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Book Review: The Remaking by Clay McLeod Chapman

The Remaking by Clay McLeod Chapman

Quirk Books, 2019

ISBN-13: 978-1683691532

Available: Hardcover, Kindle

 

The Remaking is a meta-supernatural thriller that follows a true crime paranormal case revived by various means every twenty years. The book starts in 1951, with the telling of a campfire tale, “Witch Girl of Pilot’s Creek”, that occurred in the 1930s. For ten years, Jessica and her mother, Ella Louise, lived in the woods surrounding Pilot’s Creek, Virginia. They did not live within the town itself, since they were ostracized by the citizens of the town, as well as by their own family: Ella had no use for the societal game, and Jessica was born out of wedlock. Ella ran an apothecary from her cabin, and while the townspeople avoided the family in public, they were not above patronizing Ella when in need of a cure. But when a well-known customer died, Ella was immediately accused of witchcraft and both mother and daughter were burned at the stake. Because of the superstitions and paranoia of the townspeople, Jessica, thought to have magical abilities, was entombed in a steel-reinforced coffin surrounded by a fence of white crosses.  Ella was buried in an unknown location.

In 1971, someone who was present at the telling of the campfire story has grown up to become a film director. He casts Amber Pendleton as Jessica in his horror movie. Amber’s overbearing mother thinks this will be a great opportunity for her, and make her a star. The tensions and stress on set drive Amber to run into the woods, where she comes face to face with something nobody believes happened. Fast forward to 1995, and Amber is trying to make ends meet by doing the horror convention circuit. A young, up-and-coming director with money approaches Amber to play the part of Ella in his remake of the film that cost her an early career. She reluctantly agrees. She becomes the star of her own witch hunt after something happens to the new Jessica actress on this set.

The book then switches to 2016, with a popular form of media, the true crime podcast. An enthusiastic, greedy, journalist hunts down Amber (who has, strangely enough, moved to Pilot’s Creek), to get her side of the story. Amber thinks telling her story might just be her best bet to redeem herself. Of course, there’s also a chance that it will just add to the neverending cycle of the nightmare of Jessica and Ella.

I thoroughly enjoyed this book. An interesting aspect of the book for me was that it was always ambitious, heartless men at the core of each of the retellings of Jessica and Ella’s story. There was no heart in the development of the original film, nor the remake, only prestige and greed. Both directors were convinced that Jessica was demanding that her story be told, only to become so firm in their own vision that they missed the point. Amber immersed herself in both roles, and was chastised and abused for her intuitive reactions to her characters, first as the young Jessica, and in the remake as Ella Louise. She is blamed for creating her own drama and trauma, and ultimately put on actual trial for an incident that occurred during the filming of the remake. Then the podcaster aims to debunk the sightings of Jessica and Ella, as well as dig as much information out of Amber as he can to debunk that, too. Chapman’s characters and layout of the story are great. The Remaking is a fast and engaging read. I would recommend this for those who like true crime (it was based on the true story of a mother and daughter who were burned for being witches) and unique storytelling experiences. Highly recommended.

 

Reviewed by Lizzy Walker

Posted on October 5, 2019 by , Reply

Kaiju Lovers Are The Best: G-Fest Report

The Monster Kid chatting with a kaiju at G-Fest’s Dojo Studios

This past weekend we went to G-Fest, a Godzilla fan convention in Chicago. The Monster Kid comes by his love of monsters honestly– he inherited it from his dad. The Monster Librarian has been a kaiju lover since before I met him, and in our first apartment I couldn’t walk through our shared study without some crazy looking critter falling on me. Boxes more of them in boxes were stacked in the closet until we moved out and my mom, over his intense objections, took all of them out of their original packaging to make them fit better in the packing boxes (all collectors wince now). The monsters were packed away in boxes again when we transformed the study in our first house into a bedroom in preparation for the arrival of the Monster Kid, and when we moved to a bigger house, they were packed into a closet. But not forgotten.

When the Monster Kid was about four, Dylan pulled out a giant tub of action figures and said, “I don’t think I can count on these being collectibles anymore. I want to take them out and play with them with the kids.” I was a little wary of this as toddlers and preschoolers aren’t generally known to be gentle with their toys. But his enthusiasm was contagious. Suddenly the Lego table became a battleground for King Ghidorah, Godzilla, Mothra, and friends (if you can call them friends). It was the beginning of a beautiful friendship between father and son, although, unsurprisingly to me, many of the action figures were battered or broken (Dylan always seemed taken aback). They watched all the movies, then American 1950s science fiction monster movies. The Monster Kid discovered Ultraman, and a new obsession was born. We all discovered (or rediscovered) the coolness of Ray Harryhausen and stop-motion animation. Kaiju and giant robots appeared in the Monster Kid’s drawings and stories. I still have the piece of paper on which he wrote, for the first time, “Godzilla” (the letter z is backwards). Other creatures and characters have come and gone (although Harry Potter has had some considerable staying power), but the kaiju are always there. With the release of Pacific Rim, the collecting kicked up a notch, and interest in creating stop-motion videos caught on (it’s possible that our family is the only one in town to consider Pacific Rim a family film). Before he died, Dylan was building paper-mache mountains, painting models, and going through spray paint at an alarming rate. And for the first time he decided it would be fun to go to a fan convention. He and the Monster Kid were very excited about the movie they were making (the story was never actually written down) and going to the convention. We planned to go as a family. And even though Dylan couldn’t be there with us, we went to G-Fest.

