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The Witching Hour @ Your Library

What with vampires, monsters, and ghosts taking center stage, it’s really kind of amazing how much there is out there on witches! For those of a witchy bent, here’s a brew of fictional witches of all kinds. Some of them are good witches, some are bad and even evil, and some fall somewhere in-between. Got someone looking for a spellbinding reading or movie-watching experience? Here are some suggestions. Note, these are all over the map, so take care before making your recommendation.

    The Witching Hour is the first book in the Mayfair Witches series. Sure, it’s long, and it has a gigantic, annoying expository chunk in the middle, but I still find the story addictive and, well, bewitching. Par for the course with Anne Rice, in the next books (Lasher and Taltos) the story gets pretty twisted. But for gothic and erotic supernatural horror, it’s a slam-dunk.

 

 It’s impossible to write about witches without at least a mention of  Shakespeare’s literary creations, as they toil and trouble, making predictions that can lead only to disaster. Just as with The Crucible, the play-that-shall-not-be-named has been made into a movie– actually, more than once. The most recent production stars Patrick Stewart (formerly known as Captain Picard of the Starship Enterprise) who is a brilliant Shakespearean actor and only gets better as time passes. If you really want to make required reading of this play a killer experience, there’s no better way than with a live (or filmed, anyway) performance, right at Halloween.

 

        The ultimate American fairytale is The Wonderful Wizard of Oz, and from the book, and especially the movie, come some of our most memorable depictions of witches. Who can forget the evil, green skinned, hook-nosed Wicked Witch of the West, in her black dress and pointy hat? When most of us picture witches today, or go shopping for that evil witch costume (as opposed to the sexy witch costume) her face is the one that comes to mind. The recent but mostly forgettable Oz movie spectacular did kick that look up a notch, giving the wicked witch green claws and a truly hideous expression, and was probably the most memorable part of the entire film. Taking a different perspective, Gregory Maguire penned Wicked, a novel sympathetic to the Wicked Witch’s point of view and life. Wicked has a sequel, Son of a Witch, and also spun off a Broadway musical, complete with soundtrack. Seek them out and put them togethe with some of the gorgeous new editions of The Wonderful Wizard of Oz, and you’ve got a great-looking display that will attract library users of all ages. 

 

 I’ve just discovered Kim Harrison’s Rachel Morgan books and am really enjoying them. It’s not so much that I like Rachel, but she really shows ingenuity in getting out of some crazy scrapes, and she makes friends and allies in the oddest places. Rachel, a witch, lives in Cincinnati in an alternate world where paranormal creatures have “outed” themselves and live in a separate area of the city called The Hollows, with a legal structure parallel to the human legal system. Naturally this leaves a lot of room for chaos, much of which centers on Rachel and her supernatural business partners, who are a hoot, when they’re not being dangerously lethal. Readers who are looking for a fix after finishing the Southern Vampire Mysteries might very well enjoy Kim Harrison. 

 

      Buffy the Vampire Slayer and Charmed are both great television series that had witches as either main or important secondary characters. One character arc follows Willow (one of Buffy’s two closest friends, for the uninitiated) as she grows as a witch, becomes addicted to magic, and overcomes her addiction. Season Six is the season that, while she grieves over her great love’s senseless death, she dives deeply into the black arts to seek vengeance. While not all fans of the show appreciate this season, it’s a very powerful and heart-wrenching television watching experience. Charmed follows the lives and decisions of three adult sisters who discover that they are witches and must work together to defeat evil wizards and demons. There’s no debate over whether these are good witches or bad witches, but their choices aren’t always so black and white. It’s a fun little show, but not one where you can expect chills and thrills. 

 

     The Witches of Eastwick and Practical Magic are both adaptations of literary works. The Witches of Eastwick is based on a novel of the same name by John Updike, and Practical Magic is based on a novel of the same name by Alice Hoffman.The movie of The Witches of Eastwick has a fantastic cast, with Jack Nicholson playing the devil and Susan Sarandon, Cher, and Michelle Pfeiffer playing three very bored women stuck in a small New England town, who are ready to rock and roll. Dramatic, sexy, and funny, it’s a wild ride. Completely opposite in nature,  Practical Magic is the story of two sisters who are also witches, with an unfortunate family curse that leads any man they fall in love with to an untimely death. This is a gentle, magical, and well-acted movie that definitely does not fall into the category of horror, and could be watched not only during the Halloween season but at any time of year.  Those who like Practical Magic might also like the novel The Weird Sisters

