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Book Review: Women by Wol-vriey

cover art for women by wol-vriey

Women by Wol-vriey

Burning Bulb Publishing, 2021

ISBN: 9781948278430

Availability: paperback, Kindle edition (  Bookshop.org | Amazon.com  )

 

The Nigerian splatmaster Wol-vriey’s latest novel of enterpainment, Women is a solid, fast-paced story, but fair warning: it contains scenes of cruelty and sadism unmatched by anything ever written before.  Unlike the somewhat toned-down material in his last novel, The Final Girl, this is the author back with a full-throated roar.  This is ultra-hardcore, and for adults ONLY.

 

The story runs two plot threads concurrently that tie together partway through.  Megan Kemp tracks a friend of hers who is late on paying back a loan, and the trail leads to a mansion in Raynham, Massachusetts.  She goes in to confront him, and winds up in a hell that nothing could have prepared her for.  Five other women are gathered there preparing to end the life of John Miller, the millionaire who married and divorced them all while dodging any sort of alimony payments.  They all got nothing due to their infidelity, which Miller facilitated by hiring a porn star to seduce each of them, thus violating the terms of their respective pre-nups.  While the women plot, Miller is held captive in the basement and subject to the machinations of Mrs. Pain, the mansion owners’ henchwoman for hire. Megan finds herself in a fight to save her life and sanity, while also trying to save John Miller.  Megan is a rare character in the modern world: she has a conscience and wants to help John, even though she has no prior involvement with him.

 

Wol-vriey’s books are usually extremely fast-paced, and this is no exception: the story fires through its 216 pages without a slowdown.  It’s a nice split between action and dialogue to fill out the characters, and there’s enough backstory to evoke feelings of sympathy (or disgust) for the five ex-wives.  Instead of weaving their backstories into the narrative, the author simply inserts a backstory chapter for each of them where appropriate.  It’s a style that works well; they function successfully as interludes to the plot.  It wouldn’t be a Wol-vriey story without a few plot curveballs, and John Miller’s fate, along with that of some of the other main characters, provides them.  Suffice it to say, this is NOT the standard hack-and-slash revenge plot, and the plot twists keep the interest level high.

 

Mention has to be made again of Mrs. Pain, one of the most psychotic characters I’ve ever encountered on paper.  Her acts of sadism make the infamous ‘Animal’ from JF Gonzalez’s landmark horror novel Survivor look like a wimp.  Her actions are what make the book unsuitable for anyone but mature adults, but they do serve a purpose: readers will be praying for her demise in a painful fashion by the end.  She doesn’t spare old people, kids, or fetuses, and grenades, chainsaws, and hedge clippers are tools of her trade.  She is what nightmares are made of.

 

Women is another creative entry in Wol-vriey’s catalogue of excitement and splat, and is perfect for readers of insane fiction who want the boundaries of conventional horror fiction shattered.  Recommended.

 

Reviewed by Murray Samuelson

Posted on December 1, 2021 by , Reply

Book Review: To Dust You Shall Return by Fred Venturini

cover art for To Dust You Shall Return by Fred Venturini

To Dust You Shall Return by Fred Venturini

Turner Publishing, 2021 (release date June 21)

ISBN: 9781684426348

Availability: Paperback, Kindle ( Bookshop.org | Amazon.com )

 

If you only have the budget to purchase one book for the entire year, this is the one to buy.  To Dust You Shall Return is superior to everything else out there, might as well just hand the author the Stoker award for best horror novel of 2021 and skip the drawn-out nomination process.  It’s that good: other authors will be hard pressed to equal it.

 

Most of the story is set in Harlow, one of those Children of the Corn-type Midwestern towns you could drive through and not know if anyone actually lives there.  Curtis Quinn, an aging ex-Mafia hitman with a price on his head, is led there while on the trail of whoever butchered his beloved wife into pieces.  He suspects it’s a revenge hit to get to him, but what he finds in Harlow is much more sinister and terrifying than anything the Mafia could have dished out.  Harlow residents live in fear of the Mayor, a sadistic madman (or is he?) with inhuman powers.  The residents’ only hope is the legend of the Griffin, an outsider who may one day come to deliver the townspeople from the Mayor’s grasp.  Could Curtis, a cold-blooded killer, be that man, and is it somehow connected to his wife’s murder?

