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Book Review: The City We Became by N.K. Jemisin

cover art for The City We Became by N.K. Jemisin

The City We Became by N.K. Jemisin   (   Bookshop.orgAmazon.com  )

Orbit, 2020

ISBN-13 : 978-0316509848

Available: Hardcover, paperback, Kindle edition

 

The City We Became is the first book in a trilogy based on a short story by N.K. Jemisin titled “The City Born Great”, which focused on a young homeless Black man who becomes the avatar for New York City as it literally comes alive, and successfully battles a cosmic attack aimed at killing the city at great expense to himself.

The book begins after the events of the story, and if you haven’t read the story the beginning may be a little disorienting. The exhausted avatar of New York City, who sustained significant damage to himself, is hidden away and sleeping. It turns out that one person is not enough to sustain the life of an entire city. The five boroughs of New York, each with a distinct character, each have an avatar come alive that can defend their borough, and when they come together, they will be able to find and wake the avatar for New York City with their combined strength. They just have to find each other, choose to take on the responsibility of being their city as well as themselves, and overcome the “Woman in White,” a powerful representative from a cosmic force in an alternate reality. With one exception they are a colorful, multiracial, and argumentative group, but when push comes to shove, they are all New Yorkers who stand together. Manhattan is a younger, gay man who developed amnesia when he entered the city, but who obviously had a background steeped in violence.  He has come to New York to work on a graduate degree in political science. Brooklyn is an older Black woman who was a rap artist in the early years of rap music but is now a mother and member of the city council. The Bronx is a no-nonsense part-Lenape feminist lesbian professor of fine arts who directs a nonprofit arts center for marginalized artists and members of the community. Queens is an undocumented Indian student with a gift for math who is interning on Wall Street in hopes of gaining a path to citizenship.

But Staten Island stands back from the rest of the city. She is a young white woman living in a conventional family with a father who is an abusive, xenophobic, racist cop and a mother who is a passive alcoholic housewife. She barely qualifies to work at the library, and has been cautioned about the awful people in the city and the terrible things that could happen to her there.  When someone encourages her to read Lovecraft, his work confirms for her what “those people” are like (anyone who has ever said “it’s just fiction, not life” please take note). Despite the awful things that have happened to her within the walls of her own home (ranging from smashed self-esteen to attempted rape), she is more concerned with keeping others out than escaping it herself. As a white woman, it was heartbreaking for me to see her ignorance and obvious complicity with not just human but cosmic evil. I’m not familiar with Staten Island, but I really hope the portrayal here is not totally congruent with reality,

In The City We Became, extradimensional evil has grown more complex: better at planning in a way that, when cities begin to come alive, groundwork to kill it is already in place. The art gallery is attacked online by alt-right “artists” funded by a clearly sinister foundation led by the “Woman in White”, resulting in the staff getting doxxed and recieving death threats, and the building nearly burned down (this part of the book is terrifying). Brooklyn and her family are evicted from property they own outright by the same foundation, in the name of gentrification. Every chain store that replaced a community institution and changed the character of the boroughs and the city is killing it. Will Manhattan, Brooklyn, the Bronx, and Queens be able to revive the avatar of New York and save the city without the help of Staten Island, or will the city die, to be replaced with something more sinister and destructive?

While The City We Became touched on a lot of important issues (gentrification being a big one) it is also a love letter to New York City and its boroughs. Seeing the people Jemisin imagined as being these cities brought a new vividness into the way I think about the city and I loved meeting her main characters. I do feel like this book left a lot of loose ends. Who is Manhattan, really? Will we see more of his roommate? Where will the homeless avatar for New York go next? What finally happens to Staten Island? How do things change for the avatars when they go back to their daily lives? This is the first book in a trilogy, so I hope we’ll find out shortly.  Recommended.

 

Contains: attempted rape, domestic abuse, violence, racism, body horror, tentacles

 

Book Review: The Festering Ones by S.H. Cooper

The Festering Ones by S. H. Cooper

Independently published

ISBN-13: 978-1693388583

Available: Paperback, Kindle edition

 

The Festering Ones by S. H. Cooper is a horror novella featuring an avenging heroine, straightforward action, and plenty of gore. In this story, parallel realities exist alongside, but mostly separate from ours. One of them, however, is inhabited by hideous monsters that can invade our world by dreams, illusions and possession of our bodies. Human cults strive to open doorways for the monsters, who will destroy all normal life if they gain control.

On a hunting trip in Pennsylvania, a young girl, Faith, sees her father ambushed and killed by a spider-armed, Woken Daughter of the monster Gorrorum, but no one believes her story. Years later, she discovers more disappearances in the mountain town, and uncovers a local cult. On the trail of another cult in Florida, she teams up with Janice, who is seeking her kidnapped boy, and Sasha, who is searching for her missing sister. The women fight factotums of a rival monster. Faith and Sasha return to the mountain to avenge their loved ones, but they meet more than the Woken Daughters in the tunnels and cavern of the mountain.

Cooper’s writing is simple and direct. The plot is straightforward. Although her characters are not complex, the female heroines are determined and strong.

 

Contains: violence, gore

 

Robert D. Yee

Long Fiction Review: Dead Lovers on Each Blade, Hung by Usman Malik (Nightmare Magazine, Issue 74)

“Dead Lovers on Each Blade, Hung” by Usman Malik

Nightmare Magazine, Issue 74, November 2018

ASIN: B07K386T2B

Available: Kindle edition

 

“Dead Lovers on Each Blade, Hung” is an #ownvoices novelette that takes place in Pakistan. The narrator is a cleaned-up heroin addict who has been accused of killing a doctor in Uch, a site of pilgrimage, at various times, for Sufis, Hindus, Sikhs and Muslims. The tale is his confession to the police, who he is certain will turn him over to some very angry heroin dealers who think he swindled them.

The narrator tells the story of being rescued and sobered up by a doctor studying snake venoms for their healing uses,  who has been asking addicts in the park if they have seen a girl in a photo he carries. The girl turns out to be his wife, Maliha, purchased by him when she was eight years old, who became a herpetologist. Maliha ran away to seek the Serpent Pearl, a mythological stone given by the Serpent King of the underworld to his wife, which gave her the power to command animals and birds, immunity to venom, open a gateway to other worlds, and immortality, that she believed could be found in Uch. The doctor decides to follow her to Uch, accompanied by the narrator, who is now on the run from heroin dealers.

In Uch, they approach a shrine during a musical festival. The narrator follows the doctor past the crowd and into the shrine, and witnesses the doctor’s apparent, and fatal, reunion with his wife, who may be a cobra, or an apparition, or may be something else entirely, driving him to poison the water supply of Uch with snake venom as he loses touch with reality.

The setting and much of the language are way outside of my realm of experience, and I don’t feel that I can truly do this story justice, but I can say that the summary above in no way can express the feeling of this tale. It is a fever dream that creates a world that envelops the reader in a combination of the grim life of a heroin addict, with a dark mythology grounded in both Pakistani folklore and cosmic horror.  At the same time, it is grounded in a terrible real-life story: the doctor who purchases a wife when she is eight, and chases her down when she runs away as a young woman. In “Dead Lovers on Each Blade, Hung” Usman Malik steps the reader into an unreal, fantastic, and horrifying world that he makes very, very real.

 

Reviewed by Kirsten Kowalewski

 

Editor’s note: “Dead Lovers on Each Blade, Hung” is a nominee on the final ballot of the 2018 Bram Stoker Awards in the category of Superior Achievement in Long Fiction.