 

    There’s just something claustrophobic about small towns, whether they’re isolated in the mountains or gated communities.  Once you’re in, it’s hard to escape the supernatural… or the neighbors. That’s what happens in both Chris Bohjalian’s The Night Strangers and Susie Moloney’s Thirteen. In Bohjalian’s novel, a guilt-ridden pilot moves his family into a mountain village only to find that the unfinished basement is haunted by the deceased passengers of the plane he crashed. In addition to his personal ghosts, though, there are hidden dangers to his family from members of the local community as well. In Moloney’s book, the adult daughter of a woman who has recently died returns to settle the estate, only to find herself entangled in the lives of the people living in the suburb in which she grew up– a place where there seem to have been an unusual number of “accidental” deaths, and finds her beliefs tested by the people around her. Where are the witches in an isolated area, when a stranger moves in? Why, they’re all around you.

 

       So now let’s talk movies. The Craft is a mildly scary movie targeted at teens, with four misfit girls discovering they have supernatural powers and one of them deciding to use them for evil purposes. It has Neve Campbell and Fairuza Balk, and probably would appeal to fans of Charmed.  Hocus Pocus is about three witches resurrected by a teenager who spend most of their current Halloween also trying to capture children’s souls. While that sounds positively horrific, the child-chasing witches are played by Bette Midler, Kathy Najimy, and Sarah Jessica Parker, so it’s entertaining as well. This might be a little much for younger children, but the comedy and horror balance out nicely to make this one work as a good Halloween movie for families with older children.

 

               On to scarier stuff. These you won’t want to watch with the faint of heart or queasy of stomach. The Blair Witch Project, is, well, the Blair Witch Project, a movie that’s well-known by now. Supposedly an actual film taken by college students on a trip through the woods as they explore the legend of the Blair Witch, it’s shaky looking and the camera is unreliable as a storyteller, making it incredibly creepy. I don’t know how scary people find it today, but it had me shaking in my seat when I first saw it in the theater. The last movie, Suspiria, is about an American dancer who arrives at her new ballet school to find that it houses a coven. Suspiria is an Italian horror film by filmmaker Dario Argento, who is not well-known here but is considered a master in horror filmmaking. It is extremely vicious, violent, and gory, with a creepy soundtrack, unsettling atmosphere, bizarre colors influencing the set, and disturbing camerawork. In other words, if you have someone looking for an average, mainstream movie, this is not the ticket. But if you have a hardcore horror fan walk in looking for something different, this is it. 

Really, there’s a witch for everyone, be it from fantasy, paranormal fiction, comedy, children’s books, non-fiction, or horror in its various permutations (and you can see from this list that there are a lot of those). Have a great time connecting readers and viewers with the right witchy title for the Halloween season, or, really, at any time of year!

              

 

 


 


 

AAAAAAAHHHH! Horror is Dead!

At least, that’s what The Guardian says. Apparently the cool literary types haven’t reached out to touch the horror genre in a way that matters, which, according to this author, apparently means it needs to be drenched in literary theory and contemporary economic and political issues:

I’m convinced horror can raise its game. Our postmodern, capitalism-in-crisis, media-saturated world is ripe to describe it anew. Our very language seems to demand it. A mortgage, literally, is a death grip. Negative equity means being haunted by your own house. Corporations have legal personhood: they can be held responsible for criminal actions and claim “human” rights, but ironically they have no body. PR and political spin are referred to as “dark arts”.

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To this, I can only say “Huh?” Look, if you really want to get down to the basics, great horror fiction crawls into your mind and moves in, or produces a physical, visceral response. It can be literary, but if it doesn’t do either of those things, it’s not horror. And you can call it whatever you want, but if a book does those things, you are reading a horror novel. Fear may nest in the great issues of our time, but horror is something experienced as intensely personal.

Marketing has more to do with what people are calling that book than what it actually is. I wrote about this a while back— “literary” books are seldom marketed as horror. Osama by Lavie Tidhar won the World Fantasy Award, but it gave me nightmares, and rightfully so. Chris Bohjalian doesn’t call it a horror novel, but The Night Strangers(reviewed here)still makes me uneasy. And Kelly Link, mentioned in the Guardian’s article as a refreshing literary voice in fantasy fiction, slips between genres, identifying with horror as well as sf and fantasy(read our interview of her here). And books published as horror, such as The Reapers are the Angels, by Alden Bell, can certainly be literary.

