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Book Review: The Darkest Night: Chilling Stories from the Biggest Names in Horror edited by Lindy Ryan

cover art for The Darkest Night by Lindy Ryan

 

The Darkest Night: Chilling Stories from the Biggest Names in Horror edited by Lindy Ryan

Crooked Lane Books, 2024 (pre-order)

ISBN-13 9781639108718

Available: Paperback, Kindle edition

Buy:  Bookshop.org  |  Amazon.com

 

It’s certainly a busy moment for those who ,like me, love to read (and review) horror anthologies.

 

I’m not sure why, but we, fans of  dark short stories, are enjoying ourselves because among a number of forgettable tales, there are always some which are worth the time we spend on them. not to mention the fact that there are continuously new authors to discover and to keep under observation.

 

The present anthology includes some great stories, in my opinion.

 

“Children Are Not the Only Ones Who Know Where the Presents Are Hidden “ (what a title!), penned by Josh Malerman, is a magnificent example of psychological horror, probing the secrets of a long-gone childhood haunted by unpleasant, ambiguous memories.

 

“The Body of Leonora James”, by Stephanie M Wytovich, is an outstanding tale of revenge, with a distinct supernatural taste.

 

Clay McLead Chapman contributes “Mr Butler”, a quite original, very disturbing piece revolving around a cardboard box endowed with unusual properties.

 

“Father’s Last Christmas”, by Lee Murray, is a gruesome black fable definitely not for the squeamish, while “ Bruiser”, by Jamie Flanagan, is an offbeat, excellent piece featuring a nurse getting involved with the crazy plans of an inmate.

 

Very good stuff, and obviously my favorites. Read the book and pick your own…

 

Reviewed by Mario Guslandi

Book Review: Whisper Down the Lane by Clay McLeod Chapman

cover art for Whisper Down the Lane by Clay Mcleod Chapman

Whisper Down the Lane by Clay McLeod Chapman

Quirk Books, 2021

ISBN-13: 9781683692157

Available: Hardcover, paperback, Kindle edition, Audible audiobook Bookshop.orgAmazon.com )

 

Whisper Down the Lane, a true-crime based horror novel inspired by the McMartin preschool trial and Satanic Panic of the 1980s, is the second book by Clay McLeod Chapman I have read and it just makes it clear that I should find more of his work.

 

This story is told from two points of view in two different time periods. Richard Bellamy is married to the woman of his dreams, has a chance to raise a family, is employed as an art teacher…and doesn’t have a past. One morning, the discovery of the body of a ritualistically murdered rabbit appears on the school playground with a birthday card for someone named Sean. Richard’s blood runs cold and he tries to track down the sender.

 

The date shifts from 2013 to 1983. Sean is a five-year-old boy who has moved to Virginia with his newly single mother. She’s worried about the typical adult things like coping with her new role as sole caregiver to her son, money, childcare, and putting food on the table, as well as the threat of something happening to Sean. After Sean’s school sends a letter to the parents revealing that his favorite teacher is under investigation, the child tells a little lie that turns into something much bigger, stirring paranoia and suspicion in the minds of the local community and eventually the nation. Allegations of child ritual abuse and Satanic murder capture the nation’s imagination and unleashes a witch hunt on an epic scale. Thirty years later, someone knows Richard’s secret, and wants him to pay dearly for his sin.

 

Paranoia is explored in several aspects. Early in the novel, Sean’s mother is a nervous single mother. Discussion of the large scale paranoia of the public is alluded to, and since the story is told from the perspective of a young child it would be realistic that it be told in this manner. Richard’s paranoia as an adult with the past rearing its ugly head in his direction is a significant representation of this theme. Interestingly, it is the adults in the story who experience the ever increasing paranoia of the world gone mad. Between the police, the therapist, and even his own mother at times, Sean ultimately tells the adults what they want to hear, what the pressure him into telling really. Sean, wanting to appease the grownups around him, makes a false accusation that he doesn’t realize has horrible effects for innocent people. Richard’s paranoia increases as his past catches up with him, effecting his family and employment.

 

The story is fast-paced and compelling, especially for readers interested in the disturbing period of US history that was the Satanic Panic. Highly recommended.

 

Reviewed by Lizzy Walker

 

Book Review: The Remaking by Clay McLeod Chapman

The Remaking by Clay McLeod Chapman

Quirk Books, 2019

ISBN-13: 978-1683691532

Available: Hardcover, Kindle

 

The Remaking is a meta-supernatural thriller that follows a true crime paranormal case revived by various means every twenty years. The book starts in 1951, with the telling of a campfire tale, “Witch Girl of Pilot’s Creek”, that occurred in the 1930s. For ten years, Jessica and her mother, Ella Louise, lived in the woods surrounding Pilot’s Creek, Virginia. They did not live within the town itself, since they were ostracized by the citizens of the town, as well as by their own family: Ella had no use for the societal game, and Jessica was born out of wedlock. Ella ran an apothecary from her cabin, and while the townspeople avoided the family in public, they were not above patronizing Ella when in need of a cure. But when a well-known customer died, Ella was immediately accused of witchcraft and both mother and daughter were burned at the stake. Because of the superstitions and paranoia of the townspeople, Jessica, thought to have magical abilities, was entombed in a steel-reinforced coffin surrounded by a fence of white crosses.  Ella was buried in an unknown location.

In 1971, someone who was present at the telling of the campfire story has grown up to become a film director. He casts Amber Pendleton as Jessica in his horror movie. Amber’s overbearing mother thinks this will be a great opportunity for her, and make her a star. The tensions and stress on set drive Amber to run into the woods, where she comes face to face with something nobody believes happened. Fast forward to 1995, and Amber is trying to make ends meet by doing the horror convention circuit. A young, up-and-coming director with money approaches Amber to play the part of Ella in his remake of the film that cost her an early career. She reluctantly agrees. She becomes the star of her own witch hunt after something happens to the new Jessica actress on this set.

The book then switches to 2016, with a popular form of media, the true crime podcast. An enthusiastic, greedy, journalist hunts down Amber (who has, strangely enough, moved to Pilot’s Creek), to get her side of the story. Amber thinks telling her story might just be her best bet to redeem herself. Of course, there’s also a chance that it will just add to the neverending cycle of the nightmare of Jessica and Ella.

I thoroughly enjoyed this book. An interesting aspect of the book for me was that it was always ambitious, heartless men at the core of each of the retellings of Jessica and Ella’s story. There was no heart in the development of the original film, nor the remake, only prestige and greed. Both directors were convinced that Jessica was demanding that her story be told, only to become so firm in their own vision that they missed the point. Amber immersed herself in both roles, and was chastised and abused for her intuitive reactions to her characters, first as the young Jessica, and in the remake as Ella Louise. She is blamed for creating her own drama and trauma, and ultimately put on actual trial for an incident that occurred during the filming of the remake. Then the podcaster aims to debunk the sightings of Jessica and Ella, as well as dig as much information out of Amber as he can to debunk that, too. Chapman’s characters and layout of the story are great. The Remaking is a fast and engaging read. I would recommend this for those who like true crime (it was based on the true story of a mother and daughter who were burned for being witches) and unique storytelling experiences. Highly recommended.

 

Reviewed by Lizzy Walker