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Graphic Novel Review: Brothers Dracul, Vol. 1: Blood of the Dragon by Cullen Bunn, illustrated by Mirko Colak

Brothers Dracul Volume 1: Blood of the Dragon by Cullen Bunn, illustrated by Mirko Colak

Aftershock, 2018

ISBN-13: 9781935002473

Available:  Paperback, Kindle, comiXology

 

The first volume of Brothers Dracul contemplates the answer to the question of what could have possibly made Vlad Tepes, or Vlad the Impaler, one of the most disturbing killers in history. Cullen tells the story of a teenage Vlad, when he and his brother Radu were held hostage by the Ottoman Empire in 1442 so that the Sultan Mehmed II could solidify their father’s loyalty to the empire. Despite their imprisonment, they were taught combat, politics, and how to hunt vampires. The brothers are tasked with accompanying the son of the sultan who is himself taught to be a strong force against vampires. However, the young Mehmed does not live up to this, and Vlad and Radu end up saving him from the creatures that he is supposed to kill. This leaves a bad taste in Vlad’s mouth, as he is protecting someone who he sees as a not only a weakling, but a whining royal as well. The brothers are placed in awkward situations as Radu is offered a way to freedom, and Vlad falls in love with a young woman who may have a strange connection to the vampires plaguing the land.

I thoroughly enjoyed this volume. Bunn referenced real places in his story, rather than relying on the existing Dracula canon and mythos. He provides a great story and characters. The reader can sympathize with both brothers at different times, as they are both facing their imprisonment and treatment in vastly different ways. Radu is more willing to play nice with the Ottoman Empire, while Vlad remains angry at their predicament, and feels betrayed by his brother at times. Vlad’s willingness to hunt and kill vampires acts as a means to work out his aggression. Colak’s artwork is vibrant, and his character design is fantastic. I would recommend this book to anyone who likes a strong plot, plenty of political intrigue, and blood and guts in their horror comics. Highly recommended.

Volume 1 collects Brothers Dracul, issues 1-5.

 

Contains: blood, gore

Reviewed by Lizzy Walker

Book Review: Dracul by Dacre Stoker and J.D. Barker

Dracul by Dacre Stoker & J.D. Barker.

G.P. Putnam’s Sons. 2018

ISBN-13: 978-0735219342

Available: Hardcover, paperback, Kindle edition, audiobook, audio CD

 

There’s very little that can be added to the Dracula canon that would be deemed worthy of reading at this point, but when the great-grand-nephew of Bram Stoker pens a “prequel” to the original novel it’s worth making an exception. Dacre Stoker went deep into his research, discovering the many notes,  journals, and other documents in the family treasure trove, and emerged with an intriguing tale that is more a fictionalized “biography” of Bram than a true prequel.

Dracul chronicles the life of Bram Stoker, from a sickly young child to a man searching for the truth behind the mysteries in his life that laid the groundwork for his writing. Journals, letters, and narratives drive the novel, most notably those of Bram, his sister Matilda, and a man who is likely the inspiration for Van Helsing. Yet the true driving force in the book is Ellen Crone, the nanny who nursed young Bram back to health in mysterious fashion. Bram and his sister begin to notice odd things about the woman– until she suddenly disappears.

The search for her and the emergence of Dracul unfolds slowly, but in a manner that effectively builds tension, in a style similar to that of the original tale. The addition of J.D. Barker (author of The Fourth Monkey, a great thriller on his own), adds modern sensibilities to Dracul that help the pages turn more easily. Recommended for fans of classic horror fiction or any strong storytelling.

 

Reviewed by Dave Simms

Editor’s note: Dracul is a 2018 Stoker Award finalist in the category of Superior Achievement in a Novel.

 

Frankenweenie as a Gateway to Literature and Life Lessons

We watched Frankenweenie last night (I explained to the kids that some parts would be sad or scary and they voted to try it) and both during the movie and this morning it was interesting to see what they had picked up. I don’t think Tim Burton was trying to teach my kids about the literature and movies of the horror genre, or offer them life lessons, but Frankenweenie opened up opportunities to talk about these things.

