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Book List: Dark Futures

There are a lot of people out there right now who are pretty scared and angry about what’s going on in the world, with reason. Our imaginings about the future can be pretty terrifying. Luckily, fiction gives us futures that, while they may be bleak, also leave us with a ray of hope for humanity. And, since they are fiction, we are only visitors there (and thank goodness). In this world, we still have libraries to help us escape and offer refuge. More than ever, I encourage you to use yours to find whatever stories or resources you need to keep your hope alive.

 


Station Eleven by Emily St. John Mandel

Twenty years ago, the great actor Arthur Leander had a heart attack and died onstage, the same night that a flu pandemic that quickly decimated civilization began to spread. Now a small band of survivors, calling themselves The Traveling Symphony, move from one tiny community to another, playing classical music and performing Shakespeare in a effort to keep the arts alive, as survival alone is not enough to keep us human. Station Eleven shifts back and forth between the pre-apocalypse storyline about Arthur Leander and his odd artist wife, and the post-apocalypse story of The Traveling Symphony and its often grim and dangerous path. It might sound like this is “literary”, and the jumping-back-and-forth does slow things down and keep you flipping pages, but it is a fascinating story about the power of the arts even in apocalyptic times.

A Canticle for Leibowitz by Walter M. Miller

After a nuclear holocaust that led to desolation, death, and mutations, the scientists were executed, and technology and knowledge were destroyed. There is one tiny order of monks that has dedicated itself to preserving any possible scrap remaining: the Order of Leibowitz, named after a Jewish scientist. The book is actually a set of three novellas, all involving the Order of Leibowitz, at different times. The first novella tells the story of Brother Francis, who is convinced he has met Leibowitz in the desert, and discovers a cache of documents that belonged to him in a previously undiscovered fallout shelter. The second novella takes place as a secular scholar, Thom Taddeo comes to examine the collection of scientific knowledge assembled at the abbey, at the beginning of a new age of enlightenment. The third novella takes place another six hundred years in the future, when advanced technology is easily available and humanity is on the brink of nuclear war once again. It’s a brilliant, if dense, novel, well worth reading.


Fahrenheit 451 by Ray Bradbury

I’m pretty sure we all have basic knowledge about Fahrenheit 451, Ray Bradbury’s cautionary tale about the evils of trusting (and preferring) the trivialities we see on screens to the knowledge we can find within the pages of books. Guy Montag is a fireman, and his job is to burn books, but a neighbor’s distress on having her books burned causes him to have a crisis of faith. Spoiler: there are people out there trying to preserve literary culture in spite of society’s, and the government’s, dictates.

 


Article 5  by Kristen Simmons

Article 5 is the first book in a YA series that takes place after a terrible war has decimated most of the former United States. The government is now run by religious fundamentalists who have declared certain moral offenses punishable by death. Article 5 is the name of the provision condemning any woman who has sex outside of marriage. Teenage Ember is evidence of her unmarried mother’s transgression, and when the Moral Militia come for her, they take Ember to a “reform school” for girls in the same situation, to be educated into moral women, where they are punished if they violate any rules. Ember’s ex-boyfriend Chase, drafted into the Moral Militia years ago, breaks his training, and the rules, to get her out. While Ember is not particularly likable, and Chase’s character isn’t well developed (probably because Ember is the narrator, and she doesn’t seem to have any idea what’s going on), and the plot doesn’t make much sense, the bleak world that Simmons has drawn resonates eerily with what is going on in the world today.  She’s built a terrifying near-future, but not one completely without hope.

 

 

 

 

 

 

 

 

A Giant is Gone: Ray Bradbury Dies

 

Today I learned that Ray Bradbury had died.

From the day I snagged a library copy of Fahrenheit 451 (due to a school board election in which one candidate ran on the platform of removing it from the curriculum), Ray Bradbury had me hooked. It’s funny how his short stories sneaked in to the most unusual of places. I found  “The Flying Machine” and “A Sound of Thunder” in my middle school English textbook, and my junior year, after reading “The Fall of the House of Usher”, my American Lit teacher stuck a photocopy of “Usher 2000” in my hands. There were anthologies edited by Martin Greenberg that had his stories within, and somewhere in my days as the librarian for the science fiction society I belonged to in college, I acquired a used hardcover copy of  three of his anthologies bound together- The Illustrated Man, The Martian Chronicles, and Dandelion Wine.  I just read a short essay on Bradbury criticizing him for not having written anything of note since the 1960s, but I completely disagree- although these are probably still my favorite stories, I love his writing for making me think.

I heard Bradbury speak once, on a double bill with Douglas Adams. I have to say that Douglas Adams, as much as I love his writing, was not a great speaker. Bradbury, however… Even in a wheelchair, mere days after a stroke, he was compelling and fascinating. Age, and even illness, did not stop his agile mind.  Just this year, I discovered the “official” graphic novel of Fahrenheit 451, with an introduction by Bradbury, where he wrote about how, as time passed, he had been able to reflect and recognize the origins of the book. Which has, ironically, been the target of censors many times, including his own publishers. If not for libraries, this book could never have been written- it’s a true dime novel, written on a typewriter in the basement of a library, at the cost of ten cents per half hour. You can find it at your library and check it out today, knowing that libraries have not only defended the book, but also allowed for its creation in the first place.

