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Book Review: The Detainee by Peter Liney

  The Detainee (The Detainee Trilogy, Book 1) by Peter Liney

Jo Fletcher Books, 2013

ISBN13: 9781623651084

Available: Hardcover, Paperback, Ebook

 

I am a sucker for a good dystopia. In fact, I often complain about “end of the world” stories that don’t have enough gloom. However, although there are plenty of good elements here, and the book ranks high on other review sites, I have to admit it didn’t connect with me.

The first person narrative style was the first strike against novel for me; I felt this slowed the pace. 70 pages in, I still had no idea who the main character was. He was just an amorphous “I”.  The book went on at length about the setting, and a few unfortunate events, but I didn’t know the protagonist’s name. I had to look it up in an online review. This really bothered me. I needed to have a strong sense of who the narrator was by now. That is a bad sign.

Clancy, the protagonist, is considered undesirable by the hyper-capitalist society he lives in, and has been exiled to a giant trash heap of an island for “unproductive” people. “Unproductive” includes the elderly, so the island contains many people of an advanced age, like a reverse Logan’s Run world. The setting provided the potential for this to be a fantastic dystopian novel, my favorite kind of science fiction/horror crossover. It’s a great concept; I like the point of view and the message, a warning of what could happen if the right wing’s stance against social programs and welfare were taken to an extreme.

However, this is a novel, not an essay. No matter how interested I am in the socio-political philosophy of inevitable dystopia, a novel has to be a story first. I admit I found myself skipping entire paragraphs, which is not typical for me. It just didn’t hold my interest. To be fair, this book has lots of great reviews. It’s been promoted as a Hunger Games for adults, and certainly many responded to the book’s take on ageism. Because the themes are so timely and well defined, libraries should make it available despite my personal dislike for it. Recommended for ages 12-adult.

 

Reviewed by David Agranoff

Guest Post by Piers Torday: Climate Change Horror: Too Real For Middle Grade?

Piers Torday photo credit James Betts

 

     Piers Torday is the author of the middle grade novel The Last Wild, a unique book that deals with a topic usually dealt with in nonfiction with children– climate change. I asked Piers why he chose to write fiction on this topic for children instead of teens or adults, and he wrote this guest post for us here. Having just returned from vacation in Alaska, where my children actually held a chunk of melting glacier in their hands, this hits home for me. For them, it was a novelty and photo opportunity, although I found it to be pretty disturbing to see the pieces melting in front of me. Now that I’m home and have read what he has to say,  I think it’s very important for there to be books like his, that appeal to the imagination while creating an opportunity for awareness of this situation. Look for a review of The Last Wild to be posted shortly. Many thanks to Piers for sharing his thoughts with us.

CLIMATE CHANGE HORROR: TOO REAL FOR MIDDLE GRADE?

 

Of our many fears that can animate great stories, for me perhaps the greatest and the most palpable is our fear of the future. Wherever you stand on the politics, from dwindling (not to mention overheating) power supplies to water wars, housing space to food security, we all face major ecological challenges in the years ahead.

Most of those challenges, whether they come in the form of rising sea levels, increased immigration or extreme weather, are not predicted to come fully online until later in the century. It’s the middle grade readers of today who will have to face them.

The level of economic and political sacrifice required to avert major climate change make it nigh impossible for any decisive global unity on how to approach it. Certainly I don’t pretend to have the answers. What I do know for sure is that it’s going to take more than recycling the odd soda can to change anything.

The first problem with tackling this subject for middle grade readers is no one, especially children, likes being lectured to. Saving the planet, as the science currently stands, would require a level of sacrifice across the board that makes it hard for one person or country to stand up and tell another how to behave. I am writing this blog on a computer (and you’re probably reading it on one) which I use constantly for my work and am not really prepared to use much less. And I am just one of seven billion people on the planet who probably, given the chance, would all like to use a computer which they can turn on and off at will.

The second problem is that, unless you’re a polar bear on a shrinking ice cap, it still feels very abstract. Statistical modelling of carbon emissions and ocean acidity levels are hard to grasp at any age, and bar the odd unexpected hurricane or drought, most young people in the West don’t necessarily experience the effects of climate change in a tangible first hand way. Yet.

As a storyteller, I relish the challenge of animating these vital issues for the readers in whose hands the planet’s future resides.  First off, I can ask some questions. Do animals have an equal right to share this planet with us? What is greater within us, the desire for consumption or the ability to conserve?

