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Women in Horror Month: Return of the Magazinists

Today I went back to a post I wrote some time ago on women writers of supernatural and Gothic fiction. I am sad to say that, as awesome a source of information as the Internet can be, some of the resources I linked to there now lead to “error–404” pages.A nicely done partial bibliography of Charlotte Perkins Gilman’s work has disappeared (although her papers are now available through Harvard and Radcliffe, so that’s a pretty neat development), and at this time I am not able to find a single portrait or photo of Georgia Wood Pangborn. The draft introduction to a limited edition of Pangborn’s work published by Violet Ivy Press is no longer online.Even Wikipedia has little to say about her.  I did my best to update the entry and the links. While Perkins Gilman really needs no introduction, as her work has entered the canon of American literature, l’d like to reintroduce you to some women authors who haven’t received the same kind of attention– the magazinists. 

Click here to meet these talented, often-forgotten women writers of the Gothic and macabre.

Book Review: River Bodies by Karen Katchur

River Bodies by Karen Katchur

Thomas and Mercer, 2019

ISBN: 978-1-5039-0239-8

Available: Hardcover, paperback, Kindle edition, audiobook

 

River Bodies is being billed as a thriller, and… it isn’t.  Really.  Calling it a thriller is pigeonholing a book that has a lot more to offer. It’s not “blow you away” exciting, and it doesn’t have simple characters, like most thrillers.  This book is a good deal more.  With its beautifully drawn characters, interactions between them, and outstanding writing, you have a story that is a bit of everything: excitement, intrigue, romance, and characters learning what’s really important to them.  If anything, it’s a study of three very different people who grew up around the same time, in the same place, but wound up walking very different paths.

Becca is a 30 year old veterinarian in New Jersey.  Her life is going fine, minus her struggles with her boyfriend’s infidelity.  She learns that her father, who she despises, is on the last legs of his battle with cancer, so she crosses the river to her childhood home in Pennsylvania to see him.   Unbeknownst to her, the morning she crosses, she sees John Jackson, who she grew up with, at the scene of a murder he just committed (telling you that Jackson is the killer does not give anything away: the author reveals that Jackson is the guilty party in the second chapter).  On Becca’s return home, she runs into Parker, her childhood flame, now the chief of police in her hometown, and in charge of the murder investigation.

The story builds through the perspective of all three characters, as they find themselves drawn back into each other’s lives, through a complex web of events, circumstances, and relationships.  The backstory of the characters is also prominent, as it turns out that a similar murder happened years ago.  Becca’s dad was chief of police at the time, and he may have hidden information that could have brought the murderer to justice.

As noted before, this isn’t a roller coaster ride with desperate chases, wild shootouts or breakneck car chases, like most thriller novels: there really isn’t that much action at all.  What carries the story is the author’s excellent writing, especially as shown in the character development.  All three of the leads are extremely well done, with a lot of emotional depth.  The best, and the most intriguing, is John Jackson, the killer, who is an enforcer for a local motorcycle gang.  As one would expect, he isn’t a good person, living the standard biker life of drinking, skirt-chasing, and terrorizing other people.  But he does have his good qualities, ones that become important later in the book.  Flashbacks provide understanding of how the characters developed: they are handled smoothly, and written well enough that you don’t get confused with the back and forth between the two time periods.  There are a few implausible moments in the book where you will have to suspend disbelief, but they are easily overlooked and don’t detract from the story.

Overall, it’s a well written story that should appeal to a wide audience, and at only 290 pages, one that is easily digestible and doesn’t require a substantial investment of time.  Recommended.

 

Contains: mild violence

 

Reviewed by Murray Samuelson

Book Review: The 7 1/2 Deaths of Evelyn Hardcastle by Stuart Turton

The 7 1/2 Deaths of Evelyn Hardcastle by Stuart Turton

Sourcebooks Landmark, 2018

ISBN-13: 978-1492657965

Available: Hardcover, paperback, Kindle edition, audiobook, audio CD

 

Sebastian Bell wakes up in the rain in the woods, completely disoriented, and without any memories except the name Anna. He hears screaming nearby and is convinced he’s witnessed a murder. Stumbling to the nearest house, a deteriorating Gothic heap called Blackheath, owned by the wealthy Hardcastle family, he discovers he is a guest at a bizarre weekend party commemorating the nineteenth anniversary of the death of young Thomas Hardcastle and also celebrating the arrival home of his older sister, Evelyn. In a striking similarity to Agatha Christie’s And Then There Were None, the invited guests, all present the day Thomas Hardcastle died, are, for the most part unlikable, judgmental, selfish, and greedy, although a few have hidden, redeeming, characteristics. Some of them, or at least one of them, is a murderer. All of them are trapped at Blackheath. But that’s where the similarity ends.

In a reality-bending twist worthy of David Lynch, it turns out that everyone at the party is unwittingly repeating the same day over and over again. Sebastian (or is he Sebastian?), is told that he has eight opportunities to solve the murder and escape the cycle before he starts repeating the day again without memories and has to start the process over from scratch. In a surrealistic, time-traveling, body-hopping puzzle of a story with echoes of 1930s mystery novels, Gothic family secrets, and ominous suggestions about the future, Turton manages to say quite a lot about the human condition, the advantages and disadvantages of memory, the choices we make, and our ability to change, forgive, and redeem ourselves.

We see the story from our main character’s point of view. Since he’s disoriented, wounded, easily deceived, and has no idea what’s going on or who he actually is, it is completely bewildering and terrifying. It is work to keep track of the various threads of the plot as they twist and tangle with one another, but the story is compelling and worth the effort, and the payoff is fantastic.

I have already said too much and can’t say more without completely spoiling the plot. If you’re bored with straightforward mystery novels or enjoyed The Time Traveler’s Wife, and are ready to suspend disbelief, this is a perfect choice. Highly recommended.