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Book Review: SLAY: Stories of the Vampire Noire edited by Nicole Givens Kurtz

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cover art for SLAY: Stories of the Vampire Noire

SLAY: Stories of the Vampire Noire edited by Nicole Givens Kurtz (   Bookshop.org  | Amazon.com )

Mocha Memoirs Press, 2020

ISBN-13 : 978-1735219554

Available: Hardcover, paperback, Kindle edition

 

The late L.A. Banks’ Vampire Huntress series, and her ability to transform common tropes of vampire fiction into stories that reflected the African-American experience, inspired many of the authors in SLAY: Stories of the Vampire Noire. Anthology editor Nicole Givens Kurtz continues that tradition here by showcasing Black writers and their imaginings of vampires, slayers, and hunters through their stories, giving Black readers the opportunity to be seen in vampire fiction that takes on the standard Eurocentric tropes and transforms them in a way that is uniquely relevant to Black people and also provides a window for other readers into what they have been missing because of the limited perspective of most vampire fiction. The stories come from all over the African diaspora, but the majority of them are by authors from the United States and Britain. Authors take various approaches to the concept of vampirism, inspired by Black culture, mythologies, history, and experiences, but there is nothing boring here. Interspersed between stories are beautifully calligraphed obituaries.

In the section of stories from the United States and Britain, strong stories include “Dessicant”, by Craig Laurance Gidney, takes place in a badly-kept up low-income apartment building that has red dust in the vents that is making its occupants sick and draining them of fluids. The negligent landlord can’t be reached and the protagonist, a Black trans woman ostracized by other residents, has to find a way to combat the dust, or whatever it is, on her own. “The Retiree”, by Steven Van Patten, is a funny, heartbreaking story that will give readers a new perspective on what goes on in a retirement home In “The Dance”,  by L. Marie Wood, the protagonist is surprised to learn there is more to her sexuality than she realized. In “A Clink of Crystal Glasses Heard”, by LH Moore, Neeka and her friends have a coming-of-age ceremony planned by their mothers that is not what they expected. “Diary of a Mad Black Vampire”,  by Dicey Grenor, puts the reader in the head of a bored, lonely and vicious Black vampire who finds herself intrigued by a fragile-seeming albino white girl. “The Last Vampire Huntress”, by Alicia McCalla, remixes the story of Kendra the Vampire Slayer, with Kendra the reluctant, prophesied, last vampire huntress who must accept her destiny and kill her vampire boyfriend after he attacks her friends. “Unfleamed”, by Penelope Flynn, tackles race and violence in the Victorian era with its take on the Dracula story. “Di Conjuring Nectar of di Blood” , by Kai Leakes, is a gorgeously written historical story of love and generational trauma. In “Snake Hill Blues”, set in 1927,  conjure woman Mamma Lucy eliminates a vampire who has been preying on dancing girls. I hope this author will bring her back in other stories!

The stories from African authors are also strong.  A few that stuck out to me included Oghenechovwe Donald Ekpeki’s “Attack on University of Lagos Law Faculty”, an entertaining story narrated by a pompous, egotistical law student who finds himself in the surprising position of vampire slayer, and “His Destroyer”, by Samantha Bryant, is a powerful rendering of the Passover story from the point of view of  the avatar of the Angel of Death. “Quadrille” is an engaging and occasionally darkly humorous story about friendship narrated by a vampire who has become a reporter in conflict zones in order to cover up his feeding habits, abetted by a djinn and a shapeshifter.

A last section contains stories about the future. These stories aren’t really horror, but they are compelling. In “Bloodline” scientists make a terrible mistake, enhancing a vampire’s powers.  “Message in a Vessel” is a science fiction story about the consequences of human enslavement to vampires, and “Blood Saviors” is a more fantasy-oriented tale in which an investigator for the vampires’ council discovers that a vampire has been enslaving and draining earth elementals to make a rejuvenating serum for humans, whose blood has become polluted, leading to vampires getting sick.

This is a great collection overall, with fresh takes on vampire lore that I really haven’t seen elsewhere, informed by Black experiences and perspectives. There’s enough here to love that it has taken me much longer than I expected to write this review. If you love vampire fiction or horror anthologies, and want to support Black authors, publishers, and readers of horror you should definitely pick this up. It’s a great way to discover some really talented Black writers, if you haven’t already. Highly recommended.

Contains: Animal killing, body horror, blood-drinking, torture, scientific experimentation, mutilation, murder, gore, violence, sexual situations, racism, sexual assault, rape, dehumanization, insects, genocide.

Book Review: Voices of the Damned by Barbie Wilde

Voices of the Damned by Barbie Wilde
Short,Scary Tales Publications, 2015
ISBN-13: 978-1909640351
Available: Hardcover (new and used), Kindle edition
Inside these covers are eleven slices of hell from the mind of a new visionary of horror. Barbie Wilde appears to have vacationed in Dante’s creation and taken terror a couple of steps further.

Voices of the Damned, Wilde’s first collection of short stories, picks up where The Venus Complex, the author’s excellent debut crime novel, left off.   First off, this is a gorgeous book. The cover art, by none other than Clive Barker, sets the tone for a book written by a Cenobite herself.  Introducing each story is an exquisitely disturbing full-size image by artists including Barker, Nick Percival, Steve McGinnis, Danele Serra, Eric Gross, Tara Bush, Vincent Sammy, and Ben Baldwin.

The collection kicks off with “Sister Cilice,” the tale of how a nun falls from grace, first seen in Hellbound Hearts, the tribute anthology based on Barker’s “Hellraiser” world. Wilde continues the story with “The Cicilium Pandoric” and “The Cicilium Rebellion”, creating a full trilogy that explores the existence of the Cenobite she portrayed in Hellraiser II. Other highlights in this collection include “Zulu Zombies” and “American Mutant”. These epitomize Wilde’s style and vision.

A Barbie Wilde story can be filled with as much eroticism as it is with horror, and this collection shows her skill at interweaving them. Her writing exhibits unbridled brutality and fresh honesty in characterizations, never shying away from the grotesque or weird.  Inhibitions are nowhere to be found here, which is a very good thing. This writer becomes darker and bolder by the story. One can only wonder where her imagination will head next. It will likely be a nightmare many will embrace for years to come. Highly recommended.

Reviewed by Dave Simms