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Graphic Novel Review: Klaus: How Santa Claus Began by Grant Morrison, illustrated by Dan Mora

Cover art for Klaus: How Santa Claus Began by Grant Morrison, illustrated by Dan Mora

Klaus: How Santa Claus Began by Grant Morrison, illustrated by Dan Mora

BOOM! Studios, 2019

ISBN-13: 9781684153930

 

Klaus arrives in the town of Grimsvig during Yuletide to trade furs, and finds it a sad shell of what it once was. Grimsvig is under the control of Baron Magnus, a harsh man who insists his wife is mad and that Jonas, his ill-tempered and self-centered son, is the only child who is permitted toys…all of them. The baron works the men in the town to death in the mines. When the workers hear voices underground, the baron insists they are hearing things and demands they work harder. 

 

After the guards run Klaus out of town for defending a child merely holding a rock from an armed soldier, he spends time in the forest with his wolf friend Lilli and is visited by spirits. He awakens in the morning with aching hands and finds he is surrounded by small toys. He sneaks through the town, delivering them to the children of Grimsvig.

 

When the baron discovers this, he does his best to destroy the happiness the children have found in the mysterious gift giver, the Santa. The baron, desperate to keep his power and get rid of the Santa, summons an ancient evil from the belly of the earth, a demon hungry for bad children. What will the baron do when the demon’s first target is young Master Jonas? 

 

Morrison delivers a great dark fantasy version of the origin of Santa Claus. The characters are great. Klaus is not what we see in other origin stories. He’s both brawn and brains, outwitting the town guards at nearly every turn. Baron Magnus is devious and terrible, keeping his wife, Dagmar, someone from Klaus’ past, away from the townspeople. Jonas is an insufferably spoiled child. Mora’s artwork for Klaus is beautiful. The characters are well drawn, and the winter landscapes are gorgeous.

 

While not strictly horror, there are horror elements, such as spirits, demons, and humans being horrid to each other. If you are looking for a nontraditional Santa Claus story for the holiday, check this one out. Highly recommended

 

Reviewed by Lizzy Walker

Graphic Novel Review: Marley’s Ghost by Charles Dickens, Harvey Kurtzman, Josh O’Neill, and Shannon Wheeler, art by Gideon Kendal

Harvey Kurtzman’s Marley’s Ghost based on A Christmas Carol by Charles Dickens, adapted by Harvey Kurtzman, completed by Josh O’Neill and Shannon Wheeler, illustrated by Gideon Kendal

comiXology Originals, 2017

ASIN: B01LZAATMD

Available: Kindle, comiXology

 

Marley’s Ghost is the posthumous completion of Harvey Kurtzman’s (1924-1993) adaptation of the classic Charles Dickens novel A Christmas Carol. Kurztman’s concept for this book started in the 1950s, but was never brought to fruition. Josh O’Neill and Shannon Wheeler decided to expand upon Kurtzman’s adaptation notes and partnered with Gideon Kendall to supply his rich artwork to bring this work to the comic world.

The first thing that struck me about this graphic novel version of A Christmas Carol was the designs of the ghosts. Marley has the typical rendering, but he’s somehow more effective. His expressions of frustration and, at the same time, remorse for his past are so clear. The Ghost of Christmas Past is depicted as a woman dressed in white with windswept hair and glowing orbs in place of eyes. She’s truly beautiful and haunting. The Ghost of Christmas Present, in his rich velvet robe, surrounded by abundance, takes Ebenezer to show him the jollity the members of his community experience despite the ills they face every other day of the year: from the humble home of his clerk, to a ship’s crew out at sea, and the very home of his nephew who graciously invited his uncle to Christmas dinner, only to be scorned and thrown out of the shop. The Ghost of Christmas Future has always been my favorite spirit to visit Scrooge, and it’s interesting to see how creators depict this harbinger. This volume is no different. The color tone also changes with this spirit’s visitation. All of the panels are tinted red, and the shadows are more prevalent. When Scrooge awakens, the color changes to a light blue, and the sun is shining in through his window directly on his cowering frame. It’s a very effective use of color to evoke the message of redemption Scrooge is experiencing.

