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YA Fiction: Too Many Girls?

It’s common to hear that the reason boys don’t read is because they don’t want to read “girl books”, and that there is a tilt in publishing, writing, and marketing toward books for girls and by women. In fact, there is a book published by the American Library Association called Connecting Boys with Books (a second edition was published in 2009) which makes the argument that boys are drawn to “boys’ books” and specific genres, and that libraries need to make special efforts to meet those needs in order to close the literacy gap. Ana at Lady Business has written a very interesting (and very long) post called Gender Balance in YA Fiction. What’s great about this is that, while it isn’t comprehensive, it’s grounded in solid data, and provides a list of further reading at the end.

What Ana did was look at the award winners from 22 book awards that include YA fiction and categorize the books according to the gender of the protagonist(s) and the gender of the author(s), and draw some conclusions based on that. From her data it looks like there are more male protagonists than female protagonists in YA fiction award winners, which is pretty interesting. And there are more female authors in YA award winners than there are males. But Ana suggests that the difference in percentages is not enough to be significant (She also broke down the data for specific awards and THAT is pretty interesting, if you want to look at it).

Ana’s research doesn’t mean that there isn’t a literacy gap, or that boys aren’t reading predominantly “boys’books”. But the assumption that this is because there aren’t enough male protagonists in YA fiction, or males writing it, clearly deserves more examination. Ana says she addressed the question of whether interests are gendered in her MA thesis, and her research showed it didn’t. I think that’s true(although obviously my experiences are anecdotal). One reason this site was started was to provide choices that could attract reluctant readers, who are frequently boys… but I have encountered so many girls and women who love scary books and horror fiction that I don’t think horror can be described as a gendered interest (although I’d love to see statistics on the readership of horror fiction). And I have also helped boys find cookbooks, animal books, drawing books. and fairytales. To me, it suggests that this is a social issue, and a difficult one. How can we(and by we I mean everybody) get boys to read all kinds of books, and respect and encourage their interests, whatever they are? That, I think, is the question.

Ana did not include the YA category from the Stoker Awards in her analysis, She has said she’s open to including information on other YA awards. It would be great if someone from the HWA could provide her with the information, which could help inform her research.

Shirley Jackson Awards Announced

The Shirley Jackson Awards for 2011 were announced earlier this month in Burlington, Massachusetts at Readercon 23, Conference on Imaginative Literature. The awards honor outstanding achievement in the literature of psychological suspense, horror, and the dark fantastic. There are a lot of familiar names on the list…  some of the nominees were also candidates for the 2011 Stoker Awards (“The Ballad of Ballard and Sandrine” by Peter Straub, The Corn Maiden and Other Nightmares by Joyce Carol Oates, Red Gloves by Christopher Fowler, Supernatural Noir edited by Ellen Datlow, Blood and Other Cravings edited by Ellen Datlow, and Ghosts by Gaslight edited by Jack Dann and Nick Gevers), and there are others that we reviewed on there as well (The Thackery T. Lambshead Cabinet of Curiosities edited by Jeff and Ann VanderMeer, The Last Werewolf by Glen Duncan, and Teeth edited by Ellen Datlow and Terri Windling). I was also excited to see that Kelly Link and Kit Reed  appeared on the list.  The entire list of nominees and winners is below. Congratulations, all!

2011 Shirley Jackson Awards Winners

NOVEL

WINNER:

Witches on the Road Tonight, Sheri Holman (Grove Press)

Finalists:

  • The Devil All the Time, Donald Ray Pollock (Doubleday)
  • The Dracula Papers, Reggie Oliver (Chômu Press)
  • The Great Lover, Michael Cisco (Chômu Press)
  • Knock Knock, S. P. Miskowski (Omnium Gatherum Media)
  • The Last Werewolf, Glen Duncan (Canongate Books, Ltd.-UK / Alfred A. Knopf-US)

NOVELLA

WINNER:

“Near Zennor,” Elizabeth Hand (A Book of Horrors, Jo Fletcher Books)

Finalists:

  • “And the Dead Shall Outnumber the Living,” Deborah Biancotti (Ishtar, Gilgamesh Press)
  • “A Child’s Problem,” Reggie Oliver (A Book of Horrors, Jo Fletcher Books)
  • “Displacement,” Michael Marano (Stories from the Plague Years, Cemetery Dance Publications)
  • The Men Upstairs, Tim Waggoner (Delirium Books)
  • “Rose Street Attractors,” Lucius Shepard (Ghosts by Gaslight, Harper Voyager)

NOVELETTE

WINNER:

“The Summer People,” Kelly Link (Tin House 49/Steampunk! An Anthology of Fantastically Rich and Strange Stories, Candlewick Press)

Finalists:

  • “The Ballad of Ballard and Sandrine,” Peter Straub (Conjunctions 56)
  • “Ditch Witch,” Lucius Shepard (Supernatural Noir, Dark Horse)
  • “The Last Triangle,” Jeffrey Ford (Supernatural Noir, Dark Horse)
  • “Omphalos,” Livia Llewellyn (Engines of Desire: Tales of Love & Other Horrors, Lethe Press)

SHORT FICTION

WINNER:

“The Corpse Painter’s Masterpiece,” M. Rickert (The Magazine of Fantasy and Science Fiction, Sept/Oct, 2011)

Finalists:

  • “Absolute Zero,” Nadia Bulkin (Creatures: Thirty Years of Monsters, Prime Books)
  • “Hair,” Joan Aiken (The Monkey’s Wedding and Other Stories, Small Beer Press/ The Magazine of Fantasy and Science Fiction, July/Aug, 2011)
  • “Max,” Jason Ockert (The Iowa Review 41/1)
  • “Sunbleached,” Nathan Ballingrud (Teeth, HarperCollins)
  • “Things to Know About Being Dead,” Genevieve Valentine (Teeth, HarperCollins)

SINGLE-AUTHOR COLLECTION

WINNER:

After the Apocalypse: Stories, Maureen F. McHugh (Small Beer Press)

Finalists:

  • The Corn Maiden and Other Nightmares, Joyce Carol Oates (Mysterious Press)
  • Engines of Desire: Tales of Love & Other Horrors, Livia Llewellyn (Lethe Press)
  • The Janus Tree, Glen Hirshberg (Subterranean Press)
  • Red Gloves, Christopher Fowler (PS Publishing)
  • What Wolves Know, Kit Reed (PS Publishing)

EDITED ANTHOLOGY

WINNER:

Ghosts by Gaslight, edited by Jack Dann and Nick Gevers (Harper Voyager)

Finalists:

  • Blood and Other Cravings, edited by Ellen Datlow (Tor)
  • A Book of Horrors, edited by Stephen Jones (Jo Fletcher Books)
  • Supernatural Noir, edited by Ellen Datlow (Dark Horse)
  • Teeth, edited by Ellen Datlow and Terri Windling (HarperCollins)
  • The Thackery T. Lambshead Cabinet of Curiosities, edited by Ann and Jeff VanderMeer (Harper Voyager)

 

 

 

The German Wins Lambda Award

Awards must be in the air for quality horror fiction. Winners of the Lambda Literary Awards were announced in early June. The German, by Lee Thomas, another Stoker nominee this year (in the category for superior acheivement in a novel) won the award for LGBT SF/F/Horror (wow, that’s a lot of acronyms!).The Lambda Literary Awards are given by the Lambda Literary Foundation for literary merit and relevance to LGBT lives, to paraphrase the submission guidelines.

I think that’s very cool. We don’t see much LGBT fiction come our way. It is wonderful to see the horror genre spotlighted here!

Congratulations, Lee!