 

The story scores unbelievably high on every possible level, but the excitement and originality are the two best points.  After a brief prologue, the story shifts into high gear right away, and, in 352 pages, doesn’t let up.  There’s never a hint of a slowdown: this is the type of book you will keep reading well into the night, until exhaustion sets in.  For originality, Harlow itself is one of the most intriguing fictional towns ever invented; it’s an unusual cross between a communist community and Blake Crouch’s Wayward Pines.  Residents are provided for and given jobs, but the cost is never being able to leave the town, exceept for a forays lasting a brief hour or two.  The town is surrounded with razor wire and various traps to keep the people in.  If they do escape, rangers track them down and return them to Harlow, where they are ritually slaughtered in front of the townspeople in extremely painful and bloody ways.  This causes the book’s gore factor to run high at times, but it is always in service to the story, never gratuitous for the shock factor.  That said, some of the killings are as hardcore as anything Jack Ketchum ever wrote and will make readers cower in fear, praying to forget what they just read.

 

The characters and plot also sell themselves by their unpredictability: the story does not go where you would expect.  Numerous characters double-cross each other, and the book becomes a guessing game,  keeping the story engrossing.  The legend of the Griffin also helps drive the story’s unexpected twists and turns, as most stories with a creepy little town rarely use the “savior” angle.  It’s just another example of what sets this story apart from all the competition.  Bottom line: just buy this one, and prepare to be blown away.  You won’t be disappointed.  This is beyond highly recommended.

 

Contains: blood, gore, profanity, cannibalism, ritualistic torture.

 

Reviewed by Murray Samuelson

Posted on May 13, 2021 by , Reply

Book Review: Chew on This! edited by Robert Essig

Cover art for Chew on This edited by Robert Essig

Chew on This! edited by Robert Essig

Blood Bound Books, 2020

ISBN: 9781940250465

Available: Paperback, Kindle edition  ( Amazon.com )

 

Chew on This is a themed horror anthology dealing with…food.  Can food actually be horrifying?  Based on this book, the answer is a resounding “yes.”  It combines creativity and gut-wrenching disgust into a brew of good stories.  Fair warning: some of these stories are truly barf-inducing, and sicker than any “splat” style horror writing.   Combinations of food and body fluids (and limbs), babies roasted in ovens: it’s all on the table.  This is a fun batch of horror stories, and also the National Restaurant Association’s worst nightmare.

 

With only a few exceptions, the overall story quality varies from good to very good, and most of them aren’t disgusting, just good, smart stories.  Some of them are “cycle” stories, where the story focuses on one event and then ends, leading into another of the same event.  Chad Lutzke’s “Cherry Red” and Kristopher Trianna’s ‘The Feeding” fall into this category.  One deals with a psychotic kid and his fascination with red cereal box toys, the other with a sandwich delivery service that takes much more than the customer’s money.  Ronald Kelly’s “Grandma’s Favorite Recipe” is Kelly doing what he does best: taking a lovable southern character, in this case the “saintly granny,” and turning her into something more sinister, by way of her cooking.  Vivian Kayley’s “Roly Poly” is notable for its entertaining look at the lengths some unfortunate women will go to for weight loss. It’s also the only story in the book with a happy ending.  Shenoa Carroll-Bradd’s “Barrel Aged” may be the most intriguing story, although it might take a second read to understand, as the author squirrels away the most important details in only a few sentences.

 

If you want to avoid (or read first) the stomach churners, here they are.  They are solid pieces, just gruesome.  Tonia Brown’s “A Woman’s Work” features the aforementioned cooked human baby, and John McNee’s “With a Little Salt and Vinegar” has an eating contest, with dead fetuses on the menu.  Nikki Noir’s “Magick Brew” is a hilarious look at combining a certain reproductive body fluid with margaritas to make a drink that renders the consumer ravenous with lust…to the extreme.  The true pukefest is K. Trap Jones’s “Seeds of Filth”.  With restaurant employees combining any and all types of bodily fluids with condiments and serving them to rude customers, this story is likely to make the average reader upchuck their last meal.  It might be the most revolting story ever committed to paper.

 

Overall, Chew on This is a well-written, creative anthology, it just takes a stomach of iron at times to read the full book.  Recommended.

 

Contains:  violence, profanity, gore, body horror, cannibalism, and everything disgusting you can think of

 

Reviewed by Murray Samuelson

Posted on March 16, 2021 by , Reply
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