It’s so unfair that I just found out about this. Gris Grimly, illustrator of two very creepy books of Edgar Allan Poe’s short stories (Tales of Death and Dementia and Tales of Mystery and Madness (reviewed here), now has an illustrated version of Mary Shelley’s Frankenstein, just out since August 27. Grimly was interviewed by Publisher’s Weekly about the process of re-creating, designing, and illustrating Frankenstein, a story which has been adapted and presented in many different ways (it’s a really interesting interview, and here is a link so you can check it out for yourself). One of the things I learned from reading it was that Grimly had blogged about the process as he worked through the book, created illustrations, got frustrated, made changes, and pulled it all together. For four years. How I missed knowing that a brilliant illustrator of both children’s and YA books was working on, and blogging about, this fantastic project for FOUR YEARS is crazy! I so wish the publisher had contacted us and offered a copy to us for review. Anyway, the blog he wrote as he was creating this book is a pretty neat look into the mind of an illustrator who is serious about respecting the author’s intent while also making the story his own, and here is a link so you can visit there. I loved Kenneth Oppell’s prequel to the Frankenstein story, This Dark Endeavor (reviewed here), which (at least in the Kindle version) was paired with the original novel, and is intriguing and gripping enough to motivate some kids into attempting the original. However, from what he says, Grimly takes what appears to be a much more direct, visual, and fantastic approach to the story, one that may draw in an entirely different audience of YA readers. But mainly, right now, I’m just bummed that, with the book four years in the making, and Grimly publicly blogging about it, that I didn’t know about it until now. And if you didn’t know about it before, and you see just the bits he shows on his blog, I suspect you’ll want to know more, too.
Memorable Short Stories
After my last post on how short stories are awesome, it was suggested to me that maybe I could make a few recommendations. So here you go– my totally subjective choices. These are stories that I personally have found memorable– either because I never, ever want to read them again, or because they draw me back, again and again. A few of them may not be in print anymore, and some are considered classics (you might have read them in school) but some are relatively new. Some might be considered YA, but don’t feel excluded! They are great reading for us older folks too. And I’d say nearly all of them have either a creep factor, or a fear factor (with the possible exception of “In The Jaws of Danger”. Almost all those images are clickable, just in case you’re interested in checking out these authors on your own. If you have a memorable short story of your own that you would like to share, I’d be very interested in your comments!
Please don’t be thrown off by the overuse of blockquotes. It’s hard to tell when I’m formatting what it will look like when I’m done, and frankly, while I was a little startled to see how it looked when I previewed it, I’m way too tired to fix it right now. Thanks for understanding!
“The Lurking Fear” by H.P. Lovecraft
My best friend in high school handed me her used copy of The Lurking Fear and Other Stories and said “You’ve gotta read this”! I handed it back to her after reading just this story, and have never read Lovecraft since. It terrified me that much.
“The Lottery” by Shirley Jackson
Anyone who has made it through high school without reading “The Lottery” should go do it right now. It is a chilling tale.
“High Beams”, collected by Alvin Schwartz
I love to tell this story to kids at Halloween, but it’s hard to go wrong with any story by Alvin Schwartz.
“The Tell-tale Heart” by Edgar Allan Poe
Poe is a master of the short story form. “The Tell-tale Heart” is only one of many memorable stories he has written: others include “The Cask of Amontillado”, “The Masque of the Red Death”, and “The Fall of the House of Usher”.
Bradbury is another master of the short story. This list would be a much longer one if I included every story by him that I have found memorable. If you can believe it, I first read this in elementary school as part of the Junior Great Books program. I always found “The Veldt” to be a creepy story, and now that I’m a parent living in a hyperreal world, it’s chilling. Other stories I considered listing here included “A Sound of Thunder”, “There Will Come Soft Rains”, “The Flying Machine”, “The Third Expedition”, and, of course, Bradbury’s homage to Poe and to monster movies, “Usher II”
“Harrison Bergeron” by Kurt Vonnegut
Ah, the nightmare of a world where everyone is required to be average. Welcome to the Monkey House, which contains “Harrison Bergeron” also has a memorable title story involving Ethical Suicide Parlors, and one of my favorite stories of redemption ever, “The Kid Nobody Could Handle.”
“The Most Dangerous Game” by Richard Connell
“Survivor” has nothing on this masterpiece about hunter and hunted.
“Leinengen Versus The Ants” by Carl Stephenson
I can’t think of a better illustration of “man vs. nature”, which is probably why this story appeared in my high school English textbook. By the way, this particular book I’ve linked to here also has some other great stories, including Ambrose Bierce’s “Occurence at Owl Creek Bridge” and Jack London’s “To Build a Fire”.
