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Book Review: Deathless Divide by Justina Ireland

Deathless Divide (Dread Nation #2) by Justina Ireland

Balzer + Bray, 2020

ISBN-13: 9780062570635

Available: Hardcover, paperback, Kindle edition, audiobook, MP3 CD

 

Deathless Divide is the sequel to Dread Nation (reviewed here).  The story is told through both Jane and Katherine’s points of view.

After the fall of the Survivalists’ community of Summerland, Jane McKeene thought her journey would be easier—  better somehow– but nothing is ever easy for a Miss Preston’s girl. She prepares to leave the ruins of Summerland behind and head west to California. However, she doesn’t go alone. She is joined by her friend Jackson, his sister Lily, the Duchess and her girls, and Katherine Deveraux.

The first half of the book focuses on the journey to Nicodemus,  a community where Black and Native American peoples are not seen as less than. Before the group arrives in Nicodemus, Jane is faced with a loss that is more than she can bear, and one that will haunt her throughout her new path. Nicodemus also is not what it seems. It appears to have a well-protected wall, with some kind of railgun contraption that runs continuously, and was clearly created by someone scientifically minded. Upon their arrival, the team is met with survivors from Summerland who recognize Jane, and call for her to hang for the murder of a prominent figure in their former community. Jane is taken into custody by Daniel Redfern, now sheriff, and what follows helps Jane determine her next move, for good or ill.

Katherine and Jane have always had a contentious relationship, so when it comes to joining Jane and the others, she strives to do her best to be cordial and ladylike. However, Jane’s decision-making causes Katherine some worry, and their verbal sparring between them takes its toll. At one point, Jane’s mood becomes so unbearable to Katherine that she encourages the wagons to move on ahead while Kate and Jane trade fisticuffs to help Jane work out her emotions. It is clear that the women need each other now more than ever. Their relationship is tested, however, on more than one occasion.

I am loathe to discuss more of the content as it will give away a lot of the twists and turns this novel takes, and there are quite a few. Thankfully, they don’t feel forced or cheap. Ireland weaves a great tale and has a way of writing that keeps the reader’s attention from the first page. This book evoked so many emotions. Jane and Katherine were incredible characters in Dread Nation, but they seem to have so much more depth in this book. Seeing the story from both points of view provided an excellent way to establish them further as their own characters and see how they each handle difficult situations and process emotions and hardships. The development of their friendship throughout the book is beautiful and realistically portrayed. Of course, the scenes where they both put down the shamblers are fantastic.

I would recommend this book for anyone who enjoyed the first book. I would recommend both books for anyone who likes alternative historical fiction and a good zombie story. Anyone looking for #ownvoices stories should pick this one up. We also see LGBTQ+ themes as Jane is involved a loving relationship with another female character, and Katherine is a great depiction of an ace character. Deathless Divide is suitable for young adult audiences.

Contains: blood, gore, murder, racial slurs, slavery, torture, violence

Highly recommended

Reviewed by Lizzy Walker

Musings: Girls As Protagonists in their Own Stories in YA Fiction

I know we just visited the topic of “where did all the boys as protagonists go”  not that long ago but a piece I just read in The Mary Sue made me want to come back and look at it from another angle. The article, which is totally not about YA horror fiction, talks about three female protagonists of vampire media franchises from the 2000s, all of which are grounded in horror fiction tropes: Elena Gilbert of The Vampire Diaries  (based on the YA series by L.J. Smith), Sookie Stackhouse of True Blood (based in the Southern Vampire Series by Charlaine Harris), and Bella Swan (from the YA series Twilight) 

So you don’t have to read the entire thing, the essence of the article was that the author saw in all three of these characters that they were defined by their romantic relationships– that their stories wouldn’t have existed without their love interests. All three of these characters are caught up in  (straight) romantic triangles (which I guess makes them more of romantic V’s)– and their role in triangles end up, for the most part, erasing the rest of their character, even though they are supposedly the protagonists,

The 2000s and early 2010s were a pretty good time for YA horror with boys as protagonists, though. Cirque du Freak by Darren Shan was very popular, and I know that here at Monster Librarian we read a lot of books where boys were, at the very least, point of view characters. Harry Potter drew a lot of those kids into a darker fantasy as well– the last book came out in 2007, just before my cousin turned eighteen. And in Harry Potter, there is a spark for change, because smart girls and passionate women save the day over and over, waiting for doofus teenage boys to get a clue about saving the world.  And girls who  grew up with Harry Potter noticed, and wanted the girls in their books to be the heroes (and villains) of their own stories.  And thus we get Jane McKeene from Dread Nation, who is strong, smart, and commonsensical; murderous Nita from Only Ashes Remain; the troubled girls of Sawkill Girls who alternate between being victims, villains, and survivors.

I don’t know why so many men turned away from writing books with boys as protagonists. But what we’re seeing now is, I think, the product of women seeing themselves erased from the types of stories they grew up loving, and wanting to see not just themselves but also a growing diversity in the kinds of protagonists we see in YA novels (or any novels, or any writing). They are hashtagging #WeNeedDiverseBooks and #OwnVoices because additional voices, their voices, need to be heard. Fear is just part of girls and women’s daily lives, and I don’t think enough people realize quite how scary it can be.

But there’s a lot of fear to face in today’s world that is not exclusive to women and girls  (hello, climate change, genocidal dictators, twisted social media policies, hate crimes, cyberbullying, school shootings). Who is writing the stories that resonate with boys today? Somebody needs to open their eyes past what they’ve seen of themselves so far. Yes, male characters have taken center stage for many years, but do we really want stories written in the past that make us cringe today to be the models we give those kids?

Let’s move forward with authors coming up with great stories that will showcase original characters and engage all kinds of readers. That’s our goal in libraries, right? It’s my goal, anyway. There are so many good books coming up, and I can’t wait to see what kids of vibrant writing lies ahead.

Book Links: Stoker Awards 2018 Final Ballot for Superior Achievement in a Young Adult Novel

In our continuing effort to review as many of the books on the final ballot for the Stoker Award, Monster Librarian has hit another landmark we have now reviewed all five of the novels on the final ballot for the 2018 Stoker Award in the category of Superior Achievement in a Young Adult Novel. Want to know what we think? Here are links to the reviews. There are many fine books that did not make the final ballot, but of those that did, I think the standout is clear.

The Dark Descent of Elizabeth Frankenstein by Kiersten White

Sawkill Girls by Claire Legrand

Broken Lands by Jonathan Maberry

The Night Weaver by Monique Snyman

Dread Nation by Justina Ireland