Kurtzman was the creator of Mad, Playboy’s Little Annie Fanny and Trump, and Help! Magazine, among other creative endeavors. O’Neill is the Eisner and Harvey Award-winning writer and editor of Little Nemo: Dream Another Dream, and Wheeler is the Eisner Award-winning creator of the comic Too Much Coffee Man and a contributor to The New Yorker. Kendall is an illustrator and animation designer whose clients include Disney, Cartoon Network, and New York Times. All of these great contributors have helped create an incredible graphic novel adaptation of one of Dickens’ most influential works. I recommend this particular version to anyone who has a love of Dickens and enjoys seeing new adaptations of his classic ghost story. Any library that collects creative adaptations may be interested in taking a look at selecting Marley’s Ghost for their collection. This could also be a useful addition to graphic novels courses, Victorian literature courses, or other courses that explore the classics. Academic libraries that are growing their comics and graphic novels collections to support the teaching, learning, and research goals of their universities might consider speaking with interested liaisons to gauge interest. Recommended.

Reviewed by Lizzy Walker

 

Book Review: Christmas Horror, Vol. 1, edited by Chris Morey and illustrated by Zach McCain


Christmas Horror, Vol. 1  edited by Chris Morey and illustrated by Zach McCain

Dark Regions Press, 2015

ISBN-13: 978-1-62641-118-0

Available: ebook, paperback, hardcover deluxe signed and numbered edition available through Dark Regions Press (with an additional story by William Meikle)

 

Dark Regions Press has put out yet another great anthology. This collection of eight stories focus on, as the title indicates, the Christmas holiday, and the horror that can lurk around every corner. It’s not all carols, mistletoe, and peace on earth in these tales of horror.

“Red Rage” by Stephen Mark Rainey flips back and forth between the present day story of the Worshams, a family preparing to celebrate their first Christmas in their new home, and the events of a previous holiday season held in the house, shared by a husband and wife with a strained relationship. At the center of both storylines is an ornament on the tree that exudes rage– and anyone who looks into it feels that rage, until it consumes them. Can the Worshams survive their holiday, or will the shadow come for them, too?

I’ve been a fan of Jeff Strand’s work for some time, and his short story, “Pointy Canes,” doesn’t disappoint. Uncle Jack’s thirty year ritual of sucking on candy canes to fine points and collecting them in a box has come to completion, and he wants those closest to him join in a special event. His family is incredulous to what he suggests, but after one of them dares to argue, the rest of the family decides to go through with the candy cane ritual.

Shane McKenzie’s “Naughty” was really hard to get through because of the content. A group of teenagers sexually assault and murder a disabled girl. Two of the boys are unwilling to go through with the rape, but the eldest uses violence to influence them to continue. Five years later, the youngest is in a relationship that has culminated in his girlfriend’s pregnancy. It’s Christmas Eve, and he’s sitting in front of the fireplace waiting for…something. He’s convinced he will be the last to go. After all, the others who attacked that young girl have been found dead in the most gruesome of ways, his brother possibly being the most disturbing. What will happen to the last survivor?

“Krampusnacht in Cell Block J”, by Cody Goodfellow, is set in a corrupt juvenile detention system where the inmates are celebrating Christmas by indulging in activities and substances that ensure distraction from how the guards will celebrate in their own way. One of them dresses as Krampus and inflicts abuse on those lost in their pleasures. It’s carried on this way for years, but this time is different. The new inmate doesn’t know the drill, and accidentally summons the real Krampus. Those involved in the corrupt justice system have been very bad, and the new inmate wants them to pay.

The other stories in the anthology are also fantastic. In John Skipp’s “The Shittiest Guy in the World (A Christmas Fable)” we meet the most unexpected sin eaters. In “Belsnickel” by J.F. Gonzalez, Amy’s Uncle Floyd comes to visit to continue an old family tradition. What will she find under the tree when he is done? Joe R. Lansdale’s “Santa Explains” is the story of a down-and-out Santa explaining to his family that this year will be different, that they won’t have to be disappointed in him, ever again. He has the perfect solution to all of their problems. Black Friday can be tough, and “The Endless Black of Friday” by Nate Southard shows what happens when the blackness of the night or early morning spread swallows the world as it comes.

If you need a little bit of the grotesque and macabre for your holiday season, pick up Christmas Horror, Vol. 1. You won’t be disappointed. Each story delivers its own message of Christmas fear in their pages, and is accompanied by a full color illustration to set the mood. Highly recommended.

Contains: blood, gore, sexual abuse

Reviewed by Lizzy Walker