Most people probably don’t have kids who immerse themselves in everything they can find out about monster movies and stop motion animation. But I do have one of those kids. To be clear, he hasn’t seen the Universal monster movies, but he is fascinated by them and reads everything he can find. He’s watched a lot of the Japanese monster movies and cheesy science fiction movies of the 1950s and 1960s, and has managed to see many of the movies Ray Harryhausen worked on. He also has started to notice plays on words, and he saw a lot of things in Frankenweenie that he picked up on right away, like, say, a main character named Victor Frankenstein who digs up a body in a graveyard and brings a creature back to life during an electrical storm. “This movie is like Frankenstein! The name is the same!” He noticed that Victor’s dog is named Sparky, “like electricity has sparks, and Sparky has electricity.”  The turtle that comes back to life is gigantic “like Gamera”! It’s also named Shelley “because turtles have shells”. I told him that Shelley was also the last name of Mary Shelley, the author of Frankenstein. “Oh yeah! That’s cool! The name is both of those things!” We also talked about how Elsa’s last name, Van Helsing, is the name of the vampire slayer in Dracula, and that she gets kidnapped by a bat; that the mayor is called the Burgermeister, like in Rankin-Bass’ stop motion Christmas special “Santa Claus is Comin’ to Town”; that the movie, which is a stop-motion animation movie, starts with Victor showing a stop-animation film; that the movie is black and white, like the original Frankenstein movie; and that the science teacher looked a lot like Vincent Price. That’s a lot to unpack from an animated children’s movie.

The movie had a much different effect on my daughter. The attack of the reanimated pets on the town really scared her and I had to leave the room with her for awhile. She asked “did anybody get hurt”? Well, the attack is scary, but nobody is really hurt, and parts are even a little funny. Then she wanted to know why the animals turned out differently from Sparky. So we talked about how Victor decided to bring Sparky back because he loved him, but the other kids brought their pets back because they wanted to win the science fair. That was something the science teacher had talked about, the importance of doing science with love, and doing the right thing. Then she asked if bringing Sparky back, even out of love, was the right thing. At that point in the movie, Sparky had escaped from Victor’s house and returned to the cemetery. It seemed like that was where he wanted to be, at rest in the cemetery. “Sparky wasn’t ready to die. But he did, and he wants to be at rest, so maybe he should be at rest. Victor should let him.”  Smart little girl.

Later, both kids asked why the parents made the science teacher leave, because “it’s important to learn science”. It’s hard to explain to kids that adults don’t always want to understand the world, or want their kids to understand. “But science is good”! I reminded them that the science teacher had said that science is neither bad nor good– and that’s why you should be careful with how you use it.

That message gets somewhat lost at the movie’s ending, because after Sparky saves the day at the expense of his own life, and Victor is able to finally let go of his grief, his parents convince the rest of the adults in town to bring back Sparky once again. The same unthinking adults who got rid of the science teacher out of fear reanimate a dead dog without any further thought as to whether it’s right or wrong (I didn’t discuss this part with my kids). In spite of the pasted-on happy ending, though, Frankenweenie, quite unexpectedly, offered a lot of food for thought as well as entertainment value.

Although most people aren’t watching scary movies to improve their cultural literacy or provide them with opportunities for deep philosophical discussions, we can watch out for those teachable moments. It doesn’t take forever to point out a literary or cultural reference when you see it, and if your kids are interested, the Internet makes it easy to explore further. If your kids come up with a question that they really want to talk about, take it seriously and do your best to help them figure things out.  In Frankenweenie, Tim Burton provided a gateway, but I held my kids’ hands as we walked through to a larger world.

Here are a few other scary movies for kids that might lend themselves to more than just entertainment. As always, not every movie is appropriate for every child.

 

Toy Story

Monsters, Inc

Spirited Away

The Neverending Story

Coraline