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Book Review: Horrid by Katrina Leno

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Horrid by Katrina Leno  (  Bookshop.org  |  Amazon.com  )

Little, Brown Books for Young Readers, 2020

ISBN-13 : 978-0316537247

Available: Hardcover, Kindle edition

 

 

There was a little girl

Who had a little curl

Right in the middle of her forehead.

And when she was good,

She was very, very, good,

And when she was bad, she was horrid!

 

The title of Horrid comes from a nursery rhyme that started out as a poem by Henry Wadsworth Longfellow, and there’s definitely some foreshadowing going on. After her father dies, Jane and her mother reluctantly move to the home where her mother grew up, North Manor, in Bells Hollows, Maine. Empty since her grandmother died, North Manor has an abandoned air. Its windows are broken and it is in disrepair, with bad wiring, creaky floors, and a local reputation as the “creep house”. Surprisingly, although it is September, roses are in full bloom.

Jane’s mother won’t explain why she never brought Jane there before, and as the two of them clean up, move in, and begin to move forward, strange and unexplained things start happening in the house and garden. Jane starts school, makes friends, and gets a job working in a bookstore, while her mom sorts and cleans and starts a new job with long hours. Wariness and even hostility from longtime residents of the community when they hear Jane is living in North Manor makes Jane suspect something terrible happened there that caused her mother to leave. Strange things keep happening: Jane discovers she’s lost time, with no memory of text messages she’s sent or things she’s done; she is certain someone is in the house, but no trace can be found; she has sudden bursts of violent temper. As she and her mother try to cope with their grief and loss, Jane becomes more and more disoriented, especially once she learns the town, and her mother, have been keeping her in the dark about a twisted family secret.

Very early in the book, we learn that Jane has pica (a psychological disorder that causes people to eat non-nutritive items and is associated with OCD and schizophrenia). Eating pages from books helps her manage her anger. As the story progresses, it’s difficult to tell if Jane is in a dissociative fugue and expressing extreme anger due to mental illness aggravated by grief and stress, especially after her mother takes her book away, or if she’s being possessed and/or haunted. I’m not familiar enough with pica to know if Leno’s representation is accurate, but her writing is evocative. It turns out that Jane is not the only person in her family to have had pica, or what effect it had on the past actions of other family members.

Leno does a great job of portraying the messiness and ugliness of grief and its effects on the book’s characters. Despite recognizing many of the elements of Gothic horror, I did not expect the ending, which left me shocked and breathless. Recommended.

Book Review: Burn Our Bodies Down by Rory Power

cover for Burn Our Bodies Down by Rory Power

Burn Our Bodies Down by Rory Power

Delacorte Press, 2020

ISBN-13: 978-0525645627

Available: Hardcover, Kindle edition, audiobook, audio CD  (  Bookshop.org  | Amazon.com  )

Seventeen-year-old Margot, trapped in a disturbing codependent relationship with her abusive mother, finally finds an escape after discovering she has a grandmother living just outside Phalene, a small town only a few hours away. Arriving in Phalene, Margot quickly meets Tess, daughter of a wealthy landowner whose property is next to Margot’s grandmother’s farm, and Tess’ friend Eli. Tess and Eli tell Margot her grandmother has a reputuation as an eccentric, but offer to walk her to her grandmother’s house. On the way, the three teens discover the property is on fire, and Eli carries a girl out of the fire who is identical to Margot in looks and age, but who Margot has never seen before. The police are suspicious and take all three to the station to question them, but are clearly focused on Margot, especially because this isn’t the first fire to take place on her grandmother’s property, and the two girls are so identical it’s hard to believe Margot doesn’t know her.

A significant part of the book has to do with Margot’s developing relationship with her grandmother. At first, her grandmother is loving and welcoming, if inflexible, but early on Margot realizes that her grandmother is also being evasive and, at times, outright lying to her. The reader will see clearly the similarities between the behaviors of Margot’s grandmother and mother; it becomes clear early on why Margot’s mother never wanted to speak about her family. Margot also begins a close friendship with Tess, which has the marks of the beginnings of a crush on her, but this is never followed through on. Margot, Tess, and Eli are determined to solve the mystery of the girl who died and how that might be related to the earlier fire, and Margot as well wants to learn about her family’s past. There is clearly something going on that her grandmother is hiding, and a diary Margot finds contains clues as to what led to her mother’s behavior and some of the reasons she may have passed the trauma of her own childhood on to Margot.

