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Book Review: Shallow Waters: A Flash Fiction Anthology: Special Halloween Edition edited by Joe Mynhardt

cover art for Shallow Waters: A Flash Fiction Anthology: Special Halloween Edition

Shallow Waters: A Flash Fiction Anthology; Special Halloween Edition Book 9 of 10) edited by Joe Mynhardt

Crystal Lake Publishing, 2022

ASIN:: B0BGYXGH4D

Available: Kindle edition Amazon.com )

 

Shallow Waters, a monthly flash fiction contest hosted by Crystal Lake Publishing, collects stories with different themes each month. This volume presents 18 pieces of flash fiction centered around Halloween. While I enjoyed all of the stories in this anthology, there are a some that stuck with me long after I finished the book.

 

William Meikle is one of my favorite genre writers, and his “Tumshie” is my top pick in in this book. A drunkard of an abusive father refuses to let his son have a Halloween pumpkin, rather insisting on a tumshie, a carved turnip. When John discovers the secret of the tumshie, he embraces his new tradition.

 

I enjoy stories that aren’t told in a typical format. Letters, newspaper articles, and diaries lend stories a more intimate feel. “West Pennfield Township Newsletter, October 2021” by Tom Coombe presents a, well, newsletter to the township regarding “simple rules” that the townspeople need to follow lest The Judges be awakened. Another story told in a unique format is Francesca Maria’s “How to Create the Perfect Pumpkin.” Carving a fresh pumpkin can be so exciting, but there is something about this list of instructions that doesn’t seem right.

 

In “I Want Candy” by Larry Hinkle, Erik’s addiction to candy leads him to do the unthinkable when his wife and child come home from a successful night of trick-or-treating.

 

Rick Whatley’s “Let the Darkness In” comes from the perspective of two parties. Four Class of 2022 high school seniors set out to kill a witch. Behind closed doors and still in mourning, Edith doesn’t know what is coming.

 

In “The Pumpkin Fetch” by Tom Deady, the Halloween traditional of a pumpkin thieving contest ends in a different kind of harvest.

 

The chaos of a Halloween party where parents and children are in attendance results in an urban legend becoming a reality in “One Parent Survives” by Wil Dalton.

 

I have only read a few flash fiction collections, and I am impressed with how some authors can evoke fear in a reader with few words. Because of the impact this anthology had on me, I will be reading other volumes in Shallow Waters. Recommended

 

 

Reviewed by Lizzy Walker

Book Review: The Cuckoo Girls by Patricia Lillie

cover art for The Cuckoo Girls by Patricia Lillie

The Cuckoo Girls by Patricia Lillie  ( Bookshop.org | Amazon.com )

Trepidatio Publishing, 2020

ISBN-13 : 978-1950305247

Available: Paperback

 

The Cuckoo Girls is a collection of eighteen stories (three are “drabbles” and counted as one in the table of contents), eight of which are original to the collection, and includes “Abby”, a story narrated by the mother of an autistic teenage girl that appears to be an early version of the beginnings of  Lillie’s debut novel The Ceiling Man (I wish she had mentioned this in her story notes as I was not familiar with the novel). I’m glad Lillie expanded the story as the novel apparently includes Abby’s point of view, something I felt was really missing here.  In stories like “That’s What Friends Are For”, about a woman who grew up in a haunted house where she made friends with the ghosts,  and “Mother Sylvia”, which is told from the point of view of the witch in Hansel and Gretel, Lillie shows the imagination to re-vision and reverse familiar schemas, so it appears that in “Abby”, she just needed more space to express that. It’s an eerie and disquieting story as it is.

 

Doppelgangers, twins, parasites, and children gone wrong populate Patricia Lillie’s stories, from her surreal “The Cuckoo Girls” and  “In Loco Parentis”, to those, like “Mother Sylvia” and “The Robber Bridegroom” clearly based on fairy tales, and those mystical but grounded in fact, like “Notes on the Events Leading Up to the Mysterious Disappearance of Miss Lotte Clemens” ,  a fascinating story based on actual newspaper accounts. Other stories are brief but clever, such as “Laundry Lady” and “Three Drabbles Brought to You By the Letter E”, and there is commentary on the tragedies that can be caused by small town “togetherness” in “And One For Azazel (With Jellybeans), a Bradbury-esque tale about a little girl who is blamed for causing the colors of things in her town to change, and “Wishing You The Best Year Ever” about a family held responsible for the fate of a town’s star baseball team.

 

This is an enjoyable and imaginative, if uneven, collection of insightful, quiet, and disquieting, stories about women and girls trapped by circumstance, family, society, and themselves, that leaves me intrigued enough to look into Lillie’s novel. Having now seen the difference between “Abby” and the first few chapters of The Ceiling Man, I would say she’s grown significiantly as a writer and is one to watch for in the future. Recommended.

 

Contains: mention of suicide, mild gore, violence, dismemberment, body horror

Reviewed by Kirsten Kowalewski

 

Editor’s note: The Cuckoo Girls is a nominee appearing on the final ballot for this year’s Bram Stoker Award in the category of Superior Achievement in a Short Story Collection. 

 

 

New Review: Black Moon: Graphic Speculative Flash Fiction by Eugen Bacon, illustrated by Elena Betti

cover art for Black Moon by Eugen Bacon and Elena Betti

Black Moon: Graphic Speculative Flash Fiction by Eugen Bacon, illustrated by Elena Betti

IFWG Publishing, 2020

ISBN: 978-1925956658

Available: Paperback  Amazon.com )

 

With evocative illustrations and fabulous cover art by Elena Betti, the soft-hued blue pages of Black Moon by Eugen Bacon invite us to experience a pastiche of speculative poetry, prose, narratives and images. The titles of this collection of short pieces, such as “Cinders in Her Hair,” “Unlearning the Sea,” and “The Book of Unfinished Parables,” spark the imagination and tease the intellect. The widely diverse themes run from societal issues to personal experience and even fantasy. The tone varies from serious, to playful, to philosophical, to dark. Eugen clearly has eclectic interests and tastes and reveals them in an uninhibited, relatively unstructured fashion.

 

The poetic hybrids Eugen experiments with are definitely worth extra attention, but they seem to be in the middle of development. It is difficult to discern whether Bacon intentionally leaves the reader to her own devices in creating meaning in Black Moon or whether that effect is inadvertently caused by the writer’s artistic choices. Some of the pieces are quick snapshots of moments or ideas, but they do not include that particular magic of word choice or arrangement which little gems require. Other pieces are a bit longer and provide more context but seem unsatisfyingly without purpose or incomplete in some vague way.

 

Reading this book is like taking a stroll through a dream in which you recognize familiar objects but realize they are somehow out of context. It is also, at times, like reading a book in another language and trying to figure out a word you don’t know by comparing it to words that seem similar but end up having quite a different meaning. This abstract quality has its charm: eyes that are “serenading” and that are “shifting” “like an opal,” but sometimes it is just confusing: a window that “floundered” back to “her” house where she “locked herself to” tears.

 

Overall, Black Moon is a visual fusion that projects the author’s vision in such a way that the writer’s words become more concrete for the reader and the illustrations become more meaningful for the viewer. This is a natural synthesis that has the potential to evolve into a form that lovers of both poetry and art will enjoy.

 

Reviewed by Nova Hadley