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Graphic Novel Review: A Study in Emerald by Neil Gaiman, art by Rafael Albuquerque

A Study in Emerald by Neil Gaiman, art by Rafael Albuquerque

Dark Horse, 2018

ISBN: 978-1-50670-393-0

Available: Hardcover, Kindle edition, comiXology edition

A Study in Emerald is a Lovecraftian/Doyle mystery featuring a brilliant detective and his partner as they try to solve a murder. The investigation follows the investigators, named only as the Detective and the Major, from the Whitechapel slums to Queen Victoria’s palace as they attempt to find the killer of a member of the blood royal. The story follows almost all of the same plot points as the original Holmes story, A Study in Scarlet. There are numerous twists and turns in Gaiman’s story from the moment the Major approaches the front door of the Baker Street residence. It also becomes clear that this world is one where the Great Old Ones have prevailed. Cultists are in power, as are the entities themselves. The royals, after all, bleed green. This graphic novel was adapted from Gaiman’s short story of the same title: http://www.neilgaiman.com/mediafiles/exclusive/shortstories/emerald.pdf.

Readers who enjoy Holmes crossovers with a dash of Lovecraftian horror should pick this up, as well as read the original source material. The story is unique in several respects, especially regarding a few of the big reveals that happen through the investigation. I think the only disappointment I have in this volume is that it ended so quickly. I would have loved to have read more. Albuquerque’s beautiful, rich illustrations are the perfect accompaniment to Gaiman’s tale of a great detective and his companion searching for a killer in an alternate Victorian setting.

Recommended.

Reviewed by Lizzy Walker

Graphic Novel Review: Victor Lavalle’s Destroyer by Victor Lavalle, illustrated by Dietrich Smith

Victor Lavalle’s Destroyer by Victor LaValle, illustrated by Dietrich Smith

BOOM! Studios, 2018

ISBN-13: 9781684150557

Available: Paperback, Kindle edition, comiXology

Victor LaValle’s Destroyer is set in a world where Victor Frankenstein is real, and so is his Creature. Having survived by living under the frigid environment of Antarctica, he becomes angered when a whaling vessel invades the waters and sheds blood of the ocean creatures he is seen swimming with in the first pages. Here begins the journey of the Destroyer, his only goal to eliminate humanity from the planet.

But Destroyer isn’t simply the story of Frankenstein’s Creature and his revenge. At the center is Dr. Josephine Baker, who herself is a descendant of the Frankenstein family, and her resurrected son, Akai. He had been gunned down by the Chicago police after a paranoid woman called them insisting a Black man was brandishing a firearm in her neighborhood. Dr. Baker brought him back using nanotechnology, plus a little of her ancestor’s methods. Two scientists, Percy and Byron, believe they’re searching for Dr. Baker to protect her from the Destroyer, but they discover their mission may be greater than they thought. Add to the mix Akai’s estranged father, the Bride, and a ruthless agent who will stop at nothing to get her hands on Dr. Baker’s creation, and you have yourself one amazing story.

LaValle does not shy away from sociopolitical commentary in Destroyer. Strong themes in this graphic novel include misogyny, racism, and police brutality, all of which are timely and necessary topics. LaValle expertly weaves a tale of modern-day United States fear and hatred with the original Frankenstein story using elements and names familiar to readers of Shelley’s original work. The artwork supplied by Smith creates the perfect accompaniment to a gripping story.

I watched a keynote given by LaValle during the Library Journal Library Con Live! 2018 where he discussed the graphic novel. I highly recommend seeing him speak if you have the chance.

Contains: blood, gore, misogyny, police brutality, racism, violence

Highly recommended

Reviewed by Lizzy Walker

Editor’s note: Victor Lavalle’s Destroyer is on the final ballot for the 2018 Bram Stoker Award in the Graphic Novel category. 

Graphic Novel Review: Hellboy Omnibus, Volume 2: Strange Places by Mike Mignola, art by Mike Mignola, Gary Gianni, and Richard Corben

Hellboy Omnibus Volume 2: Strange Places stories by Mike Mignola; “Into the Silent Sea” story by Mike Mignola and Gary Gianni; “The Right Hand of Doom”, “Box Full of Evil”, “Conqueror Worm”; “The Third Wish”, and “The Island” art by Mike Mignola; “Being Human” art by Richard Corben

Dark Horse, 2018

ISBN: 978-1-50670-688-7

Available: Paperback, Kindle edition, comiXology

 

Hellboy Omnibus Volume 2: Strange Places includes Hellboy’s adventures from 1998 to 2005, in chronological order. In these tales, Hellboy searches for answers about himself and his destiny.

In Hellboy: The Right Hand of Doom, the titular character meets Adrian Frost, the son of Professor Malcolm Frost who spent the last years of his life trying to kill Hellboy. The priest tries to convince Hellboy of his father’s fear of him, and that he wasn’t an evil man. He offers to sell Hellboy the only surviving clue that he found in his father’s notes about himself. The price is a story, the story of Hellboy. He tells a story of the Mad Monk who came back, his death at Hellboy’s hand, and the search for who Hellboy really is, who he is meant to be.

“Box Full of Evil” finds Hellboy and Abe Sapien investigating the case of a mysterious man who can paralyze a household while he digs through the walls of a gentleman’s sitting room only to pull out a small locked box and a pair of commonplace fireplace tongs. What could the box hold, and who is the man who had the power to subdue everyone in a large house merely with a hand shaped candle?

In B.P.R.D.: Being Human, Hellboy convinces the B.P.R.D. to let him take Roger the Homunculus out in the field to investigate the dead bodies of the Quillen family, who walk out of their graves to return to their run-down estate. They discover a Black woman with a vendetta to settle. She was born out of the rape of her mother at the hands of the head of the household, and she wants them to pay in their afterlives.

Roger and Hellboy are sent out again in Conqueror Worm, with a guide to Hunte Castle, to stop the Nazi spacecraft that is estimated to crash land there. Hellboy discovers the terrible truth about something the BPRD decided to add to Roger’s internal workings when they brought him back to life. When they arrive at the castle, they find they were led into a trap, and Lobster Johnson is real.

Trapped by the nail of the Bog Roosh, Hellboy must fight his way to freedom in “The Third Wish”. The youngest mermaid of three proves an unlikely ally in his journey, and reconciles with her father in the process. Hellboy meets the cursed being that set his existence into motion in “The Island”. This creature underestimates Hellboy’s strength and humanity in the end. In the final story in the omnibus, Into the Silent Sea, the true commander of a crew of men on the ship named Rebecca is called by something in the sea, just as she calls to it. Will anyone survive her visit?

Also included in this volume is a Hellboy sketchbook with notes by Mignola. The sketchbook is a bonus to see how Mignola crafts his stories and artwork as well. It has been fantastic to read these stories in chronological order to see how Hellboy’s story unfolds. This also provides a new reader the opportunity to become familiar with the short stories in the Hellboy/B.P.R.D universe. There are, of course, mythological and Lovecraftian overtones galore. Something that seems to be prevalent in the Hellboy stories is the subject of humanity’s inability or unwillingness to recognize the fact that Hellboy is not human, based on his actions and decisions to aid humans when at all possible, even risking his own life at times. They don’t have any qualms about calling other creatures, whether they be demons or homunculi, inhuman. This, of course, gets under Hellboy’s skin and he is not shy about addressing it. We even see the big red guy quit the B.P.R.D. as a result of something he can’t sit by and watch. Highly recommended.

Contains: some blood, violence

Reviewed by Lizzy Walker