome. Children are starting to turn into dolls, and parents burn them before the affliction completes its cycle. One mother refuses to do so, and the result is terrifying.

The last two stories in the book gives the reader an uncommonly light-hearted look into the Ito family, specifically the family dog. The Matlese named Non-Non was clearly the ruler of the family.

While this volume is a departure from works such as the aforementioned Tomie, Uzumaki, and Gyo, it is still very enjoyable. Ito’s art style is unique and highly detailed. I would recommend this title for those who like graphic adaptation of classic horror, body horror, horror manga, and interesting stories.

Contains: blood, body horror, gore, nudity

Highly recommended

Reviewed by Lizzy Walker

Graphic Novel Review: Dead Beats: A Musical Horror Anthology edited by Joe Corallo and Eric Palicki

Dead Beats: A Musical Horror Anthology edited by Joe Corallo and Eric Palicki
A Wave Blue World, 2019
ISBN-13: 9781949518030
Available: Paperback, Kindle, comiXology

Dead Beats contains 24 tales of music and horror introduced by a sort of horror host, The Shoppe Keeper. As she leads the reader through her record shop, new, horrifying, poignant, and well-illustrated stories emerge.

While I enjoyed all of the vignettes in this anthology, there are some that stand out. “Grotesque”, by Cameron Deordio with art by Brent Schoonover, focuses on a long-lived rock band with a new member to the lineup. It is crucial that he gets every note perfectly. It means their career, and lives.

In “Reversed Cards”, by Nadia Shammas with art by Sweeney Boo, two bandmates visit a tarot card reader who delivers an ominous message. When it comes time for them to go on tour, the tarot effects the decision of one of the members, who decides it would be best for her to skip the tour. What comes of her choice presents rather unexpected consequences.

Sometimes we all get that one song stuck in our heads. In “Earworm”, by Christof Bogacs and illustrated by Giles Crawford, anyone who listens to a certain track gets more than just a worm. This one was particularly unnerving.

One of my favourite comics teams is writer Ivy Noelle Weir and artist Christina “Steenz” Stewart. “Beyond Her Years” gives us the story of a young woman driven to complete her musical opus after breaking into a haunted music building on her campus.

“”Let’s Stay Together”, by another favourite writer of mine, Vita Ayala, and illustrated by Raymond Salvador, is heartbreaking. I don’t want to give the whole thing away, but I feel that it is a beautiful love letter to the elderly LGBTQ community. I had to put the book down momentarily to let this one sink in. That last panel is absolutely lovely.

I recommend this book for libraries specifically who are interested in increasing their independently published comics collection. This is a fantastic anthology, expertly curated by the editors and beautifully written and illustrated by everyone involved in its creation. Highly recommended.

Contains: blood, gore, murder, racism, sexual assault, sexual content, suicide

Reviewed by Lizzy Walker

Graphic Novel Review: Illuminati Transport Volume 1 by the Fillbach Brothers

Illuminati Transport Volume 1 by the Fillbach Brothers

First Comics, Inc., 2017

ISBN-13: 9781618550385

Available: Paperback

 

Jim Kowalski makes his living as a transporter for Illuminati Trucking, picking up supernatural threats captured by the Department of Paranormal Experts, or DPE. With his dog, Geech, and Crystal Skull of Doom, named Rico, they travel across the United States, picking up the team’s leavings. It’s a thankless job, as all of the credit for the capture of the supernatural threats go to the DPE, and never to the lowly driver. Their most recent job is to pick up a captured shapeshifting demon and return the container to headquarters, but things do not go as planned. The creature escapes, with its own plans of opening the doorway to Hell. Along with zombies, Merlin, the Chupacabra, Bluegrass Johnson, a mysterious knight hell-bent on killing whoever summoned him, and other supernatural wrenches thrown into their path, Jim, Geech, and Rico must navigate the landscape and the paranormal to save the planet.

This is a great story. Jim’s banter with Rico provides the perfect amount of humor. There’s even a bit of romance, with Betty the lab scientist, who worries for their safety out in the field. The book has great illustrations, and the artwork is in black and white. The creature designs are stellar.

The Fillbach brothers tell an awesome story. Pick this up if you enjoy a Teen+ rated read full of horror and humor. Highly recommended.

 

Reviewed by Lizzy Walker