Bradbury resisted having his books come out as ebooks, but they did recently come out in that forrm. If you’ve never read his work now is an excellent time to start, and you have all kinds of choices.  A giant of literature, with the talent to create compelling, disturbing, and sometimes terrifying visions of the future present, he will be missed.

 

 

The Dark Side of YA Fiction

As I’m sure many people know by now, there was an article in the Wall Street Journal by their book critic decrying the graphic portrayal of some very dark corners of the teen experience in some of the current crop of books in YA fiction. The author reminisced about the good old days- the days when there was no YA fiction, meaning teens’ choices for learning about the world were the same as adults’ (Lolita, anyone)?.  then about the early days of YA fiction, where the authors just wrote about gang violence, murder, bullying, sex and sexuality, drug and alcohol abuse, and  religion (these are some of the issues that come up in The Outsiders, Forever, The Chocolate War, Deenie, Are You There, God, It’s Me, Margaret and Go Ask Alice, all books either mentioned by name or by authors mentioned by the writer of the article) It’s the current crop that’s worrisome to her, though, primarily because it makes explicitly visible the things some “gatekeepers” don’t wish to acknowledge about the interior lives (and exterior activities) of the lives of many teens today.

I think it’s contemporary books about contemporary teens for contemporary teens that really bother her, as she recommended several really excellent books with controversial or dark themes and adult content in a sidebar… but nearly every one of them took place in either the future or the past, and several of them wouldn’t be considered part of contemporary YA literature. Fahrenheit 451 is a great book for teens to read (I read it when a parent tried to have it banned from my middle school’s curriculum) but there’s no reason to turn away from YA books that have similar themes but take place today and involve teenage characters (I do wonder why it”s recommended just as a book for boys- really, it’s a book I hope everyone reads). Angelmonster is a fantastic book, but it’s hard to get darker than the early life of Mary Shelley.

There is a place of darkness in the mind of a teenager. It’s what compels us (as teens- I was one once) to investigate the horror, unfairness, and damage of the world around us.  It’s why assassinations and serial killers fascinate some of us, and (I am not trying to trivialize this in any way) why I read everything I could about the Holocaust and immersed myself in research on the Warsaw Ghetto Massacre. It isn’t necessary for every teen to read Robert Cormier to understand that there is hopelessness and evil in the world. But I still will never forget The Chocolate War, because it makes that understanding so personal.

Now, it is incredibly uncomfortable to read some of these books. The emotional impact can be considerable, and really disturbing (I think even more so for some adults). But it also opens doors, ones that lead to understanding by teens with limited experience of the world (and if you think those doors won’t crash down on them once they get to college, you’d be very wrong) and to validation for teens who think they’re alone in the world. The idea that their situation is not unique (and pretty much every teen thinks their situation is unique)  may never occur to them if they don’t encounter it in a book, which can lead to some much scarier consequences than a teen who reads the first chapter of The Hunger Games and decides it’s not their style. So many YA authors are flooded with letters from readers that say “You saved me”, or “I need advice” that Maggie Stiefvater (author of Shiver, among other books) wrote an article in Knowledge Quest (the journal of the American Association of School Librarians) discussing the responsibilities of the YA author to the teens who send these letters.

If these books were forced on teens, that would be terrible. We say on this site that if a book is not for you, you should put it down and find another.  But when they didn’t exist, it wasn’t because some of these problems didn’t exist. It’s just that people were afraid- nobody wanted to acknowledge them. Annie On My Mind was the first book that exposed me to the difficulties faced by teens who discover that they’re gay; Night Kites was the first mention of AIDS  I encountered that showed compassion. I needed those books at that time in my life. a time where an ad for a help line for gay teens was censored from my school’s newspaper because no student there  could possibly be gay. That’s not gatekeeping- that’s denial. I can only be glad that there are books now that address these topics, and many others,  openly.

Nobody’s making parents give these books to their kids.  They aren’t the only books available to teens, by far. I wouldn’t call it censorship for a parent to direct their child’s reading. Censorship is government-enforced. For someone recommending Fahrenheit 451 as a great read for teens, Meghan Cox Gurdon is awfully enthusiastic about controlling access to these materials for ALL kids, not just for the ones whose parents don’t want them reading Wintergirls. And if a kid’s not ready for or interested, it’s unlikely that they’ll read it or, if they do, understand it. Got a problem with the darkness in YA fiction? A lot of women my age first read Clan of the Cave Bear when they were barely teens, and that certainly wasn’t YA.

With so many types of books, so many authors with stories to tell, there’s something for pretty much everyone. That’s good. It means it’s a lot more likely that, one day, someone who needs it will leave the cave and see the light ahead.

The world is wider than the book critic at the Wall Street Journal would like teens to know. I often read the books section of the Journal, and they publish an article at least once a year about how dark YA fiction is, as if that’s news. Writers or readers of dark YA fiction (or the genre of your choice) shouldn’t need to justify themselves to anyone. Certainly not someone who recommends some rather dark fiction herself.