I have to say that going to G-Fest really put fandom in perspective. We went to “Dojo Studios”, where fans were filming an original kaiju movie that they had been working on for something like five years. There was a life-size spaceship cockpit made, basically, out of cardboard, styrofoam, and spray paint. I saw the prices on some of the kaiju the Monster Kid has been playing with (and breaking) which bring a whole new meaning to what it meant for Dylan to bring out his collection for the kids to play with. I saw other kids who were as obsessed as the Monster Kid. I saw a lot of fathers and sons getting excited– in fact, there were several pairs in the costume contest (there were also mothers and sons, and brothers and sisters). It’s possible that this is the only time they get to be around other kids who love kaiju so much. And I saw the incredible font of information that my son possesses on the movies and monsters that populate the world of Japanese fantasy film.

I want to thank the organizers of G-Fest for making it possible for us to come this year, the fans I encountered who were pleasant, generous, and compassionate, and my non-fan friends who gave up vacation time so we could go. Kaiju lovers, and their friends and families, really are the best.

 

 

 

Posted on July 15, 2014 by , Reply

Missing Since Gen Con: Robert the Bard

As some of you may know, Gen Con(a major science fiction, fantasy and gaming convention) took place in the area here not that long ago. Whether you’re a librarian or a fan, you’ve probably been to some kind of convention at some time. They are a great way to meet people with common interests, widen your knowledge, geek on favorite authors and/or authorities in your field, and, most of all, have fun. Science fiction, fantasy, and gaming together cover a huge number of topics, genres, events, and people, including writers, readers, and consumers of the horror genre.  If you want a feel for what science fiction, fantasy, and horror lovers are looking for, and you want to get them into your library, look for a local con in your community, and go in with an open mind. It’s worth it to check it out.

A transcript of  the following report was forwarded to us by our reviewer Aaron Fletcher, who attended Gen Con 2013 and acquired this digital recording of an interview conducted by Robert the Bard there that may shed some light on the convention experience.

 

Report From the Floor of Gen Con 2013 Day 2 August 16, 2013.

Transcribed by Aaron Fletcher

Robert the Bard: Hello everyone, Robert the Bard reporting from the Indianapolis Convention Center, where I am attending Gen Con 2013! I am here today talking with the lesser known “heroes” of Gen Con: the monsters. Without them, there would be no Gen Con. Here to start us off is this splendid, absolutely gruesome ogre named Grug. How are you enjoying Gen Con, Grug?

 

Grug: Me not.

 

Robert the Bard: You’re not?!? What seems to be the problem?

 

Grug: Me rest in dungeon when horde of humans rush in and hit Grug. Hit Grug in tummy. Hurt Grug! Take Grug treasure! Why humans do that?

 

Robert the Bard: Well, Grug, I imagine they did that to have an adventure.

 

Grug: Grug want treasure back! Grug MAD!!!

 

Robert the Bard: All right! All right now, Grug! Take it easy. No need to go on a rampage now. I’m sure you can go on an adventure of your own and get treasure from some innocent people in a little while. Why don’t you take in some of the other events at Gen Con while you wait?

 

Grug: Events??!?!? What events mean?

 

 

Robert the Bard: Well I’m talking about the other things going on here at Gen Con. There’s The Film Festival, the Writer’s Symposium, and the Art Show. Maybe pick up something to read or a fantastic work of art for your dungeon.

 

 

Grug: Stories scare Grug. Always of Adventurers kill monsters. Make Grug sad. Dungeon has art. Mrs. Grug jealous artist. She no like other art.

 

 

Robert the Bard: Oh, I see, Grug. Well if you don’t like those things, you can play a game or learn a new one. After all, Gen Con is known for all kinds of role playing games, board games and card games. You can even buy the games right here.

 

 

Grug: What kind games?

 

 

Robert the Bard: Well, just about anything you can imagine. There are fantasy Games, science fiction Games, horror Games, world building games, and just about anything else you can think of.

 

 

Grug: Oh. Grug like fantasy adventure game. Get treasure…

 

 

Robert the Bard: You do! Well what’s it called, Grug? I’ll help you find some treasure.

 

 

Grug: You help Grug?!?!?

 

 

Robert the Bard: Sure I will! What do you say…Uh…What are you doing, Grug? Uh, take it easy now…

 

 

Grug: Hehe! Grug like smash talky talky human! Here Grug come!

 

 

Robert the Bard: Put that club down now before somebody gets hurt! Grug! Grug!

 

 

Grug: Hehe! Grug like puny human run away. It fun!

 

 

Robert the Bard: Uh well folks there you have it. This is your reporter on the floor of Gen Con 2013 saying…..I gotta RUUUUNNN!!!!

 

 

Grug: Hehe! Treasure!!!!!

 

Note: This was intended to be a multiple part series reporting on all aspects of the cultural and social gaming event known as Gen Con 2013. Unfortunately, Robert the Bard has not been heard from since. If anyone knows his whereabouts please let us know. It would be greatly appreciated as we would like to get the rest of the series, so we can share it with you. Oh, and, of course, we are concerned for his safety.

Posted on August 27, 2013 by , Reply