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Halloween “Chapter Books” for Children and Tweens

In setting out to put together some lists of suggested Halloween chapter books, I discovered I’d already done it. These are a few years old, but classics remain classics. Check these out if you’re looking for Halloween reading for your school-aged independent reader. And if you have suggestions for an update, let me know!

“It Happened At Halloween”” is a list of chapter books with pivotal scenes that take place at Halloween. When I wrote it, I recommended these for ages 10-14, but at this point I’ve read The Egypt Game with my daughter, who is 9, and I think the age range for these books is more like ages 9-12. Your mileage may vary.

“Halloween Scares for Beginning Series Readers” lists mildly scary series books written for independent readers in the early grades and individual titles in a children’s book series that take place at Halloween.

“Halloween Book List for Kids”: This list is sort of a mess, because our “kids” section is for ages 0-12, and obviously there is a huge difference between what a baby and a 12 year old want (at least as far as reading material is concerned). There are lots of titles listed, and these include picture books, chapter books, and nonfiction. Some have been reviewed and some haven’t been. There are plenty of Halloween-related titles here, but there are also books that aren’t specifically Halloween themed that might be fun to read at this time of year. This is actually a different list than our “Scary Books for Kids” page, although some titles can be found in both places.

And a little encouragement here to read with your kid (or any kid) this month, from Spook House Dave and Monster Librarian.

Enjoy!

 

 

 

Book Review: Gershon’s Monster: A Story for the Jewish New Year, retold by Eric A. Kimmel, illustrated by Jon J. Muth

Gershon’s Monster: A Story for the Jewish New Year,  retold by Eric A. Kimmel and illustrated by Jon J. Muth.

Scholastic, 2000

ISBN-13: 978-0439108393

Available: Hardcover, paperback

Gershon’s Monster is based on a story from the Hasidic tradition of Judaism, retold by Eric Kimmel, also the author of Hershel and the Hanukkah Goblins. Gershon is a man who never regrets or apologizes for his mistakes. Every week he sweeps them into his basement where he won’t have to see them, and once a year, on Rosh Hashonah, the Jewish New Year, he gathers them into a sack, carries them down to the ocean, and empties them in.

Gershon and his wife desperately want a child, and Gershon visits a great rabbi for advice. The rabbi’s prayers are successful, but he warns Gershon that his selfishness will eventually cost the lives of his children, as the sea will claim them as payment for washing away his errors.  Gershon ignores the rabbi’s warning, but one day as his children are playing near the water, a monster rises from the sea, created from years and years of Gershon’s misdeeds. To save his children, Gershon must act selflessly, and acknowledge and repent his errors.

What could have been a simple, well-done retelling of a Hasidic folktale on the wisdom of making amends (the author’s note says he is a stand-in for the mystic Ba’al Shem Tov, a great rabbi who lived in the 1700s). takes on extraordinary power with the illustrations of Jon J. Muth. While the art for most of the story is light and delicate, darker browns and golds illuminate Gershon’s visit with the prophetic rabbi,  with grays and blacks dominating the scenes where Gershon’s selfishness is most obvious. The page where Gershon leaves the rabbi is framed in gray, with the sad expression of the rabbi in the foreground, but a bright green visible from the doorway, as Gershon  once again blithely leaves without dealing with the selfish behavior in his wake. The darkest illustrations are the most dramatic, though. Gershon’s individual mistakes are small, dark shapes that look almost gleeful as they ride alongside him or on top of his sack, set apart from the muted and blurred images by their sharp edges.  The monster created by Gershon’s years of errors that he has deposited into the sea is indistinct, blending in with the dark clouds and threatening waves while simultaneously emerging as a gigantic black horror, and turning to that page, even though I knew something terrible would happen, left me momentarily breathless. It really was a “wow” moment.  While illustrations such as this could be considered too dark and disturbing for some younger children, most children, Jewish or not, will enjoy the story, and it’s a great jumping off point for a discussion of the importance of making amends, and on the ability to change for the better. With Rosh Hashonah just around the corner, I recommend following it up with a snack of apples and honey.

Gershon’s Monster is a winner of the Sydney Taylor Award from the Association of Jewish Libraries. Highly recommended, especially for libraries in communities with a strong Jewish population.

Reviewed by Kirsten Kowalewski

 


Book Review: The Secret of Goldenrod by Jane O’Reilly

The Secret of Goldenrod by Jane O’Reilly

Carolrhoda Books, October 2016

ISBN-13: 978-1512401356

Available: Preorder (hardback, Kindle edition)

Goldenrod is an isolated mansion from the turn of the century, abandoned for many years. 11 year old Trina is temporarily living in the house as her father, an itinerant master carpenter, restores it so that it can be sold. Goldenrod’s original owner was also the founder of New Royal, the tiny town nearby. The residents are certain that Goldenrod is haunted, and has cursed them with bad luck, and Trina is nearly convinced, herself, by the strange sounds and slamming doors.

When Trina discovers a hidden playroom, with a talking doll, she becomes curious about Annie, the little girl who lived, and died, in the house, when it was occupied. Trina decides to explore the mystery of the family that lived in the house, and ends up discovering that there is much more to Goldenrod, and New Royal, than meets the eye.

The Secret of Goldenrod is atmospheric and character-driven. O’Reilly does her best to portray the residents of New Royal as discrete individuals, and for the most part, she succeeds. Despite the talking doll, Trina is not a stereotypical girly girl– she helps her father with the restoration, takes initiative in challenging situations, and is both independent and creative. The story’s slow pace may frustrate readers who are looking for rapid action. While it takes place over a relatively short period of time (surprisingly short, since the story takes place over a period of no more than two months, and the house is almost completely restored by the end) the book is long, and the story feels very drawn out, with one small event following another, and many conversations with the doll, although the pace picks up significantly near the end. While it didn’t bother me, there are an astonishing number of coincidences, as well– items and people found at just the right time to nudge Trina closer to the answers she’s seeking.

The house is certainly a character, although it’s not clear whether it actually is haunted, and a talking doll definitely provides a touch of the supernatural, but this is not really a scary book. While there are some scary moments, it is not O’Reilly’s intent to evoke fear. Rather, she explores what it means to reunite a family and community, and to really find a home. O’Reilly writes beautifully, and it is a pleasure to read the story of Trina, her father, and Goldenrod, as they find a comfortable place in the community, but the kid looking for a fast-paced, thrilling adventure will need to look elsewhere. Recommended for general children’s collections for grades 4-8.