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Musings: Reading An Old Favorite With New Eyes

I’m still reading Watership Down with my daughter. I wrote before about how she predicted future elements of the plot based on previous knowledge (which I love to see with my educator’s heart), but now I want to write about how reading this aloud with her has affected me as a reader. If you read my previous post, you know this is one of my favorite books. I first read it, by myself, when I was maybe a year older than she is now, and over the past many years, I have read it over and over (although this is the first time in many years that I’ve picked it up). I know the plot and what to expect, but as an adult, having wider experience of the world, its impact doesn’t hit me as hard. And of course because I read it to myself and not with an adult to discuss it with me, I missed a lot on my first time through, especially because the structure is a little confusing, with stories inside stories.

As I explained before, she predicted some pretty unsettling elements of the book, and was excited to see if she was right. She was even waiting impatiently for the reveal. And then we reached it, but the thing is, intellectually knowing what is probably going to happen (she was still debating whether the rabbits in the new warren were cannibals or planned to sacrifice our brave band of adventurers) is different when things start happening, suddenly, to characters you’ve grown to love. Because I already previously spoiled this for you, I’ll say that a greatly-loved, if rather brusque member of our adventuring group is caught by surprise in what will probably be an unsurprising way to any adult reading this, but OH MY GOD it is terrifying, because the witnesses don’t actually see what’s happening but we, the readers, know this is the moment. And when the witnesses do see, because they’re rabbits, they see the peril, and they see what has happened to their friend, but they don’t have the ability to understand what is happening and they don’t know what to do. They are horrified and frozen by what they see. And as readers we have a choice– we can step back and look at the big picture, knowing what is probably going to happen and dreading it– or we can experience it through the rabbits’ eyes, trying to solve the problem without knowing what’s going on even as they are witnessing the terrible thing that is happening right in front of them. The smallest one, Fiver, rushes to the warren to say what has happened, and while our band of adventurers immediately gather and run to their friend, the warren rabbits ignore him, and when he tries to get their attention, they attack him.

Once the immediate crisis has ended, Fiver pulls all the facts together to explain to them why the warren rabbits refused to help (he is a very intuitive creature). An experienced reader has probably figured the situation out by this point, but the average rabbit (and maybe the first time reader who saw the story through the rabbits’ eyes) needs it laid out to them. It’s at this point that my daughter emerged from whatever deep place the story had taken her. Once she understood what had actually occurred (that one of her predictions was correct) she could go the step further that the author never does (because this, after all, is a tale of rabbit adventure and not a deep philosophical discussion) and say “How could the warren rabbits pretend nothing was happening? Why did they stay? How could they be so cruel?”  As a first time reader who lived the experience through the eyes of the rabbits, and felt it with them,  and then stopped to think about it, the cruelty, indifference, and unfairness of the warren rabbits are something she felt on not just an intellectual level, as an adult or experienced reader might, but on a visceral level. And yet at the end, that same deepness of feeling also showed her, and me through her, the power of mercy and of hope.

Don’t you sometimes feel jaded by the experiences you’ve lived through in this world? You learn that “nature is red in tooth and claw”, that unfairness and cruelty exist in the world everywhere, that people will sometimes turn their backs on those in need if there’s benefit to themselves, that there’s a willingness out there to trade freedom for security. Some kids learn those things the hard way, by living it, but there are some who are protected from having to know those things, until, for the first time, they see the world through rabbits’ eyes. Reading aloud doesn’t just benefit them. It peels back the layers between how so many of us now see the world, and the sharp vision and powerful feelings our children possess.

There are many reasons to read aloud to children: to teach them how stories work, to introduce them to new ideas and new worlds, to help them increase vocabulary, to learn to read with both fluency and comprehension, to engage them in reading independently, to help build emotional bonds, to prepare them to participate effectively in democracy and society. All of these are so important. I can’t emphasize enough the power of reading (and if you have a child of any age who says they’re too old for reading aloud, keep in mind that I read to my husband, as well as my children, until the night before he died).

But here is something many, many of us don’t take into consideration. The benefits of reading aloud are not one-way. There are reasons for adults to read aloud with children, and a very important reason is that is allows us to see our own world with new eyes and a refreshed heart.

Editor’s note: Next up, back to horror fiction. I promise.