So, nope, horror isn’t dead. Can it be pulpy and commercial? Sure thing. Can it be predictable and badly written? Absolutely. Can it be original, unsettling, and downright terrifying? It better be.

Horror doesn’t die, folks. Pitch in Rise of the Guardians(which you should really see) makes that point effectively. You can banish the nightmares, but the bogeyman always rises again.

(Thanks to Rose Fox at Genreville for the link, and her spirited response).

MonsterLibrarian.com’s Top Picks for 2011- Adult Books

Well, we’re not churning out 5,000 reviews a year like Kirkus Reviews, but our volunteer reviewers worked hard in 2011, reading and reviewing close to 300 books- some good, some bad, and some that were really extraordinary pieces of writing and storytelling.

With a new year beginning, it’s time for the Monster Librarian, in consultation with contributing reviewers, to reflect back on the past year’s reading and reviewing. We didn’t get out a list of the top picks for 2010, but now we’re back now, with our Top Picks for 2011. Each book on the list below was reviewed in the past year, although not all the books were published in 2011. If the book made a Top Picks list in the past, it won’t be on this year’s list (Wintergirls, by Laurie Halse Anderson, was first reviewed in 2009 and made the list that year, so it’s not on this year’s list).

Books that made this list were chosen by our reviewers as exceptional examples of compelling writing, creativity, and original illustration or presentation. Many of them provided considerable food for thought as well as entertainment value. The choices were made only from books reviewed for the site, so there are many fine titles that do not appear here. The Monster Librarian’s Top Picks for 2011, listed below, have not been ranked in any order. You’ll find a list for each age group: Adult, Young Adult, and Kids. Below you’ll find our list of Top Picks for Adult Fiction in 2011. I’ll post the lists for young adult and children’s books shortly.

Note for librarians and readers: As with all recommended reading lists, not all of The Monster Librarian’s Top Picks for 2011 will be appropriate for or appreciated by every reader. Please take the time to check out reviews of these titles at MonsterLibrarian.com before making a decision about reading them or recommending them to others.

 

The Monster Librarian’s Top Picks for 2011

 

Titles for Adults


A special mention goes to Lisa Morton’s The Samhanach, which three of our reviewers independently chose to review. All three reviewers highly recommended this book. And now, the list.

 

The Adventures of Huckleberry Finn and Zombie Jim, by Mark Twain and W. Bill Czolgosz

Allison Hewitt Is Trapped: A Zombie Novel, by Madeleine Roux

Bedbugs, by Ben H. Winter

Bigfoot War 2: Dead in the Woods, by Eric S. Brown

Bone Marrow Stew, by Tim Curran (limited edition available only from Tasmaniac Publications)

Crucified Dreams, edited by Joe R. Lansdale

Cuckoo, by Richard Wright

Dust, by Joan Frances Turner

Draculas: A Novel of Terror, by Blake Crouch, Jack Kilborn, Jeff Strand, and F. Paul Wilson

Enclave, by Ann Aguirre

Eternal Unrest: A Novel of Mummy Terror, by Lorne Dixon

Ghost Story: A Novel of the Dresden Files, by Jim Butcher

Graveminder, by Melissa Marr

How to Flirt with a Naked Werewolf, by Molly Harper

In Extremis: The Most Extreme Short Stories of John Shirley, by John Shirley

Our Lady of The Shadows, by Tony Richards

Smile No More, by James A. Moore

Sympathy for the Devil, by Justin Gustainis

That Which Should Not Be, by Brett J. Talley

The Anatomy of Evil, by Dr. Michael Stone

The Last Werewolf, by Glen Duncan

The Night Strangers, by Chris Bohjalian

The Pumpkin Man, by John Everson

The Reapers Are the Angels, by Alden Bell

The Samhanach, by Lisa Morton

The Thackery T. Lambshead Cabinet of Curiosities: Exhibits, Oddities, Images, and Stories from Top Authors and Artists, edited by Jeff and Ann Vandermeer

Wormfood, by Jeff Jacobson

Zombie, Ohio: A Tale of the Undead, by Scott Kenemore

Zone One, by Colson Whitehead

 

Stay tuned for part two of our Top Picks for 2011!