“We Can Get Them For You Wholesale” by Neil Gaiman
Neil Gaiman does a wonderful job with the short story form, be it in the flash fiction format used in Half Minute Horrors, the parody of “Forbidden Brides of the Faceless Slaves in the Secret House of the Night of Dread Desire”, or the poetic brutality of “Harlequin Valentine” (both in Fragile Things). “We Can Get Them For You Wholesale” is, for me, anyway, unforgettable.
Saki is brilliant. “The Open Window” is extremely creepy. Another story of his I find very thought-provoking is “The Toys of Peace”.
“The Yellow Wallpaper” by Charlotte Perkins Gilman
A hallucinatory, semi-autobiographical tale of one woman’s descent into madness, this is also a vivid illustration of how many women with intelligence and will were treated at the time that it was written.
“Monster” could have been just a tale about bullying gone horribly wrong. But it’s much more frightening than that. It’s nearly impossible to go wrong with this collection, though. There are notably creepy, weird, and fantastical stories in here. Kelly Link is a true artist.
“In The Jaws of Danger” by Piers Anthony
That cover image illustrates “In The Jaws of Danger” pretty effectively. Who knew dentistry could be so hazardous? Young Extraterrestrials is a book I treasure. It is filled with great stories, as you would expect from anthologists like Greenberg, Waugh, and Asimov. I can’t begin to tell you how many of their anthologies I devoured as a kid. Unfortunately it is now out of print.
“Mother of Monsters” by Guy de Maupassant
This is a truly horrifying story of calculated and twisted cruelty to children in the name of profit and fashion. Maupassant doesn’t need to get graphic to illustrate the tragedy and horror of the situation and of the culture that encourages it.
“Love Will Tear Us Apart” by Alaya Dawn Johnson
This fantastic story appears in the YA anthology Zombies vs. Unicorns. It’s about a zombie and a human who fall in love, and the sacrifices they both make to be together. There are many strong stories in the anthology, and it is well worth it to check it out.
If the stars should appear for just one night in a thousand years, how would humanity react? The answer: not well. This is classic Asimov. I read it first in high school, and I keep coming back to it. Make sure you’ve got the story and not the novel.
Getting Lost In The Classics
Over the past few days I’ve found that one thing just leads to another when it comes to the classics. One book I’ve been reading, Alan Jacobs’ The Pleasures of Reading in an Age of Distraction, led me to reconsider a reread of some of the books I read many years ago, in the hope that I’d find something different, and maybe something more, than I did when I was twelve, or sixteen. Quite frankly, I thought maybe I needed the break. Some of the characters and situations I’ve been encountering in genre fiction recently have been really annoying, and it’s hard to enjoy a book when you want to shake the characters, or, alternatively, the author. I remembered loving Dickens, so I found myself a copy of Oliver Twist (which is free on Kindle, another benefit of many of the classics). And even with background knowledge of Dickens, I might very well have been stopped by his style and vocabulary in the first few pages if I hadn’t been determined to read it. I might add that Dickens’ dislike of the British workhouse system and treatment of the poor results in such heavy-handed sarcasm that anyone who didn’t understand what he was trying to do would be completely baffled. So I get it. It can require guidance to read one of these books, and persistence. It’s not necessarily easy to get into the flow. When Kelly Gallagher writes about teaching reading in a critical sense in his book Readicide, this is what he’s talking about. Some books are worth the effort. You CAN get into the story, but you need help to get through it.
What reading the classics SHOULDN’T mean is that they’re taught in isolation from context, or taught as a means to an end. As I was looking through my library’s catalog to see if it happened to own Tales of Mystery and Imagination, the Poe book with the terrifying illustrations that I wrote about previously, I discovered that while they didn’t own that particular collection, they did own the Kaplan SAT version. WHAT? I guess it’s one way to learn vocabulary, but what a turnoff. You don’t need Poe to learn vocabulary. And that’s not the reason to read him.
There are so many versions of Poe’s work, including student editions like this one, which unobtrusively provides help with words kids might not know, with a focus on the STORIES, graphic novels like this one, and awesomely illustrated ones like this, all of which give their readers compelling reasons to master Poe’s language and style without getting beaten over the head with the test practice opportunities his work may provide. You can memorize words and their definitions all day long if you want but you might as well just memorize the dictionary in that case- for understanding (which you’ll need for those analogy questions) and for enjoyment, wide and deep reading are what’s necessary.
You might need a push and a little guidance from someone else to get going, but promoting Poe as vocabulary practice for the SAT? That’s not how they’ll grab you. Once you get past the first words and start to feel the terror in the beating of your heart, you won’t rest in peace until the tale is done.
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