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Book Review: Eight Cylinders by Jason Parent

cover art for Eight Cylinders by Jason Parent

Eight Cylinders by Jason Parent

Crystal Lake Publishing, 2020

ISBN: 9781646693061

Available: Paperback, Kindle edition Bookshop.org  |  Amazon.com )

 

A motor with eight cylinders represents power, a strong machine that can outrun the competition with minimal difficulty.  That being said, Eight Cylinders is closer to a six, maybe seven cylinder story.  It’s a solid piece of machinery that will give readers a smooth ride to the destination, but it could have used a few more ponies under the hood to turn the story into a real road-burner.

 

This is one of those stories with little explanation for what happens: it’s a classic ‘here’s a crazy situation, how do we get out of it?’ story.  Seb McCallister is a lifetime crook who winds up on the wrong end of a shootout in a dope deal gone bad in Las Vegas.  Badly wounded, he powers out of Vegas behind the wheel of his V8 Dodge Charger SRT Hellcat, driving off into the desert.  He passes out from loss of blood, and wakes to find himself in a dilapidated camp in the middle of the desert, surrounded by mountains on all sides.   The camp itself is inhabited by a small group of vagabonds, some of whom have been there a long time.  When he tries to escape, Seb quickly learns that the mountains are riddled with caves occupied by a huge, tentacled monster that somewhat resembles a crazed land squid, and the squid makes mincemeat of anyone who tries to leave.  Within a day, Seb helps to convince the camp residents to make a run for it.  What follows is the inevitable Mad Max-style race across the desert, complete with tricked-out vehicles packing plenty of blasting power, both under the hood and in the form of armaments.  Seb and his new friends must outwit and outfight the monster if they want to escape the desert.

 

Everything in the story is a quick setup for the final chase, and thankfully, it’s worth it.  Jason Parent knows how to write an exciting, end of the book blast.   Complete with awesome vehicles, firepower, nitrous, and some nice creative touches with parachutes, the last forty pages are a full roar towards the finish, with all the excitement anyone could want.  This part of the story isn’t running on eight cylinders, it’s running on twelve.   It’s the part leading up to the end where the story could have used a little chrome and paint, in the form of more detail.  Little explanation is given for the backstories of the other characters, or the camp itself, or even where (or when) the camp and characters exist.  Another twenty pages or so to flesh out the beginning and middle sections of the story could have turned this one into a real monster.  Eight Cylinders is a perfectly good, exciting story, but it almost feels like a test run for what could be a much bigger version in the future.   The parts are all there in terms of character, mystery, and storyline, and the way the story ends, it could easily keep going.  The question is, will it?

 

This is certainly worth the read, and will likely leave readers clamoring for a novel-length sequel (this is only 100 pages)  There are a lot of unanswered questions in the story, and it would be nice to see where it goes next.  Recommended.

 

Contains: violence, mild gore, profanity

 

Reviewed by Murray Samuelson

Book Review: Black Mad Wheel by Josh Malerman


Black Mad Wheel by Josh Malerman
Ecco, 2017
ISBN-13: 978-0062259684
Available: Hardcover, paperback, Kindle edition, audiobook
 

When  Bird Box hit the horror scene three years ago, readers discovered a new voice. Lyrical, rhythmic, and brutal, Josh Malerman wrote like a musician carving away at an album of great songs. The result was a true original that should have won the Bram Stoker award.  Malerman is the singer and guitarist of the rock band The High Strung, and in this second novel, Malerman has used his experience to pen a novel about the power of music, both good and bad.  Black Mad Wheel is incredibly accessible, with strong characters and a narrative that flows like the best classic rock and roll.

 

In the post-World War II era, the members of The Danes, a band with a one-hit-wonder, are looking for their next big thing. They find it when an officer from military intelligence makes them an offer that could put them all back on the path to wealth. The officer claims there is a “sound” emanating from the African desert that can disarm any weapon, but can also destroy a human in a horrific manner. The band accepts, and heads to the desert to find the source of the sound.

 

Meanwhile, in a parallel story, Phillip Tonka awakes from a long coma in a strange hospital, unable to move. Nearly every bone in his body is broken. He is a miracle to those who care for him. Ellen, his nurse, begins to unravel the mystery of what is happening to him, and why he is still alive and healing at a rate that is physically impossible. Both stories weave around each other like a great vocal riding atop a harmony, a guitar riff alongside a backbeat rhythm that can transform the simplest of songs into something magical. What the band finds in the desert is something most won’t see coming; Phillip’s tale is both mysterious and thrilling, and, as Malerman develops the bond between the man and his nurse, heartwarming as well.
Black Mad Wheel proves that Josh Malerman wasn’t a one-hit wonder. The story is just as enticing as Bird Box, with as much heart as horror. Do not miss this. Highly recommended. This ranks near the top of any thriller written about music.

 

Reviewed by Dave Simms