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Book Review: Choking Back the Devil: Poems by Donna Lynch

Choking Back the Devil: Poems by Donna Lynch

Raw Dog Screaming Press, 2019

ISBN: 978-1-947879-12-6

Available: Paperback, Kindle

 

In the Afterword to Choking Back the Devil: Poems, Donna Lynch describes how the reader’s “immersion” in horror poetry can be “an ax right to the torso” and more intense than the horror fiction which she also writes. This poetry proves her right. Lynch has created nightmarish psychological landscapes full of emotional pain and torture and menacing nameless and faceless figures that are humans, monsters, and witches. Her words reveal monstrous truths like the real life horrors that are so bad we might want to believe they could only be fictional.

The central poems in this collection focus on capturing the trauma of torment in terrifying emotional detail. The poet keeps the spotlight on feelings rather than actions. There is despair here and a loss of faith, even in God, as well as symbolic images of mutilated internal organs and “hollowed” victims running in terror. In the most ghastly of these poems, the title poem, a body is invaded by the devil. As if that is not enough, Lynch does not spare the reader from imagining being the random victim of a callous human monster in the aptly named poem “It Just Wasn’t Your Night” and contemplating the chilling fate of each child in “Sacrifice” who is “chosen” to suffer in place of the rest. But, neither does she leave out those who turn their horrific memories into weapons, anger, and even a sisterhood of sorts as is the case in “Legend” and “Honey.”

Other poems move in different directions while maintaining the same emotional content. “If You Love Me” uses terrifying thoughts that a rational person might only think but never seriously enact to show how it feels when a victim of a manipulative love turns what should be doubt in someone else into self-doubt.  A clever little poem, “Wreckage,” uses a mirroring word effect in two stanzas to show alternative perspectives in a relationship, and “My Incomplete Children” makes one think of Anne Bradstreet’s “The Author to Her Book” with Lynch’s poems being the horror version since her poems, as she says, “have teeth.” And, indeed, they do. Highly Recommended

Contains: body horror, posssession, violence.

Reviewed by Nova Hadley

 

Editor’s note: Choking Back the Devil: Poems was nominated to the final ballot of the 2019 Bram Stoker Award in the category of Superior Achievement in a Poetry Collection.

Book Review: Dear Laura by Gemma Amor

Dear Laura by Gemma Amor

Self published, 2019

ISBN: 978-1-797875-7-12

Available: Paperback, Kindle edition

 

There are a lot of horrors in modern reality that don’t require monsters and boogeymen.   When combined, child abduction and fear of the unknown are two of the most effective ones.  In Gemma Amor’s quick 120 page novella, she uses them well.  This is a fast story with no drag between the pages, although the minimalist style she writes with may be off-putting to readers who prefer heavily developed stories.   Those who get squeamish about child abduction and murder in their fiction may want to look elsewhere, although there are no gory details.

 

Laura is a 14-year-old girl, who has the misfortune to leave her best friend and first boyfriend, Bobby,  alone at the bus stop for five minutes.  She returns to see him violating the #1 rule for kids: don’t ever get in a van with a stranger.  The van leaves, and that’s the last anyone ever hears from Bobby.  It’s not the last Laura hears, though.  On her birthday, she receives her first letter from ‘X,’ who claims to have taken Bobby.   Thus begins a bizarre game of quid pro quo, where X reveals a little more of Bobby’s fate with each yearly letter, as long as Laura leaves a personal object he requests at a specified location.  Some of the objects are mundane, and some require a personal and painful sacrifice of a physical nature from Laura.  This continues for decades, until the story resolves in the final few pages.

 

The story is told in the third person, and only from the point of view of the protagonist, it never shifts away from Laura.  The narration throughout Dear Laura is a very stripped-down, bare bones type of writing.  There is little time given to description in this book, and the backstory to the characters is essentially non-existent.  Dialogue?  Forget about it, there’s only ~10-15 lines of dialogue scattered throughout Dear Laura‘s 117 pages.  This is very straightforward writing: it tells what is happening, and doesn’t elaborate on anything.  Does the simplistic style weaken the writing?  No, it doesn’t.  Considering the bleakness of the subject matter, the basic style that author Amor uses lends to the curiously odd appeal.   People always seem to want answers to everything in life, and when people read books, they don’t want to just know what the villain did; they want to know WHY he did it.  Amor doesn’t waste time elaborating on such niceties, as they would get in the way and slow down the story.  That’s why her sparse writing style really shines with the novella’s subject matter. Sure the reader will have more questions than answers at the end of the story, but often, that’s what life is like anyhow.  Considering how often people in this world do evil things for no particular reason, the overall lack of explanation for actions of certain characters in Dear Laura make it all the more interesting…and realistic.

 

For readers that want an interesting, quick-paced story with no wasted time, Dear Laura should land right in their wheelhouse.  Most readers should find this appealing, the only exceptions being people who require densely layered stories and no plot holes.  Recommended.

 

Contains: violence, child abduction

 

Reviewed by Murray Samuelson

 

 

Editor’s note: Dear Laura was nominated to the final ballot of the 2019 Bram Stoker Award in the category of Superior Achievement in a First Novel.

 

Book Review: Shapeshifters: A History by John B. Kachuba

Shapeshifters: A History by John B. Kachuba

Reaktion Books Ltd, 2019

ISBN-13: 978 -1789140798

Available: Hardcover

 

 

Do you know the origin of the word berserk?  Have you heard about a community of vampires in Buffalo, New York? Do you think of Jesus as a shapeshifter? These are some examples of information from the ancient past to the present that you will find in John B. Kachuba’s Shapeshifters: A History. This is a short book packed full of interesting details from myths and legends from around the world, historical research that sifts through the beliefs about shapeshifters in different cultures, and many brief stories of the exploits, drama, and dangers associated with these sometimes frightening creatures whether animal, human, or supernatural in form.

 

Kachuba presents a wide-ranging array of shapeshifters that stretches the definition of the word from physical transformations to psychological anomalies. He branches out to consider masks and costumes as ways people attempt to shape shift. Individual chapters suggest narrow categories such as the shapeshifting powers of gods, goddesses, and faeries, even gender transformations, but within the chapters, there is an attempt to pull in so many different categories, time periods, cultures, and religions that some sections become descriptive lists interspersed with storytelling and repetitive analysis. The vampire and werewolf chapters contain mainly information that will be familiar to most seasoned readers, but even so, there are fresh perspectives and analysis.

 

As Kachuba takes us back and forth through the centuries, he provides historical perspective and takes time to examine the origins of the beliefs and how they have been related to morals, values, education, and parenting. He notes the positive and negative influences that a belief in shapeshifting has had around the world and over time. The section on literature and the media provides young adult readers with information on related books, films, art, and television shows that will reveal how shapeshifting is still interesting to us today. Overall, this entertaining book is the type you’ll want to dip into according to your whims and use to further your own explorations on the topic. Recommended.

 

Reviewed by Nova Hadley

 

Editor’s note: Shapeshifters: A History was nominated to the final ballot of the 2019 Bram Stoker Award in the category of Superior Achievement in Non-Fiction.