Secondly, these abstract concepts are a gift for metaphor. In The Last Wild series I’m primarily using the animal characters – a heroic stag, a brave cockroach, some ditzy pigeons, a mini-spread of biodiversity – to represent the earth itself and through their different characters, provide some emotional heart to global issues that can feel dry and lacking in genuine, page-turning jeopardy.

Then, rather than scaremongering developing minds with totally bleak catastrophe scenarios (although there is no denying their power) in telling the story of my hero’s quest to save the last animals left alive on earth, what I can offer most of all is hope. Because, believe it or not, what I really feel is that human beings – through our curiosity, ingenuity and humanity – do have the ability to overcome those challenges and still make Earth a pleasant place to live for all creatures. If we choose.

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Piers Torday is the author of The Last Wild (Viking, $16.99). The sequel, The Dark Wild is due out next spring. You can follow him on Twitter @PiersTorday or catch up with him at www.pierstorday.co.uk.

The Chosen One: YA Dystopias @ your library

So, it has come to my attention that Divergent, based on Veronica Roth’s YA novel of the same name, is coming soon to theaters. In fact, Barnes and Noble has put out a list of suggested teen reads to try out as fans of the books await the movie. I know Divergent is part of an incredibly popular series, but the thing that strikes me about it the most is its emphasis on choosing a life path. This actually isn’t an uncommon theme in teen and tween literature, and it’s central to the plot of some really excellent books (and some others that aren’t so great, but I digress). It’s absolutely worth it to check them out.

 

 

  The Giver by Lois Lowry

You can’t go wrong with this Newbery Award winner that tells the story of Jonas, living in a future utopian society, who is chosen, in a ceremony with his peers where they are all assigned jobs for their adult lives, to be the Receiver of Memories, the one person allowed to know the memories of the past in human history. It’s not as action-oriented as Divergent, but packs a much more powerful and memorable emotional punch. The Giver is part of a four-book series, but the first is the best and definitely stands alone. A movie based on the book is due out later this year.

 

 

  The City of Ember by Jeanne duPrau

The city of Ember is an underground city built as a last refuge in a world about to be annihilated by nuclear weapons. Two hundred years later, everything, from food to electricity, is running out. After the ceremony where Lina and Doon, along with their peers, are assigned their future careers, the two of them trade places, and discover a puzzling mystery they must solve to save the residents of Ember from darkness. This has more action than The Giver, and more of a mystery at its center, and is a compelling read even for those of us well over the target age range. The City of Ember is also part of a series, and all of them are great reads. It has been made into a movie already, with Bill Murray as the corrupt mayor. and I really enjoyed it.

 

 

  Enclave by Ann Aguirre

This is the first book in the Razorland trilogy, and it’s quite a bit more graphic than the first two books, probably on par with Divergent. In yet another post-apocalyptic underground world (one decidedly more primitive than Ember) Deuce goes through her naming ceremony and becomes a Hunter in her enclave, a sort of tribal society. As a Hunter, Deuce is supposed to find and catch food and rid the tunnels around her enclave of Freaks, ravening zombie-like creatures. Although she’s a believer in the way things work in her enclave, her exposure to a wider world and a partner who’s not so convinced lead her to question the actions of her leaders.

 

 

  Across the Universe by Beth Revis

A science fiction thiller told from the point of view of  two teenagers– Amy, the only person not specifically chosen for a role in settlement of a new planet, and Elder, whose future leadership of the spaceship Godspeed was chosen early in his life. There’s mystery, cloning, genetic and hormonal manipulation, general lying and betrayal, and a surprising amount of action given that this all takes place in a closed environment. There’s suicide, near-rape, and euthanasia in this book, among other things, although I think Revis handles it all pretty well. The target audience for Divergent should enjoy this.

 

 

 Legend by Marie Lu

June is the elite of the elite, being groomed for a position high up in the military in a dystopian society that’s more or less under military rule. Day is a rebel trying to undermine it.  What could possibly go wrong when their lives intersect?

 

 

 Uglies by Scott Westerfeld

Here’s one that’s interesting because almost everyone is chosen, eventually. It’s not wanting to be chosen that makes Tally stick out. Or, to make it more complicated, it’s wanting to be chosen but having to pretend she doesn’t want to be chosen and standing out as special when she wants to blend in. And then changing her mind. And changing it again. While it could stand alone, I think, it’s a good thing it’s part of a series because I have no clue where it’s going to end up. Westerfeld pretty much turns the tropes on their heads.
 

Enjoy!x