The science-fictional twist at the end leads to some particularly gruesome body horror, and thoughtful readers may still find themselves disturbed by the long-term consequences of not eliminating all of the loose ends. Burn Our Bodies Down punches up the action faster than Wilder Girls but meanders in the middle, until it reaches its fast-paced and gory conclusion. Power has done a great job of showing the effects generational trauma and the difficulty of breaking that cycle. Even in relationships that haven’t sustained the kind of damage as the family in this book, there are very few girls who want to grow up to be just like their mothers, and Burn Our Bodies Down does an excellent job of portraying a time of life when most girls are separating to explore and form their own identities.

Book Review: The Deep by Rivers Solomon

 

The Deep by Rivers Solomon

Saga Press, 2019

ISBN-13: 978-1534439863

Available: Hardcover, paperback, Kindle edition, audiobook, audio CD

 

Yetu is the historian for the wajniru, underwater beings created when slave traders threw pregnant African women overboard into the Atlantic Ocean. Although the women drowned, their children, born in the deep of the ocean, were transformed and have founded their own underwater society. As historian, Yetu carries the memories of all the trauma the mothers of the wajniru and the succeeding generations alone, to protect the others, and has done so for sixteen years, suffering tremendously from taking the burden alone. Once a year, she gets a three day respite from the memories when the wajniru hold a Rememberance ceremony. At that time, she carefully lets the memories wash back into the entire population so they can feel it collectively. The experience is physically as well as emotionally traumatic– author Rivers Solomon describes it as a seizure– but all the wajniru go through it together, and once they have absorbed the memories and can take no more, Yetu takes them back. Carrying all the history, violence, and trauma of her people has emotionally, mentally, and physically damaged and weakened Yetu, and since she has been carrying these memories since she was a teenager, they have overwhelmed her ability to establish her own identity. This time, after giving the wajinru’s memories back to them, Yetu decides to escape so she does not have to take on their pain again and can have an opportunity to discover who she really is.

Swimming to the surface of the ocean, away from her kind, Yetu is injured and washed into a tide pool. Thanks to nearby humans, and especially the prickly Oori, she begins to heal. An awkward friendship develops between Oori and Yetu, out of discussions about the ocean, family, and the past. Oori, the last of her people, does not know her history, and the fact that Yetu gave hers up is upsetting to her and causes Yetu to rethink whether she can really develop an identity without any knowledge of her history. It becomes clear to her that the increasingly stormy weather is probably due to the wajinru’s group anguish and that she must return to them to retrieve their history.

This story powerfully brings the point home about the physical, mental, and emotional effects of generational trauma that many Black people still experience, even generations after the end of slavery. The situation that created the wajinru is also not the only negative impact the “two-legs” have on them, even down in the deep of the ocean, as drilling for oil not only has a negative impact on the environment but causes the violent deaths of enough of the wajinru that they rise up to wash it away in a tidal wave.  The Deep is not fast paced, as for much of it Yetu is trapped in a tide pool, but it is a story that can be felt deep in the gut.

The Deep is the third iteration of storytelling based on the premise of an aquatic people born from drowned pregnant African women kidnapped to be enslaved(although each version can stand on its own).  A musical duo called Drexciya first imagined it, and their music created a mythology for an underwater utopia born from this terrible oppression. The hip-hop group clipping then wrote their own musical version, “The Deep”, a haunting song about underwater beings who rise as a collective against the “two-legs” after they begin drilling for oil, leading to dramatic climate change and destruction of the oceans, that won a Hugo Award for best dramatic performance. This novella takes the repeated line “y’all remember” from clipping’s song and focuses on the effects of history and collective memory that follow the uprising, While I’m not familiar with Drexciya, both clipping’s song and Solomon’s novella tell powerful, complementary stories about the violence and horror caused by white supremacy and enviromental destruction. Recommended.

I received this as a complimentary ARC from Saga Press through NetGalley.