Book Review: The Monsters of Morley Manor by Bruce Coville

The Monsters of Morley Manor by Bruce Coville
Magic Carpet Books, 2003 (reprint edition)
ISBN-13: 978-0152047054
Available: New and Used 

    The Monsters of Morley Manor isn’t as much of a scary book as an adventure book with monster characters in it.  In the book, Anthony and his little sister Sarah buy a box filled with five miniature monster figures: a lizard man, a medusa, a wolfman, a vampiress, and a hunchback. When one of the figures gets wet. it starts to come alive, and thus begins an adventure involving aliens, giant talking frogs, and ghosts.  Coville fits a lot into this book and while it works just fine, it seems like it would have been possible for him to have a book just with the five monsters and without the alien story line.  A good book for monster loving kids.    Ages 9-12.

Reviewed by Dylan Kowalewski

Editor’s note: This review first appeared on our main site in 2006. I very much still recommend it for monster-loving kids.

Guest Post by Piers Torday: Climate Change Horror: Too Real For Middle Grade?

Piers Torday photo credit James Betts

 

     Piers Torday is the author of the middle grade novel The Last Wild, a unique book that deals with a topic usually dealt with in nonfiction with children– climate change. I asked Piers why he chose to write fiction on this topic for children instead of teens or adults, and he wrote this guest post for us here. Having just returned from vacation in Alaska, where my children actually held a chunk of melting glacier in their hands, this hits home for me. For them, it was a novelty and photo opportunity, although I found it to be pretty disturbing to see the pieces melting in front of me. Now that I’m home and have read what he has to say,  I think it’s very important for there to be books like his, that appeal to the imagination while creating an opportunity for awareness of this situation. Look for a review of The Last Wild to be posted shortly. Many thanks to Piers for sharing his thoughts with us.

CLIMATE CHANGE HORROR: TOO REAL FOR MIDDLE GRADE?

 

Of our many fears that can animate great stories, for me perhaps the greatest and the most palpable is our fear of the future. Wherever you stand on the politics, from dwindling (not to mention overheating) power supplies to water wars, housing space to food security, we all face major ecological challenges in the years ahead.

Most of those challenges, whether they come in the form of rising sea levels, increased immigration or extreme weather, are not predicted to come fully online until later in the century. It’s the middle grade readers of today who will have to face them.

The level of economic and political sacrifice required to avert major climate change make it nigh impossible for any decisive global unity on how to approach it. Certainly I don’t pretend to have the answers. What I do know for sure is that it’s going to take more than recycling the odd soda can to change anything.

The first problem with tackling this subject for middle grade readers is no one, especially children, likes being lectured to. Saving the planet, as the science currently stands, would require a level of sacrifice across the board that makes it hard for one person or country to stand up and tell another how to behave. I am writing this blog on a computer (and you’re probably reading it on one) which I use constantly for my work and am not really prepared to use much less. And I am just one of seven billion people on the planet who probably, given the chance, would all like to use a computer which they can turn on and off at will.

The second problem is that, unless you’re a polar bear on a shrinking ice cap, it still feels very abstract. Statistical modelling of carbon emissions and ocean acidity levels are hard to grasp at any age, and bar the odd unexpected hurricane or drought, most young people in the West don’t necessarily experience the effects of climate change in a tangible first hand way. Yet.

As a storyteller, I relish the challenge of animating these vital issues for the readers in whose hands the planet’s future resides.  First off, I can ask some questions. Do animals have an equal right to share this planet with us? What is greater within us, the desire for consumption or the ability to conserve?

Secondly, these abstract concepts are a gift for metaphor. In The Last Wild series I’m primarily using the animal characters – a heroic stag, a brave cockroach, some ditzy pigeons, a mini-spread of biodiversity – to represent the earth itself and through their different characters, provide some emotional heart to global issues that can feel dry and lacking in genuine, page-turning jeopardy.

Then, rather than scaremongering developing minds with totally bleak catastrophe scenarios (although there is no denying their power) in telling the story of my hero’s quest to save the last animals left alive on earth, what I can offer most of all is hope. Because, believe it or not, what I really feel is that human beings – through our curiosity, ingenuity and humanity – do have the ability to overcome those challenges and still make Earth a pleasant place to live for all creatures. If we choose.

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Piers Torday is the author of The Last Wild (Viking, $16.99). The sequel, The Dark Wild is due out next spring. You can follow him on Twitter @PiersTorday or catch up with him at www.pierstorday.co.uk.